If you really love someone, don't let her wait too long, and later The Little Bully is deeply aware of this.
At the end of "Peerless in the World", Princess Peerless has been "drunk" because she misses Xiao Bawang too much, and gradually, she has turned herself into Xiao Bawang (split personality).

At this moment, the little bully realized that true love does not distinguish between you and me, it is you who have me, I have you, across genders, who is male and who is female, and what is so-called, the two are together, happy, mirror flowers and water moon, illusion and reality, there is no difference, this is the highest realm of life.
I personally like his works very much, especially his cooperation with Stephen Chow, which has become a classic of the times, such as: "Gamble Saint", "Journey to the West", "Night of the Soul".
Liu Zhenwei's works are very "strange chickens", but they do not lose their connotations: rebellion, ridicule, subversion, avant-garde, creativity, are the characteristics of his film works.
When Liu Zhenwei was creating the script of "Journey to the West", he was reflecting that if he was Sun Wukong, the first thing he wanted to do was to kill Tang Monk, which was his imagination and bold hypothesis, and this concept created the later classic.
I think that Liu Zhenwei's works always revolve around a topic - "love", just like the Buddhist scriptures say, "ruthlessness does not give birth to a wife", as human beings, everyone has love, needs love, and can also dedicate love.
From the love between men and women, to the love between the same sex, to the great love of sentient beings across species ,"Infinite Love", this is the core of Liu Zhenwei's film works, thinking and exploring.
It is worth mentioning that Liu Zhenwei and another big international director "Wong Kar Wai" are actually very good friends, and they used to be together, eating and drinking tea to discuss the script and so on.
And the works of the two can also be said to be, you have me, I have you.
Just like "East Evil and West Poison" corresponds to "East becomes West", "Ah Fei Zheng Biography" corresponds to "Heaven and Earth" (starring Andy Lau), "Chongqing Forest" and "Timeless To Love" (Liu Zhenwei screenplay).
Liu Zhenwei has also ridiculed his old friend's classic film dialogue in many movies, such as the "10,000-year limit to love you" in "Journey to the West" is actually a dialogue from Jin Chengwu's "Expired Pineapple Canned Period" in "Chongqing Forest".
In "The World Is Unmatched", we see a lot of "Wong Kar Wai" in it, Wong Kar-wai is actually the supervising producer of "The World Is Unmatched", and it is also his work that persuaded Liu Zhenwei to come back again, because "Night of the Soul" did not sell well that year, and after Liu Zhenwei was hit, he decided to "return to the hermitage" and quit the film industry to accompany his family and wife.
"Peerless in the World" is re-watched again many years later, and several times, I have been moved to tears.
As Teacher Jiang Xun said, a simple song from before, such as "When We Are Together", what you heard when you were young was joy, and after you were older, what you heard was sentimentality, the passage of time...
Life is not long, short is not short, there should be no hatred.
Just like a line of dialogue by Faye Wong in "The World Is Unmatched", "What is the so-called what to eat, the important thing is who to eat with", cherishing the people around you, especially the confidants with common ideas and beliefs, is even more rare.
But confidants are rare and cannot be sought.