Laughing to death, after watching "Lyceum Theatre", the highest voice was:
Lou Ye, you owe me Gong Li and Huang Xiangli's bed play.
How much desire is there between Gong Li and the second daughter Huang Xiangli? In the cinema, you are not sleepy.
It's not the first time Gong Li has gone to the sea to perform Lily.
Remember the magnificent Li Canghai and Wu Xingyun, how many people repeatedly watched the movie because they were nostalgic for this scene.
The Hong Kong films of the 90s have this magic, and Gong Li, who has the temperament of "Mother Earth", has also become fairy and fluttering.
Who does not love a beautiful and handsome woman, switch freely between attack and acceptance, and pinch between royalty and desire.
Men and women are different, in front of her are all ministers under the skirt.
Just listen to Eason Chan singing:
Let that fluttering skirt provoke war and give the world a richer love and hate...
This article gives a big heroine who is both sexes, aggressive, and not jealous of men and women.
Mention the male and female can not be distinguished, must mention Lin Qingxia.
When mr. Jin Yong was angry to death, Xu Ke not only turned the four-page Oriental undefeated in "Smiling Proud of the Rivers and Lakes" into an absolute protagonist, but also changed his gender.
Sometimes charming and sometimes fierce, sometimes demonized and sometimes evil, the undefeated birthstone of the East broke the sky, subverted the screen, and achieved Qingxia.
Laughing Pride 2: Undefeated in the East
"Laughing Pride 2: Oriental Undefeated" was too successful, and a year later, "The Undefeated Rise of the East" was called the work of dog-tailed sables, and the plot was indescribable.
Then again, who wants to watch what plot, see Lin Qingxia x Wang Zuxian's cp is not fragrant.
The Oriental undefeated played by Lin Qingxia is the first evil person standing at the peak of aesthetics.
Looking at her Gu Pan Shenghui, she can make men intoxicated, but they dare not have half a blasphemous heart.
There is a trick in that flattering eye, and the next second it will make you disappear.
Scratching his liver, he knelt on the screen.
In front of the first feminine Wang Zuxian, he was also heroic, a dashing and uninhibited gentleman.
If Yukichihiro is a gentle township, the Naoto people have turned the years upside down and are intoxicated and do not know where to go.
But she provoked the jianghu again.
Power, status, and reputation that could not be tarnished stirred up half of her life's toil and could not be at peace.
Desire, fierceness, cruelty, arrogance, turned into magic and revealed on the face.
The visitors who came for Qingxia and Zuxian, the last to linger, was the revelation of the "true self" of dongfang undefeated.
Drunk, barefoot, shaking and playing the piano, he sang "Laughing Red Dust":
May the wind be mine, may the moon be mine, and the willow-bottom flying flowers be mine.
Sing to the wine, be a free me, ignore the world and say what I am.
Just be a true self, spend time in laughter, and don't care about it.
When singing about wine, don't remember all causes and effects, and live happily and happily in the wind and rain.
Sprinkling her daughter's sex, so happy that she even forgot herself, this is the most relaxed and cheerful moment of the undefeated east.
She combines all the qualities, the original, the superego, the man, the woman, the romantic, the wild, the brave, the feminine.
The span is so large, the boundaries are so blurred, and it directly impacts people's aesthetics, but it uses "drunkenness", "leisure", and "happiness" to fill the gap of worldly desires.
No wonder Old Mr. Jin Yong was angry and complained that Xu Ke did not understand martial arts.
Xu Laowei has confused Mr. Zha's good and evil, orderly rivers and lakes, the hero is no longer bitter and deep, the hero desires to become a river, pursues joy, does not care about good and evil, and is also prone to world weariness, such a martial arts world is probably not recognized by Jin Yong.
Xu Ke's "Green Snake" is even more vivid in the world's desires, and it has a hazy oriental charm, shyness and timidity, and itchy boots.
You see its background music "Streamer Flying": do happy things with lovers, do not ask whether it is robbery or fate.
Abandoning the moral defense, the goblin is too moral, it is not good.
Wang Zuxian, in "Undefeated in the East", did not escape the symbol of a woman as an object of desire projection.
Wang Zuxian's compelling beauty brings people an impact far greater than the charm of the character itself.
But in "Green Snake", you know that she is a white snake, not Wang Zuxian.
Even if she "twists and turns, twists and turns", or falls with Xu Xian, the fear and aesthetic impact brought by her far cover the psychology of wanting to play blasphemously.
The boldness of the subject matter, the extreme expression, the greatest limit that an actor can break through.
Looking at it now, how rare it is, how difficult it is to find.
In "Dream of Visiting the Garden", Wang Zuxian counterattacked and attacked, becoming an object for another woman to look up to, which was another rich and charming.
Why can't women have the "attack" gas?
Passive vases, small white rabbits that can be slaughtered, ChuChu is not moving.
Xu Qing's buttocks, which are talked about in "Evil Does Not Pressure justice", are not as strong as Xu Qingfan's few slaps.
A few slaps down, a bold and insightful woman, instantly stood up, so that her final self-cutting, became logical, let people more sigh and respect.
Some people say that there is the most beautiful Gong Li in the "New Tianlong Eight Parts of the Heavenly Mountain Child".
Who could have imagined that Gong Li and Lin Qingxia formed a cp, what feeding medicine to touch the head to kill, what affectionate gaze and can not be asked, amazing time.
Why photograph the ambiguity between women and women, but also filmed into a magnificent era.
Men want to conquer women, and under the male gaze, female characters have to be catered to, more or less deformed, exaggerated, and distorted.
And when you think that the heroine belongs to the male protagonist, the audience will also be jealous, otherwise there will not be so many "let her go, let me come" barrage.
There is no subordinate relationship between women and women, they do not belong to anyone, only to themselves, blooming their own beauty, the audience can also appreciate two women at the same time.
They can collide with each other to produce the purest desires, the purest desires, the most beautiful and extreme images.
An actress's appearance can break through the limitations of gender, called plasticity, can perform the temperament of men and women, but requires deep acting skills.
This "attack" must have the calm and leisure to control the world, and have a strong determination to despise the surroundings, which requires the support of acting skills and its own extraordinary charm.
In "Lyceum Theatre", if it is not Gong Li, it is difficult to believe that anyone else would have a fatal attraction to women of the same gender.
There is a beauty called hermaphrodite, which can hide from Lin Qingxia and cannot hide from Mei Yanfang.
Gentle and feminine she has, tough and handsome she has;
It can be like a dream like a phantom moon, if it is like a flower, it can also be as loud as the sun and the moon, and as bright as a jade tree facing the wind.
In "Golden Branches and Jade Leaves 2", Fang Yanmei, played by Mei Yanfang, is beautiful and invincible, always so emotional and lonely and lost.
She was already learning to dance when others were learning to jump rope, she was reading lines backstage when others were in school, and she had filmed eighteen wedding scenes and sung a hundred times of loveless songs when others were in love.
She returned to Hong Kong this time to find the little white rabbit in her heart.
She is emotional for Lin Ziying (Yuan Yongyi), who is dressed as a man.
A very interesting point in the film is that Mui Yanfang and Yuan Yongyi have a gender transition in their dress.
In real life, Yuan Yongyi is Qingjun's male appearance, and in the play, it is a women's outfit with smart eyes.
On the contrary, Mei Yanfang is feminine outside the play and heroic in the play.
The neutral, fluid gender temperament of the two actresses reconciles the male and female, yin and yang very well.
The sentence "Whether you are a man or a woman, even if we just have it, I have no regrets in this life" is more like a declaration.
I didn't expect 2021, and watching 1996's "Golden Branches and Jade Leaves 2" is still deeply ahead of its time.
There is the most inclusive world in the movie.
There is no gender antagonism, no gender imagination, no packaging of one gender to cater to the other gender, and no deliberate creation of disputes and tearing up gender relations.
Men have women, women have men, do not deliberately do not hunt, the ambiguity and tolerance of gender really amaze us in 2021.
Cinema is a visual art, it is extreme, it is gorgeous, it shocks your senses, it is a form of expression.
It can break boundaries, escape from confinement, reach spiritual needs upwards, explore deep desires downwards, bring adventure and release, and also make people chew and reminisce.
But nowadays, the solidified film and television circle themes, stereotyped film roles, dogmatic themes, unconsciously, perhaps in the future, there will be fewer and fewer roles like this, and there will be fewer and fewer actresses who can control such roles.