Essay title:
An ordinary Tibetan boy Ding Zhen became popular on the Internet because of his simple smile, which ignited the local tourism industry. Some regions have followed suit: Qinghai has launched a "horse racing boy", Shaanxi has found a terracotta warrior that resembles Ding Zhen, heilongjiang has found the "same style" Ding Zhen in many ice sculptures...
What kind of associations and thoughts did this incident cause you? Please contact real life, choose your own perspective, write your own topic, and write an argumentative essay.
Requirements: clear point of view, substantial arguments, reasonable arguments; fluent language, clear writing.
Example sentence
Find your own specialty
Recently, the pure smile of the Tibetan boy Ding Zhen has been sought after by the public, and with it, many regional tourism industries have imitated Ding Zhen. For example, qinghai's "horse racing boy" Shaanxi "Ding Zhen Terracotta Warriors" and Heilongjiang's Ding Zhen's same ice sculpture. Imitation is not impossible. But finding your own characteristics is the long-term solution for development.
Tourism emulates Ding Zhen for its own reasons. Ding Zhen's popularity on the Internet reflects the aesthetic and consumer psychology of contemporary people, and merchants use this hot spot and miracle to create the "same Ding Zhen", hoping to cater to the aesthetic taste of the public and meet the consumer demand of the public. Such behavior may attract tourists in a short period of time, but if everyone learns and families follow suit, the hot spots will change and the direction of events will change.
Rushing to imitate is bound to bring aesthetic fatigue. When people are tired of Ding Zhen who "blossoms everywhere", the merchants are scattered again, looking for the next "national hot spot", so that not only is it not a long-term development strategy, but also makes the tourism content appear homogeneous, which is not conducive to the development of China's tourism industry.
Exploring the tourism characteristics of various places and creating their own tourism business cards are the cures for such problems, so that China's tourism industry can present a posture of "a hundred flowers blooming". Kaifeng, Henan, took advantage of its historical and cultural advantages as the ancient capital of the Song Dynasty to create a theme park that imitated the society of the Song Dynasty - the Qingming River Map. Strolling in it, as if dreaming back to the bustling Song Dynasty, giving people the ultimate cultural experience, praised by tourists; in Anhui, local people use the characteristic architectural advantages of white walls and black tiles to create residential accommodation with Anhui characteristics, so that people can steal half a day of leisure in busy urban life, let the body and mind calm down, feel the charm of the white wall of ancient Huizhou, the charm of the small bridge and flowing water. These regions rely on their own advantages and characteristics to create their own brands. They don't need "Ding Zhen", they don't need to go with the flow, they don't need to chase "traffic", and they are also developing very well.
Behind the phenomenon of "Ding Zhen tourism" reflects the lack of exploration of their own characteristics by merchants, the unhealthy mentality of only wanting to chase traffic to earn fast money, and the embodiment of the herd psychology when consumers consume. Cracking this problem requires the guidance of the government, the operation of businesses, and the improvement of the aesthetic level of consumers in order to provide more living space for those characteristic high-quality tourism.
The "true" Ding Zhen
"I am Ding Zhen! Welcome to my hometown! The Tibetan boy Ding really smiled, so that everyone on the Internet focused on him and the scenery of Litang behind him, and for a while the tourists were one after another. But when Ding Zhen's appearance actually appeared on the countless ice sculptures in the snow-capped Heilongjiang, how should the lost "true" be recovered?
Ding's real popularity is not a bonus to appearance and a catalyst for the media. When the people in front of the screen praised his posture of swinging his whip and galloping through the snowy mountains and grasslands, what was really heartwarming was that he was alone in the pure and natural feng shui of Litang, and he could nurture a natural and innocent, simple and clear. Ding Zhen only belongs to Litang, if his back is no longer a blue sky and snow realm, but an urban street, a yellow sand desert and even a magnificent sea, then Ding Zhen will no longer be real.
Some of the propaganda strategies in other provinces and regions in the restaurant boom are ridiculous and obvious. The young men who roam freely on the grassland are all unique and heroic, and the majestic terracotta warrior formation is enough to shock people with their position. When the heritage and background of China's vast and beautiful scenery are thrown away, the sameness replaces the hundred flowers, and what is lost is not only the so-called "economic benefits" that were originally chased, but also the duty of tourism - to carry forward the attraction that belongs to the local scenery and make its beauty known to everyone. Propaganda that does not start here is bound to attract ridicule.
It is not difficult to find the unique "Ding Zhen" everywhere, the key lies in whether there is a pair of eyes that find beauty. As a representative of the world-famous ancient architectural complex, the Forbidden City in Beijing makes full use of cultural relics collections to launch products such as "Knowing The Truth" paper tape, plaque charging treasures and other products; the Sichuan-born rap group, through the launch of songs written in the local dialect, publicizes the local pyrotechnic food, clothing, and life culture in Sichuan, so that people in the country and even the world have also learned the unique charm of the provincial city of bamboo forest bluestone alleys. To restore the "truth" of local cultures, we must first uphold the confidence and love for local characteristics, uniquely excavate and expand, and no longer use the "true" Ding Zhen to create a "true" influence.
Let the real Ding Zhen stay in Litang, use a cultural self-confidence, several innovations, so that more different and real, rich in local cultural characteristics of the "Ding Zhen" character emerge.
Where the heart is
The popularity of an ordinary boy has led to the development of poor towns on the Border of Sichuan and Tibet, and has also promoted the development of various aspects of culture. Many districts and counties have also begun to follow this model, but most people only see the red fire on the surface of the Ding Zhen phenomenon, and ignore the meaning and purpose behind it. Only with a soul and a own reference (which is really unclear) can we bring true brilliance.
It's human nature to emulate good things, and who wouldn't want to add strengths to improve themselves? Blindly imitating will not only fail to learn the essence of others, but also erase their original characteristics. Like the Toddlers of Handan. Shaanxi found a terracotta warriors and horses similar to Ding Zhenzhen, how many people only value the similarity in appearance and ignore the cultural connotation of the terracotta warriors, which is a work of art refined by the old Qin people a thousand years ago. It is really sad that instead of pretending to be a work of art, it is known for "bumping into the face" with others. Another example is the masters of the Republic of China period, who only advocated blind "total Westernization", discarded China's thousand-year-old cultural accumulation, and cut enough to suit them, but in the end they failed to get China out of the situation of poverty and weakness, in the final analysis, it is because they abandoned the root causes, their understanding of this land and her people in China is not as good as a librarian, they have never really understood China itself. The same is true of blind imitation now, and removing the nature of imitation of others will only draw tigers and not anti-dogs.
Ding Zhen's original intention of becoming popular was only to promote the development of the local economy and let the local tourism economy in Litang develop, so as to get rid of poverty. In some areas, blind imitation has lost such a simple and beautiful heart, using it as a means of making money, without the deep core of poverty alleviation. If you do something without a heart, or have a bad heart, then no matter how good the thing you make is, it is only a fiery cooking oil, and it is too much smoke.
Regarding the original mind, do those who follow suit really realize it? Does this really achieve the purpose of the heart? Or is it really exacerbating people's stereotypes of poor areas and wasting the efforts of poverty alleviation personnel? What really makes the region grow up is not a face, but the efforts and dedication of millions of people behind it, how can such achievements be covered? The curiosity is the attitude of the Ansa to the native Americans and Africans, not the attitude of compatriots to their compatriots, and those who really care about poverty alleviation immediately exceed the poverty alleviation cadres behind Ding Zhen.
So "borrow the heat"
At the beginning of this year, a simple-smiling Tibetan boy exploded on the Internet, making the local tourism industry booming and triggering various places to follow suit. It seems like a successful reference, but I don't agree with this approach.
First of all, let's take a look at why Ding Zhen has been able to become popular on the Internet with a smile. The Kham region where Ding Zhen is located is a relatively closed area in China, and people's living standards are also backward, and there is a need to promote economic development. And Ding Zhen's smile is also a manifestation of the simplicity of the local people. People living in the city are embarrassed by busyness and loss, so they long for this simple life to find themselves. They are touched by Ding Zhen's smile and will also come here to find themselves, which can objectively drive the development of the local economy and improve the lives of the local people.
Second, let's reflect on the situation in areas that "borrow heat". These areas also have the need to develop tourism, and want to drive economic development, so they will "borrow heat". However, we think carefully that when people go to the Kham area, they want to "return to the basics"; when people go to Qinghai, they want to see barley and yaks; when people go to Shaanxi, they want to appreciate the richness of the history and culture of the Guanzhong region; and people go to Heilongjiang to feel the enthusiasm in the ice and snow. The situation is not the same, how can the core of something completely different to be tied together, how can it bring people real attraction? The Olympic poem promotes the spirit of unity and fair competition, but the 1936 Berlin Olympic Games became a place for the Nazis to carry out "Nazi" propaganda, and eventually ended up being laughed at and disliked by the world. Therefore, the way of development must be based on its own actual situation, and we must not blindly follow the wind and "borrow heat" at will.
Finally, let's look at the long-term impact. One day, Ding Zhen's heat will drop. What is left to people is the simple beauty of the eternal Khampa, and those areas that "borrow heat" will only prosper because of Ding Zhen, and will also be silenced by Ding Zhen's cooling, and will not get long-term development.
Development is not unspeakable, but it must not lose its own characteristics because of borrowing, and it must not lose itself in the noisy and lively traffic society. Do a good job of yourself, take your own personality road, on this basis, and then appropriately learn from the new form, in order to long-term development. Otherwise, it is tantamount to the east to apply the effect, in vain to increase the joke!
Reflections behind Ding Zhen's popularity
A pure smile, a pair of moving dimples, a pair of deep eyes... The Tibetan boy Ding really smiled spontaneously, and inadvertently brought himself and Khampa's blue sky and white clouds to the top of the hot search. For a time, the local tourism industry became popular, and this huge economic benefit also made all regions smell the wind, "horse racing boy" and "Ding Zhen ice sculpture"... For a time, the same model as Ding Zhen became the most eye-catching selling point, and "Ding Zhen" dominated the network traffic in the second half of 2020.
It is true that the spontaneity of the market will inevitably bring resources closer to hot spots. Emulating Ding Zhen can make all localities get temporary attention with the heat of traffic in the short term, bringing economic benefits, but in this traffic carnival about Ding Zhen, what we need more is calm thinking.
We need to reflect on the essence of the "Ding Zhen model" so successful? Putting aside the value of "beauty is justice", what we see is that Ding Zhen's own simplicity and cleanliness have caused the majority of netizens to yearn for an idyllic life, and this cleanliness depends on the natural and primitive ecology of the Kham area - the so-called "air nourishing people". And when we transplant Ding Zhen out of that pure land and place it inappropriately on the terracotta warriors and crystal clear ice sculptures in the loess pit, all we see is funny. On the one hand, this reflects the inertia of thinking in economic development in various places, blindly imitating appearances, completely failing to understand the essential core behind the Ding Zhen model, such as Dong Shi Gong and Handan toddler, but losing its own cultural characteristics that are truly enough to be proud of. On the one hand, we have to be vigilant that if capital is allowed to wantonly pursue profits and over-consume Ding Zhen's traffic, then after the carnival, the bubble will dissipate, not only the "horse racing boys" and "Ding Zhen ice sculptures" everywhere will have no harvest, but also a kind of blasphemous harm to Ding Zhen's own purity.
Shenzhou is vast and rich, and the regional culture is colorful, so why should we imitate a "Ding Zhen"? At the end of the year, in the program "National Treasures", Zhao Zhen, a popular cultural relics photographer, through telling his unique experience of taking ID photos for the Terracotta Warriors, expounded his reverence for the culture of the ancestors, his adherence to the Qin Tombs and his sense of mission to continue the lifeblood of China, which was enough to touch people's hearts. Let the terracotta warriors, a national treasure, be deeply rooted in the hearts of hundreds of millions of Yanhuang descendants, and let the mausoleum of the first emperor of Shaanxi become "popular" again. Therefore, seeking development opportunities based on their own characteristics is a good development strategy that should be deeply considered by all localities.
Less senseless "same paragraph", more based on their own interpretation, so that Ding Zhen will always remain pure, so that local cultures show their own style - this is the "Ding Zhen era" We should have the rational power.