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Tianjin qu artist Yin Xiaoxiao, a young man, took the stage to worship under the family door, but he had a deep contradiction with Guo Degang

author:North Show Yo-Yo

Don't say no laugh, don't be lively, talk to each other.

Yin Xiaoxiao has a pivotal position in the Tianjin cross-talk circle and even in the national cross-talk system. The attainment of this status is not only dependent on the gimmick of Ma Sanli's apprentice and the name of the xiangsheng family, but more importantly, its value to the development of cross-talk, the return of cross-talk to the small theater is a matter of timeless fame, and the old master is the vanguard.

When the old man was alive, he was the oldest, the oldest, and the oldest artist in Tianjin Tea House, and he was also the old artist who performed the most performances every month. Similarly, there is Liu Wenbu, the first person in the double reed, who still sticks to the stage at an advanced age, which shows their persistence and persistence.

Tianjin qu artist Yin Xiaoxiao, a young man, took the stage to worship under the family door, but he had a deep contradiction with Guo Degang

In 1938, Yin Xiaoxiao was born in Tianjin to a family of quyi, his father Yin Shoushan (stage name Yin Duzi) was a disciple of Ma Delu (Ma Sanli's father), one of the eight virtues of xiangsheng, and Yin Xiaoxiao became Ma Sanli's apprentice, which is the power of inheritance.

To say when Yin Xiao's cross-talk career began, he will say that it began when he learned to speak, when a child learns to speak, the first sentence to learn the words should be Mom and Dad, there are many exceptions in the cross-talk industry, the first sentence of Zhao Weizhou's society is the master, the first sentence of Yin Xiao's study is "Mr. Cai Lai", which is the words of the teahouse to attract customers, which is related to his living environment.

Tianjin qu artist Yin Xiaoxiao, a young man, took the stage to worship under the family door, but he had a deep contradiction with Guo Degang

At that time, Yin Xiao's father was in the Lianxing Tea House in Nanshi, Tianjin, "palm cave", in addition to the daily performance business, he was also in charge of the rather complicated affairs in the theater, and there was no time to take care of Yin Xiao's life.

Fortunately, their family lives near the teahouse, Yin Xiaoxiao has lived in the background environment of the theater since the beginning of the tooth and tooth language, a group of uncles and uncles who speak crosstalk are coaxing him and teasing him, using the language of crosstalk. Affected by this atmosphere, the appearance of "Mr. Cai lai" is not legal.

As soon as this sentence came out, everyone laughed, and anyone who saw him would use this sentence to tease him. As soon as his father entered the house, Yin laughed and greeted him politely: "Mr. Cai Lai", Yin Shoushan was not annoyed, and replied: "Cai Lai, have you eaten?" ”

Tianjin qu artist Yin Xiaoxiao, a young man, took the stage to worship under the family door, but he had a deep contradiction with Guo Degang

This invisibly also cultivated Yin Laughter, and when he was five years old and still wearing open crotch pants, he was carried to the stage and stood on a small bench to say crosstalk. The childish, milky little cuteness has attracted the favor of the audience, and at the age of seven, he can always cut off the mouth and the mother and son.

Can this person who is deeply branded by cross-talk and comes from a family not love the cause of cross-talk?

But history made a joke to him, for various reasons, the young and middle-aged Yin Xiao laughed in more than a dozen kinds of work, but did not say crosstalk, until the old age officially returned to the stage.

Tianjin qu artist Yin Xiaoxiao, a young man, took the stage to worship under the family door, but he had a deep contradiction with Guo Degang

In 1998, xiangsheng entered the so-called trough period, the cross-talk industry encountered a double blow of history and reality, and several old artists in Tianjin were not willing to be lonely and began to perform together.

At the suggestion of Baolin, the Zhongyou Cross-Talk Group was established, which was the first private cross-talk group in Tianjin to be spontaneously organized to perform, and it was also at the forefront of the country.

At that time, cross-talk was rare on television, let alone teahouse cross-talk, and their performances were also very difficult, each show could have more than a dozen yuan of income, and even the ticket money was not enough, but they persevered, and have persisted until now.

Tianjin qu artist Yin Xiaoxiao, a young man, took the stage to worship under the family door, but he had a deep contradiction with Guo Degang

After Yu Baolin's death, Yin Xiaoxiao took the position of the leader of the friends cross-talk group, and this insistence was ten years, the energy of the elderly was not abundant, and sometimes Yin Xiaoxiao would be tired and fall asleep on the bus.

But as soon as he took the stage, he was in good spirits, and that spirit was unmatched by many young people, and his more than 70 years of stage performance career made him have the wit to resolve on-site emergencies and superb ability to hang.

But after Yin Huan went home, when he saw his old partner who was in love with each other, he didn't bother to talk, and for him not talking or talking less was rest. Everyone joked: Yin Laughter empathized and did not fall in love, reversing the object of love.

But this is upside down, but I love the cause of crosstalk too much!

Tianjin qu artist Yin Xiaoxiao, a young man, took the stage to worship under the family door, but he had a deep contradiction with Guo Degang

The old man also suffered a lot of criticism and smear, the reason is that in an interview, guo Degang was evaluated. To sum up, there are two reasons, one is the pirate recording incident during the performance, and the other is the impact of jumping doors.

Stealing is also stealing life, and the jargon in the cross-talk industry is called picking leaves, which is the biggest taboo in the industry and a red line that cannot be touched. At that time, many viewers had the habit of recording, and it is said that Xu Deliang and Guo Degang also secretly recorded.

Although Guo Degang had responded not long ago, it was not convincing, and it was really as Guo said, and the old man would not have such a big reaction.

Tianjin qu artist Yin Xiaoxiao, a young man, took the stage to worship under the family door, but he had a deep contradiction with Guo Degang

The second reason is to jump the door, after Guo Degang opened a small theater in Beijing, he once invited old actors from Tianjin to perform in Beijing, and the banner at that time was Bai Quanfu's apprentice Sun Yang Zhigang' apprentice.

Soon after, Guo Degang visited Hou Yaowen and was considered to be a jumping door by a large number of cross-talk actors, of course, not only Yin Xiaoxiao, Liu Wenbu and a few other actors thought so, which was the consensus of most Tianjin cross-talk actors, and the two of them became spokesmen and became the targets of later scolding.

But in the end, the two people did not have much hatred, and the truth and falsity of the matter were also classified into the dust of history with the departure of the old gentleman.

Tianjin qu artist Yin Xiaoxiao, a young man, took the stage to worship under the family door, but he had a deep contradiction with Guo Degang

On December 8, 2018, Yin Laughter, who was born for cross-talk, left, and his cross-talk poems remained in the world for a long time.

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