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The most individual painter of the late Qing Dynasty, Xu Gu

author:Gasha
The most individual painter of the late Qing Dynasty, Xu Gu
The most individual painter of the late Qing Dynasty, Xu Gu
The most individual painter of the late Qing Dynasty, Xu Gu
The most individual painter of the late Qing Dynasty, Xu Gu
The most individual painter of the late Qing Dynasty, Xu Gu
The most individual painter of the late Qing Dynasty, Xu Gu

Void Valley (1823-1896):

Commonly known as Zhu, the name Huairen, the monk's name is vain, the character is virtual valley, alias Ziyang Shanmin, Tired Crane, room name Jue Fei An, Gubai Caotang, Thirty-Seven Peaks Caotang. He was born in Xin'an (present-day SheXian County, Anhui) and was based in Guangling (present-day Yangzhou, Jiangsu). He inherited the painting styles of the Xin'an school of gradual rivers and Cheng Yi and traced back to the Song and Yuan dynasties, and was also influenced by Yangzhou painters such as Hua Silla, and his brush ink was old and spicy and clumsy, and he was known as "the first painting garden in the late Qing Dynasty". Haipai master Wu Changshuo praised it as "one punch to break the past and the present". He once served as a general in the Qing Army, and then had a feeling and put on the empty door, the "Dictionary of Chinese Art" said that he was "not vegetarian, not respectful of the Buddha", and also "never Zhuo Xi Monk Temple", often traveled to and from Shanghai, Suzhou, Yangzhou - belt, to sell paintings for a living, and finally slept quietly on the painting case of the Guandi Temple in Shanghai, riding the Yellow Crane to the west.

The most individual painter of the late Qing Dynasty, Xu Gu

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