Photo: Li Yuqin. In 1943, the 15-year-old Li Yuqin was selected into the "imperial palace" of puppet Manchukuo, and Puyi was "named" a "Fuguiren", and she was Puyi's fourth wife. After Li Yuqin entered the palace, Puyi set 21 articles for her, the main contents of which were: We must unconditionally abide by the ancestral system of the Qing Dynasty, obey Puyi in all words and deeds, and must faithfully serve Puyi for a lifetime, and we must not frown and face bitterly. When Puyi was happy, he let Li Yuqin sing to him, or did gymnastics to show him, and when he was unhappy, he reprimanded her, beat her with a broom, and after throwing a tantrum, he held out the "21 articles" and did not allow her to frown and bitter face, forcing her to break her nose and laugh.
Pictured: Meng Xiaodong and Mei Lanfang. In 1925, Meng Xiaodong left Shanghai to break into Beijing, and frequently performed in Beijing and Tianjin, participating in Kunban performances such as Yongqing Society, Qinglin Society, and Chongya Society. She was in the prime of cardamom years, bright and wise, and became a popular red horn in the Nine Cities for a while. At that time, the reddest Dan horn was Mei Lanfang, known as the "King of Ling", who played a woman as a man; the reddest horn was Meng Xiaodong, who played a man as a woman. Qiandan Kunsheng, inverting yin and yang. There are good people who have vigorously promoted their cooperation in performing "Shiro Visiting Mother", "Dragon Play Phoenix", and intentionally matching them to become good couples and become good stories in the drama world.
Photo: New Yanqiu. Xin Yanqiu, formerly known as Wang Yuhua, Peking Opera Danjiao, famous cheng pai descendant. During the Republic of China, he was promoted as one of the "Four Great Kundans" and "Chairman Kunling". In his early years, he studied Zizi, and later changed to Peking Opera, and successively worshiped Rong Dixian, Mei Lanfang, and Wang Yaoqing as his teachers. He specializes in Cheng Pai because he loves Cheng Opera and is a disciple of Cheng Yanqiu. In the 1980s and 1990s, it performed at an ancient and advanced age, sensationalizing the pear garden industry at home and abroad.
Pictured: Wang Yaoqing and Tang Caizhi. Wang Yaoqing has trained many outstanding talents in Peking Opera, and the "Wang School" he created is the basic genre of Peking Opera Danjiao art, and he also broke the stereotype of not accepting female disciples, and the four famous Dans were also employed under him.
Photo: Qiu Shengrong. Qiu Shengrong is an all-rounder in Peking Opera, and he can't sing and do. In the repertoire he has performed in his lifetime, in addition to the well-known copper hammer drama and Bao Gong drama, he can also stage a shelf flower face drama. At the age of 16, he and Wusheng Taidou Yang Xiaolou performed "Changsakapo" on the same stage, playing Cao Cao. In 1952, he won the first prize of the first national opera observation performance actor. His repertoire includes "Yao Period", "General Xianghe", "Cuckoo Mountain" and so on.
Pictured: Zhang Shuyun, praised by Wang Yaoqing as "Mei Lanfang among the girls". Later, she learned "Farewell to the Overlord" from Mei Lanfang, and when she was most popular, she was known as the Four Great Kundans with Xin Yanqiu, Jin Youqin, and Hu Bilan, and was well-known in the north and south. Shortly after Zhang Shuyun was elected "Empress Dowager Kunling", he experienced a failed marriage and married Ni Youdan, the son of the Beiyang warlord Ni Sichong. Ni Sichong was awarded the rank of general of the army in 1920, and after his death, the Beiyang government also ordered ni Sichong to be posthumously awarded the title of "General anWu Shang" in the General's Office. After Zhang Shuyun married Ni Youdan, "the deep boudoir was locked, and the door was like the sea", and finally the marriage ended in the mediation of divorce by law.