Han Mo fragrance of the new era, Danqing Yingcai book Huazhang. In order to carry forward the excellent traditional Chinese culture and strengthen cultural self-confidence, the China Calligraphy and Painting Exchange Forum selected the "Most Beautiful New Era Artist Style" exhibition and broadcast activity.
The works in this exhibition are like the sunshine in the blue sky and the breeze in the spring, the spring wind and rain, and the moisturizer is silent. Enlighten the mind, warm the heart, cultivate life, and highlight the beauty of faith and the beauty of the sublime. At the same time, it also fully reflects the spirit of artists in the new era of pursuing classics, striving hard and striving.
Hou Jun, born in 1974, a native of Nanning, Guangxi, is the owner of the Molongzhai . He once served in the Guangxi Armed Police Corps, and is now a member of the Beijing Xuanhe Academy of Calligraphy and Painting Art, a director of the China Net Book Federation, the vice president of the China Academy of Calligraphy and Painting, and a state guest artist.
Since childhood, he has loved the art of calligraphy, and has studied under Qin Jianmin, Deng Shengcai, Zhu Guangguang, the famous traditional Chinese scholar, art critic and poet Liu Gongdrun. For more than ten years, he has been working tirelessly, inheriting excellent traditions while not sticking to stereotypes. He first entered Tang Kai, later Xi Zhongxuan, Erwang, and was proficient in seals. Over the years, I have been immersed in the study of calligraphy, only asking about cultivation and not asking about the harvest, I am happy to cultivate my feelings, constantly create new ideas, and gradually form my own unique creative style. The works are full of the classic atmosphere of the ancients, taken from the right vein of calligraphy, exquisite brushwork, elegant strokes, flowing, frankness, simplicity, thickness, and a sense of rhythm, like the flow of clouds and water, the body is beautiful, the bones are beautiful, and the beauty of abundant art is contained within the scale. His works have been collected by Hong Kong, Macao, Taiwan, foreign embassies in China, many institutions at home and abroad, collections, entrepreneurs, and friends. In 2020, the theme works were selected for the global epidemic, fate and common "Reverence for Life, Cherish Life, Guard Life" calligraphy and painting public welfare exhibition, and were awarded the title of Loving Calligrapher and Painter, and in April 2020, they were selected for the "Great Beauty of China, Great Beauty of Calligraphy and Painting" joint exhibition, and won the title of Outstanding Calligrapher and Painter in the New Era. The works have been reviewed and evaluated by the Guoli Artist Evaluation Organizing Committee, and the market response is good, and they are highly praised and continuously concerned by all walks of life, and have a high collection value.
Appreciation of Hou Jun's works
Pen and ink Linchi stele as far as possible to show the face of Wei Jinfeng
——Remember the famous calligrapher Hou Jun
In all the dynasties and dynasties, as a calligrapher, it is indispensable to inherit classic calligraphy, and how to inherit the true path of calligraphy has become a difficult problem facing calligraphers. Calligraphy is the right vein, only by deeply cultivating the stele, into the ancient, can enter the Tao, there is no other way, on the contrary, in today's book world, there are countless people who are polluted and chaotic, and those who adhere to the right way of the fa, there are not many, and now I have the privilege of watching the calligraphy of the famous calligrapher Mr. Hou Jun, only to realize that Mr. Is the latter, his works are the best works that have deeply obtained the right vein of calligraphy, Mr. Has been deeply fond of calligraphy since childhood, he has studied under Qin Jianmin, Deng Caisheng, Zhu Guangguang, the three teachers, calligraphy first entered from Tang Kai, after xi erwang and Zhong Xuan, and at the same time also practiced seals, For more than ten years, pen cultivation is twilight, diligent in stele posts, Linchi ink exhaustion, not willing to give up Han Hao, for their own calligraphy to lay a profound foundation, Kai Xing Seal, all of them are refined, all are incomprehensible, the works are all ancient and not muddy, the wind is simple and Mao, the real is the book art of the pole, Han Mo all-round, everyone!
The ancients cloud, the next pen has a concave and convex shape, although it is a painting, the same is true of the book, showing that Mr. understands this truth, and its calligraphy is deeply rooted in the essence of the Yan body brushwork, and does not lose the legacy of Wei and Jin, both of which are all included in the book by Mr. Wei. In terms of brushwork, Mr. Weibei is well aware of the general law of Weibei calligraphy, which is made of pen and stone, such as the power of the sword and axe, so in his works, Mr. Wei follows the principle of master's pen not master's knife, so that the work fully integrates Weibei's strong and healthy but gentle brushwork feeling, this unique understanding of Weibei, so that Mr. Weibei can clearly distinguish the primary and secondary relationship between the pen and the knife, and can make it rise to the height of practice. It can be said that in terms of brushwork, Mr. Li has already unveiled the artistic veil of epigraphy, and broken his mysterious brushwork, so that the latecomer Mao Sai suddenly opened up, like seeing the sun in the clouds, and the new realm came out.
There is a way that the tao is the path of the master's monument, or the relics take the gods, or the form and the gods are both, and the noble ones, if the teacher is ancient and the mud is ancient, it is not enough to copy it as it is. However, Mr. Hou Jun can use strong writing to avoid the rigidity of the sword and axe brushwork of the calligraphy, in the general works, he integrates the delicacy and subtlety of the Fa Ti into the writing of the stele, so that the wei shape of the rough and powerful dao has a little more sense of autumn wave circulation, so that the kaizuo, rigid and soft push, becomes like tai chi, the ink rhyme is smooth, accessible, the structure is more dense, with the shape of the situation, Park Cheng, the majestic and beautiful, it can be said that Mr. Hou Jun is the combination of the stele, made a new calligraphic interpretation. The work of seal writing, ancient and modern is not easy, in the use of pen, he grasped the basic penmanship law of the seal book, so that it is not separated from its sect, the general brushwork is rigid and soft, flexible and radiant, Simple Mao frank, the line is softly wrapped rigid, the cotton is hidden in the needle, the thickness and complexity are simple, the ink rhymes with the pen, the intention of the ink flow, the air is continuous, the dry and dry are perfect, the character knots are like Shenhua, leisurely and quiet, gu pan, the original nature of the ancient style, so that it is not only the retro height of Mr. Technique, but also the profound merit of Mr. Shi's inheritance of culture, he is in the slow and rational book, It has completed the realm of seal books that ordinary people dream of and that the common pen has not reached for a hundred years, and its seal has not only been surprised by today's book world, but also left an extremely wonderful stroke in the book world.
After the completion of the cultural achievements of the seal book, Mr. Li also deeply studied the two Han Lishu, and took ten stele, and from his Lishu works, it can be found that Mr. Huashan, LiQi, Yi Ying, Shimen and many other stele were integrated, and one stele was not leaked, repeatedly studied and experienced. Linchi trick has clouds, lead through its song, turn squat its front, do not want to come out, must be secretly closed, this is the key to the penmanship of the book, Mr. Penmanship is deeply meaningful, the work uses the pen to round the square, to the straight as the curve, the pen edge is slightly tightened, the front is gradually pushed out, the square is folded into a semicircle, such as the negative thorn is good, the penmanship is right. The sage Bao Shichen once said that no matter whether the word is sparsely slanted or correct, for the place where there is a spiritual knot, it is for the palace in the word, on the contrary, Mr. Lishu structure is exactly the perfect fit with this high view of the bright point, the word in the palace is sparse, the straight line arc, through the interspersed, the vertical pen line is thickened, the strokes around the edges, the whole body presents a tight external tightness and internal looseness, dare to ask the current book world, can achieve this feat, how many people can have, so subordination, the view can not be amazing!
Watching his books, the works are dashing and heroic, gentle and elegant, not only that, although his works are heavy and eye-catching, but they are intended to be dignified, to change with a light stroke, but they are interested in interest, the whole penmanship is jagged and swaying, the changes are varied, the lines are suppressed and frustrated, the dew is dewy, the ink method is even more concealed, the thickness is appropriate, the whole work is exquisite, the works are all revealed everywhere a kind of noisy quiet, idle and detached, thick vitality, the sense of the extraordinary book with a long charm, this kind of hair heart, the extremely wonderful ink of the flowing pen, making the work have love in the book, intentional in the pen, The words on the canvas are like a beast flying away, and the pen is like lightning and thunder, which is all exciting and admirable. Pen and ink Linchi stele is exhausted, showing the face of Wei Jinfeng. As the Hanlin cangshu in today's book world, the mainstay, Mr. Has always adhered to the stele Method, and with the heart of a mortal to lift the right pulse of calligraphy, it is unimaginable, if there is no firm calligraphy belief and artistic feelings, it is impossible to achieve such a high level of calligraphy, the so-called zigzag under the pen is the zigzag in the chest, the charm of his works is authentic, the characters are the same, so Mr. Himself must also be virtuous and artistic, chenghuai taste, quality is right, everyone's style!
Famous calligraphy and painting critic Shi Feng
September 15, 2020