There is a line in "Blood And Two Males":
"The world has changed, and we are no longer suitable for this jianghu because we are too nostalgic."
The older people get, the more willing they are to reminisce about the past.
Because the happiness at that time was very simple and simple, this kind of behavior is called nostalgia.
The passage of time takes away not only the growth of age, but also the forcible deprivation, like a mottled brick wall, even if it is tagged with new putty, it is still not what it used to be.
However, sometimes, the time thing does not even give us the opportunity to hit the putty.
Its ruthlessness, iron-faced selflessness, our surprise, tears flowing, because time makes us too late to remember and let the disease take Uncle Da's life.
Who doesn't like this "soft rice hard eating" first person, but he left us.
#Wu Mengda's death is a lack of youth for us, because another "carrier" representing memory has gone to heaven.
This sad event represents the glorious pyramid of Hong Kong cinema, which lacks a solid foundation; on the train of rapid development of Chinese film, there is one less respectable "passenger".
Wu Mengda has played all kinds of small people.
These little characters he plays have a core, which is related to two words, namely dream and counterattack.
They all have a common story, located at the bottom of society, unpopular, passers-by are also cold-eyed, but they will seize the opportunity and continue to work hard.
The final ending is also reborn and admired by thousands of people, but the little people also have the integrity of the little people, and he will "whisk away his clothes and hide his merits and fame".
Wu Mengda in the movie is like the prodigal son who wanders here, living with absurdity and humor.
He was Gu Feng, a disciple of the previous generation of the Cangqiong Sect, who was forced to jump off a cliff because of the crime of defending the same door, fortunately, he got the Moonlight Treasure Box, crossed over to become the second leader of the Axe Gang, and then under the influence of the Supreme Treasure, he went to the Western Heavens to learn the scriptures.
When he arrived in the Western Heavens, he was appreciated by the Buddha and named Fuhu Arhat, but his good friend descended to the dragon Arhat, violated the Heavenly Rules and was reduced to mortal by the Jade Emperor, and Fuhu accompanied Fan and formed a relationship with him for several lifetimes.
They are father and son, uncles and nephews, teachers and apprentices, and friends.
In the first life, Su Can was his son, but this son did not learn any skills, drank and had fun all day, and was backward in the family road, and his father always protected him.
Living on the streets with his son, suffering humiliation, but whether it is eating dog food, being injured for his son, or unrepentant of scattering his family wealth, he will rush to the front.
Maybe it's a little bit of suffering in this life, but in the next life, they are still father and son, but they are more happy than sad.
Su Can became Gu Jing, a famous expert in deceit, and his father became a che qinren, and he was honest and honest all his life, but their relationship remained unchanged.
The ancient crystal elf is eccentric, teasing his father with a senseless posture, and the che relatives are kind and simple, and they deal with their son's tricks with the misfortune of every stroke.
The joy of this life has continued.
The relationship between the two of them became an uncle and nephew, and the third uncle took the star boy to worship the god of gambling, married a gambler, became a gambling saint, and even crossed back to the Qing Dynasty with the help of the moonlight treasure box again, and staged a counter-string drama between the nine girls and the thirteenth uncle.
Since they came to the Qing Dynasty, tourists who naturally could not do the road had to leave some traces, so they hid their uncles and nephews and called themselves masters and apprentices.
This change of title is directly from ancient times to modern times.
During the Qing Dynasty, the third uncle was the Duke of Hai and taught him the dragon claw hand; in the 90s, the third uncle was the ghost king Da, nicknamed the Devil Tendon Man, who taught him ancient Chinese boxing;
In the 21st century, the third uncle is Zeng Jinjin's right foot, and now the champion coach Ming Feng, teaching Xingzai how to combine kung fu and football to have a head.
Maybe maintaining a good relationship all the time makes them a little tired, and they're a little stimulating.
Xingzai wants to be an actor, starting from the dragon set, the third uncle creates difficulties for him, and the avatar field affairs repeatedly embarrass him, and even scolds him and reduces him to a piece of.
Xingzai He had suffered from such a nest of qi, and suddenly remembered his identity as a descending dragon arhat.
Although he is still experiencing disasters, no one will refuse to let his good friends in the heavenly court help, so Star Boy becomes a god eater, and the third uncle becomes a mortal boss.
First let the third uncle get as cheap as possible, and then make a comeback, deliberately show weakness, and beat the third uncle by surprise and lose everything.
Revenge, jokes, and they're back in familiar mode.
The third uncle has the prestige of the tiger of the serious crime team, funny, obscene, and unpretentious, and the stars rise and fall, and finally embrace the beauty.
This is the story of Stephen Chow and Wu Mengda in the movie, and it is a traditional Hong Kong-style reunion ending, but the reality is not as beautiful as the movie.
Wu Mengda is the prodigal son who came out of the movie.
The prodigal son is like a legless bird, when he comes to the human world, he can only fly and fly non-stop, and once he lands on the ground and receives the earth's breath, his life also comes to an end.
So Wu Mengda let us see only laughter, no folding wings and stopping flights, because he felt that he was not beautiful enough.
Stephen Chow is a troubadour in the movie.
He loves poetry and far away, thinks about money and human feelings, and he can be a layman who is entangled in the immediate situation, or a hermit who rarely appears.
However, after all, there is no word "easy" in adult life, so Stephen Chow's movies cannot avoid smoke and fire, and they can't escape the nine-to-five.
Although the life trajectories of the two of them are different, their similarities are overlooked, such as their acting skills, especially Wu Mengda, whose acting skills are superb and layered.
If you change a person to play his role, the effect is completely inferior to Wu Mengda's natural and relaxed, but it is embarrassing to overflow the screen.
However, he only won the Academy Award for Best Supporting Actor with "Heavenly Love" in his lifetime, which is also his only acting award, and it is also a loss to the Academy Award.
The footage of "Shaolin Soccer" bending down and kneeling on the ground to shine the shoes of Qiang Xiong (played by Xie Xian) best reflects Wu Mengda's superb acting skills.
After the golden right foot MingFeng (played by Wu Mengda) was discredited, he became a small miscellaneous servant next to Qiangxiong, and when he saw the male brother who was in the limelight walk in, he immediately greeted him with a smile on his face and asked to shine his shoes.
However, Brother Xiong did not pay attention to his kindness, but let him lie down, put his feet on Ming Feng's head, and repay the humiliation of kneeling that year, and naturally there was no respect for Ming Feng.
Seeing that Brother Xiong reproduced the scene of that year, Wu Mengda's expression changed from flattery to shock, with a hint of disbelief.
After getting up, in order to lead the commitment of the team, it became a social laugh, which was mixed with overwhelmed, but he still held back his anger knowing that people were under the roof.
Until he heard Brother Xiong say that he had arranged to break his leg that year, his emotions were surprise, bitter smile, anger, sadness and helplessness, and in just a few seconds, Wu Mengda interpreted the joy and sorrow quite naturally.
Such acting skills have to make people clap their palms badly.
The award does not understand Uncle Da's good, we will remember his good.
He is the interesting Duke of Hai in "Deer Ding", the father of Cimei and Shanmu in "Wu Zhuangyuan Su Qi'er", and the second boss who flatters and steals and slips in "Journey to the West";
He is the sinister and cunning boss of "God Eater", the oscar-winning field manager of "The King of Comedy", and the coach who endures humiliation and burden in "Shaolin Football".
He used these roles to bring us a lot of joy, but did not exchange for his own peaceful old age.
Maybe God wanted to see a comedy and took Uncle Da away, but he forgot that he left us with irreparable tragedies, the only thing left was the strangeness and laughter in the light and shadow.