What is Wei Bei?
。 At this time, calligraphy is a transitional calligraphy system that inherits the past and the future, and Zhong Zhishuai said that the Wei monument "can peek at the old model of Han and Qin, and can observe the Sui and Tang customs." "Weibei calligraphy had a great influence on the later formation of Sui and Tang calligraphy. Successive generations of writers have also drawn useful essences from them in innovation and change.
Wei Bei's style is diverse, simple and rugged, comfortable and flowing. Extremely famous such as "Zheng Wen Gong Monument", "Zhang Ronglong Monument", "Gao Zhen Monument", "Yuan Huai Epitaph" and "Zhang Xuan Epitaph", which have opened the precedent of Sui and Tang Kai calligraphy. In the middle of the Qing Dynasty, he advocated "honoring monuments and suppressing posts", breaking through the shackles of "pavilion style", the rise of epigraphy, and the style of writing changed. The Wei stele inherits the tradition of Han Andi, and the new style of The Tang Dynasty kai has laid a solid foundation for the knotting and brushwork of modern Chinese characters. However, there are many cliff carvings, not the first book Dan shang stone, but directly carved on the stone surface, when writing, we must pay attention not to make the knife marks exaggerated, so as not to get used to habits.
Why do you like WeiBei? Why love Wei Bei?
First, ancient clumsiness, vigorousness
Second, rich in change
Third, it is easier to learn than Tang Kai
Fourth, the writing method is flexible
Fifth, just like
(Jingzhou • Chen Huajun)
One. Ancient and strong
Two. One monument and one wonder
Three. Flexible penmanship
Tianjin He Kai
One is the beauty of change.
The second is the Foundation of Tang Kai.
The third is to show personality.
Yunnan Baoshan Jiang Tianming
Statue of Shiping Gong
Carrying on from top to bottom, the style is diverse, the penmanship is clumsy, the pen is used to swing arbitrarily, and the knot body is shaped according to the situation and is not bound. Guangdong Dai Huaiyang
First, there are both commonalities and personalities, and it is highly excavatable
Second, there is both innocence and arrogance, and inclusiveness
Third, it is both dangerous and can solve contradictions, and it is highly malleable
Fourth, it can not only catch up with Gao Gu, but also be able to connect with Tang Kai, and can be grafted strongly
Fifth, it can not only integrate Han Li, but also have grass, and can be creative
Hubei Suizhou • Yangli
First, majestic, magnanimous and grand.
Second, the line pen is strong and powerful, and the line changes are rich.
Third, the dot painting is thick and thick, and the knot body is peculiar.
Fourth, ancient and elegant.
Shanxi Cui Pengxuan
First, the dot painting Fang Jun is strong.
Second, the structure is very changeable.
Third, the atmosphere of the rules is smooth.
Fourth, the writing is condensed and beautiful.
Fifth, the style is simple and elegant.
Yang Guofang, Cangzhou City, Hebei Province
Zhang Raptor's Epitaph
First, the penmanship is rich and changeable.
Second, the shape is beautiful.
Third, the atmosphere is thick.
Fourth, ancient clumsiness.
Fifth, the style is diverse.
Daqing Tangshan
First, the Wei Monument Body Wind God is high and ancient.
Second, the grammar is rich and varied.
Third, the bones are strong and strong.
Fourth, Weibei calligraphy is an important resource for the study of large character lists.
Fifth, Wei Bei is also suitable for his own temperament.
Zhangdian District, Zibo City, Shandong Province, Yuhailong
Li Bi's epitaph
First, the beauty of the Wei Monument is strange, steep, unyielding, and majestic as the steep peaks. The posture is straight, neither bloated nor dry, and it is completely on my aesthetic point
Second, straight, hard bones, very similar to my own personality, stubbornly insisting on myself.
Third, the rigidity is soft, although the iron bone is strong, but it does not hinder the romance and sentimentality in it
Fourth, the arrangement of every stroke and every word is beyond expectations and reasonable.
Fifth, it can be indulged as a stele of a raptor, and it can also be a small family jasper like a stone wan epitaph. He has the way you want it
(Changzhou, Jiangsu, Huang Biling)
1. Tight and external in the junction, wide and free, jagged in size, positive and positive, and shaped according to the situation.
2. Use the pen to swing freely without losing rigor. Both square and round, rigid and soft, and vivid and elegant.
3. The dot painting is thick and rich, simple and flexible, and the abundance is not lost in the plate.
4. The overall strength, simplicity and natural nature.
( Hubei Jingzhou, Zhu Legislature)
Yuan Zhen epitaph
First, it is as upright as my personality.
Second, it is simple and natural, and it is not pretentious.
Third, the vigor does not lose its prestige, giving people a down-to-earth aesthetic.
Fourth, it is attractive! Often detailed, varied and interesting, opening and closing degrees.
Fifth, it is conceivable to play, without losing the "Wei Bei" brushwork and the law of the law of knotting, write out the feeling of their own understanding!
(Shaanxi Dali Zhang Zhaohong)
Yu Right Ren calligraphy
Wei Bei's pen painting Fang Jun, the dot painting is strong, the posture is dangerous, the retracting is free, and the momentum is grand!
(Zheng Zhiyong, Langfang, Hebei)
First, the penmanship is clumsy and vigorous
Second, the knot style is diverse
Third, the momentum is long and interesting
Fourth, majestic and high ancient nature
Fifth, dashing and ancient, strange and positive
(Xi'an Li Peng)
He Shaoji's authentic handwriting
The characteristics of the calligraphy art of stone carvings in the Northern Dynasty, Kang Youwei once made a very wonderful summary, counting ten beautiful: "One is bold and powerful; the second is meteorological and murky; the third is the brushwork jump; the fourth is the dot painting is thick; the fifth is the strangeness of the mood; the sixth is the spirit of flying; the seventh is the interest of the foot; the eighth is the bone method of dongda; the ninth is the structure of the heavenly formation; the tenth is the richness of flesh and blood." "Praise the North Monument" for "the beauty of the people, through the ancient and modern, the extreme positive change, enough for the bookmaker's pole rule", and said: "Take one family, all are enough to become a body, and if you meet all the families, then it is the beauty of all"
Sun Boxiang's true deeds
Zhang Zhidong
Lai Shaoqi
Li Peng is a native of Chunhua, Shaanxi. Song Jingzhai and Zhitang, now living in Xi'an, are deeply instructed by Mr. Hu Limin, a famous Chinese calligrapher. He is currently a researcher at the China Academy of Calligraphy Art, a member of the Shaanxi Calligraphers Association, and a member of the Shaanxi Young Calligraphers Association. Mainly attacking Wei Stele and Xi Xingcao, calligraphy advocates majestic and ancient, with strange intentions, full of interest, and majestic spirit.
Participated in the national calligraphy competition and won awards, Shaanxi Daily, Sanqin Metropolis Daily, Shaanxi Calligraphy, Huashang Daily, Calligraphy Herald, Culture and Art Newspaper, CCTV Calligraphy and Painting Channel, China Education Television and other newspapers and periodicals reported that during the Spring Festival in 2018, the Spring League was written for Terminal 2 of Xi'an Xianyang International Airport, and hung in the hall, in 2019 for Jiangsu Tianguo Beverage inscription trademark "Hongdritang", in 2020 to participate in the "Yungang Cup" The works of the First National Weibei Calligraphy Biennale won the second prize CCTV Calligraphy and Painting Channel live broadcast throughout the whole process, and the calligraphy works were collected by international friends, people from all walks of life and collectors.
Teachers Li Peng and Liu Heng