At the exhibition site, the "Monument to the Good King" with a height of nearly 6 meters in the center of the exhibition hall was photographed by Tuo Ben Ying
Beijing, November 2 (China News Network) (Reporter Ying Ni) "Three Kingdoms, Two Jin, Southern and Northern Dynasties Carved Stone Thirty New Explorations" debuted at the Art Museum of the National Academy of Painting of China on the 1st. The exhibition selects 30 inscriptions such as the Hao Da Wang Stele, the Chu Long Yan Stele, and the Zhongyue Song Gaoling Temple Stele in the carved stone calligraphy of the Three Kingdoms and the Two Jin Dynasties as the main research objects, and the exhibits are selected from professional collection institutions such as the Beijing Cultural Relics Exchange Center and the Inscription Research Committee of the China Calligraphy and Painting Collectors Association, almost all of which are original copies.
The Three Kingdoms, Two Jin Dynasties, and the Southern and Northern Dynasties were an important stage in the history of Chinese calligraphy, and it was also a peak period in the development of calligraphy, laying a good foundation for the heyday of calligraphy in the Tang Dynasty. As a very active historical stage in the development of Chinese characters, in this era, calligraphy presented a very rich appearance and was conveyed through these carved stones.
The exhibition scene was photographed by Ying Ni
The "Thirty Stones Carved by the Southern and Northern Dynasties of the Three Kingdoms and Two Jin Dynasties" in the exhibition are: "Shangzun Number", "Zen Table", "Kong Xian Monument", "Gu Lang Monument", "Zen GuoShan Stele", "Tianfa Divine Stele", "Huafang Tombstone", "Guangwu General Monument", "Cuan Baozi Monument", "Good King Monument", "Zhongyue Song Gaoling Temple Stele", "Cuan Long Yan Monument", "Yao Boduo Statue", "Shiping Gong Statue", "Wei Lingzang Statue", "Huo Yang Monument", "Shimen Inscription", "Nanshi Grotto Temple Stele", "Zheng Wen Gong Monument", "Fistula Inscription", "Diao Zun Epitaph", "Li Bi Epitaph", "Zhang Ronglong Stele", "Shimen Ming", "Nanshi Grotto Temple Stele", "Zheng Wen Gong Stele", "Fistula Inscription", "Diao Zun Epitaph", "Li Bi Epitaph", "Zhang Ronglong Stele", "Zhao Longlong Stele", "Zhao Long", "Tomb of Zhang Ronglong", "Tomb of Li Bi", "Monument of Zhang Ronglong", "Tomb of Zhao Long" Ma Ming Temple Stele", "Gao Zhen Stele", "Cao Wangxi Statue Record", "Zhang Heinu Epitaph", "Jing Shi Jun Stele", "Tianzhu Mountain Inscription", "Iron Mountain Stone Song".
The series of research based on this exhibition is divided into three parts: "Theory", "Identification" and "Creation", which are invited and solicited, and 35 research articles and 64 calligraphy works are received. Among them, the "theory" part is to discuss the aspects of Tuoben examination, collection inscription, technique and style characteristics, etc., advocating multiple methodologies and interdisciplinary research, especially encouraging the evolution of the book body, calligraphy ideas, case studies of the carved stones of the Three Kingdoms and the Two Jin Dynasties, and their current development situation and aesthetic trends for academic rational analysis; the "Jianbei" part mainly introduces the best representative Tuoben; the "Creation" part requires the author to create calligraphy based on a certain product of the "Thirty Pins" as the matrix.
The most conspicuous feature in the exhibition is the "Monument to the Good King", which stands nearly 6 meters high in the center of the exhibition hall. The stele was engraved in the tenth year of the Eastern Jin Dynasty Emperor Yixi (414), also known as the "Monument to the Great King of Guangkai Tuwangjing Peace and Good King", which belongs to the Lishu works, which is slightly repaired by a huge natural horned tuff rock plant, the full text is 44 lines, the full line is 41 words, a total of 1775 words. This stele records the exploits of the 19th king of the ancient Goguryeo Dynasty in conquering the west and opening up the territory. Its calligraphy style is pure and thick, the breath is calm and condensed, and it is simple and simple. This exhibition is a rare one for the early years of the Republic of China.
Xu Lian, vice president of the National Academy of Painting of China, believes that the Institute of Calligraphy and Seal Engraving is an important creative research department of the National Academy of Painting of China, which concentrates a group of outstanding contemporary calligraphy artists and has strong research strength. This exhibition is a good example of this. The exhibition "Three Kingdoms, Two Jin Dynasties, Southern and Northern Dynasties Carved Stone Thirty New Explorations" has strong academic value, promoting calligraphy creation to go deeper into tradition, drawing new nourishment from the essence of tradition, and becoming an inexhaustible driving force for artistic creation. The traditional Chinese way of appraisal is a kind of discussion, a kind of exchange, and finally to reach an understanding of the essential characteristics of calligraphy art, to find the universal law, which is exactly the case for the appreciation of these stele.
Wei Jie, deputy director of the Institute of Calligraphy and Seal Engraving of the National Academy of Painting of China, introduced that in the selection of steles and calligraphy styles, the exhibition mainly focuses on the great influence on the calligraphy of later generations and plays a key role in the direction of calligraphy. The holding of this exhibition and the publication of its catalogue is another opportunity to learn from traditions and classics, and it is believed that it will definitely cause a re-examination and combing of epigraphy in the calligraphy community, and play a certain enlightening role in contemporary calligraphy creation.
Li Chen, director of the Beijing Municipal Cultural Relics Exchange Center, introduced that the Beijing Municipal Cultural Relics Exchange Center has a certain number of inscriptions and cultural relics in its inventory, many of which are rare books. The convergence of these inscriptions is inseparable from the hard work of the older generation of cultural relics workers. These cultural relics and resources, which have been accumulated and preserved by several generations for a long time, are currently being gradually developed and rationally utilized, and efforts are made to devote themselves to social welfare work.
It is reported that the exhibition will last until November 6. (End)
Source: China News Network