Tang Bohu, the ancient Chinese literati who was filmed the most times, tang Bohu's story of dotting Qiu Xiang, I don't know how many versions of the film have been made. Although we have not read many poems of Tang Bohu and have not seen many paintings of Tang Bohu, the fame of Tang Bohu, the talented man of the wind, is not lower than that of Li Bai Du Fu Su Shi, and even in the hearts of ordinary people, perhaps Tang Bohu's fame is even greater.
Tang Bohu spent his life in the shape of a wandering skeleton and indulged in wine, so he sent out a little autumn fragrance. Wen Zhengming once wrote to Tang Bohu, saying: "My father said that you have talent, but you are frivolous, and I am afraid that you will not achieve anything." As a result, Tang Bohu wrote back and said, I am so natural, if you are not used to me, don't be friends with me. He didn't take his friend's advice to heart at all.
Tang Bohu's indulgent behavior of wine is not advisable, but his otherworldly attitude towards life is very desirable, he is not only detached from worldly fame and fortune, but even beyond life and death, which can be reflected in his "Dying Poems".
Dying poems
Tang Bohu
Born in the Yang Realm and scattered, why should he die and return to the earthly mansion?
The Yang Dynasty is similar, only when it floats in a foreign land.
The first sentence, "Born in the human world, there is a scattering field", that is, life in the world, the original is gathered and scattered, and death is only a form of separation.
In the second sentence, "What is the harm in returning to the mansion after death", what is the harm in leaving the world and returning the soul to the mansion? The three words "why bother" show Tang Bohu's attitude towards life that he does not care about death.
In the world and in the mansion, in fact, it is the same, death, as if people are displaced.
There is a sentence in the first line of the ancient book "Orchid Pavilion Preface": "Death and life are also great." "Life and death have always been a major event in life, and people in the world who do not desire eternal life, the emperors of the dynasties who have pursued the elixir have all shown the fear of death of human beings.
Tang Bohu's old age was not popular, his later life was very poor, he had to rely on the help of friends to live, and he died of illness at the age of 54. However, in such a poor life, being able to maintain such a detached attitude towards death may be Tang Bohu's true flow.