Zhou Shen has released a new song, this time it is the theme song of the "Forbidden City" documentary: "Light".
This song is basically in line with Zhou Shen's impression in front of the public, and the overall song is light and functional, showing more soft tones.
The song is composed and arranged by Qian Lei, and the quality has a certain guarantee, speaking of which, the relationship between Qian Lei and Zhou Shen is really quite good, and many songs of Zhou Shen are written by Qian Lei.
Qian Lei is capable of writing blockbuster and good singles, but it is currently unknown when this song will appear.
Let's talk about the main song part of this song first, the overall continuation of the techniques that Zhou Shen is accustomed to using when singing the main song, the tail note is weakly sustained, and the frequency used by the air sound is relatively large.
Here again, why Zhou Shen is used to using qi sound in the main song part.
Most singers in the bass is difficult to make the song have too much mood change, the use of air sound can make the song in the main song part of the layered.
My favorite part of the main song is this sentence: "Maybe you can't guess the unknown fate." ”
The three words "maybe you" in this sentence are one state, and the "unpredictable fate" after this sentence is another state, and that sense of infinite reverie may need such a voice to sing.
The chorus part of the song is very difficult, and although it does not seem to be difficult to hear, it is quite difficult to actually sing well.
The whole chorus is sung in the collection, and the breath wraps around the feeling of the sound slowly pushing out, mainly to make the first chorus of the song less heavy, and then the second chorus begins to explode.
For example, this sentence: "The smallest, weakest, softest and fearlessst of you." ”
Finally, the word "you", "weak" at the same time to bring the chest voice, so that the sound has a little power, this layering, are some small details, but it can raise the song to a higher level.
Talking about this scene, many people say that this scene is very amazing, I personally think it is okay, perhaps because after listening to the scene of Zhou Shen, there is not much reaction to a small piece of the scene that is not too loud.
Although the previous "Painting Silk" cavity is not long, but that section will sound better, I am not referring to Zhou Shen's singing skills, but the combination of the opera cavity and song arrangement, which is quite appropriate.
The drama is just a routine operation for Zhou Shen, so you don't need to be too surprised!
Listening to the second chorus, you may understand how much the role of Zhou Shen's first paragraph is weak, if the first paragraph is not weak, then the second paragraph cannot be so shocking.
There is a high pitch in the middle of the second paragraph and the following cavity, and the wordless humming rises C5, which is not too high for Zhou Shen, but it is a very shocking point, the sound is vast, and there is no sense of thin voice at all.
The last chant of the song should be the part of the song melody that best fits the temperament of the song, and suddenly people can enter the emotions that the singer wants to describe.
Overall, this is still a very good song, soft and good, but the song wants to become a blockbuster single is more difficult, the melody is not towards the blockbuster to produce, after all, is the theme song of the "Forbidden City" documentary.
After listening to this song, what do you think?
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