Duration: 2021-07-02 - 2021.10.31
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Venue: Xi'an City, Shaanxi Province, Happy Forest Belt Global Harbor Yue Fashion C3313
"Walking Forbidden City Culture" integrates traditional paintings with digital technology, breaking the boundaries of culture, art and science and technology, immersing the audience in the artistic conception of Chinese famous paintings, and conducting a cultural dialogue experience with the ancients that transcends time and space
Lets to see it
ABOUT YUMA
"Bath Horse Diagram" volume, Yuan, Zhao Mengfu painting, silk, color
Length 28.5cm, width 154cm
The picture depicts Xi Guan bathing horses in a pond to cool off in the summer forest. The characters and horses have their own postures, vivid and natural, and echo each other, creating a relaxed atmosphere. The characters are smoothly dressed, the tree slopes and stones are outlined concisely, the color does not hide the ink, the combination of green and light, the color is clear and elegant.
This painting reads: "Zi Ang's Work of Harmony". There is also a poem inscribed by the Qianlong Emperor of the Qing Dynasty, which is printed with "Several Pleasant Feelings" and "Qianlong Chenhan". The first is the Qianlong Imperial Book "Qingxi Dragon Leap". The tail paper has Wang Zhideng and Song Xian's inscription.
YUMA DIGITALLY RESURRECTION
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Forbidden City Shiqu Baodi Painting Digital Technology Exhibition, Bath Horse Scene
The work aims to create a "realm of my own" that combines the work with the audience, the audience can feel the fun of visiting the garden in the ancient paintings through the works, the combination of dynamic and static, the real texture and virtual technology, the tree vegetation in the bath horse diagram, the satin mountain stone, through the garden landscaping method, the ancient trees stand majestically between the stones. The characters and horses that were originally stationary in the ancient paintings also come out of the ancient paintings through holograms, and the people and horses are different as if they are in front of the audience, and the audience becomes a part of the work and integrates into the picture when they enter the work.
The characters and horses that were originally stationary in the ancient paintings also come out of the ancient paintings through holograms, and the people and horses are different as if they are in front of the audience, and the audience becomes a part of the work and integrates into the picture when they enter the work.
When Wang Guowei mentioned the concept of realm, he proposed the realm of self that prevails with intention, and the realm of no-self that wins with the realm, and the realm of having me emphasizes my existence even more, and this strong sense of participation is the most accepted way of viewing the exhibition that is now popular.
FROM VIRTUAL EFFECTS TO REALITY
How to empower art with the help of science and technology, how to make tradition break through the shackles of time, full of modernity, accepted by more and wider people, how to make the picture more aesthetic tone and sense of high," is the problem we have been thinking about.
part 01
Where do we go from
The framing part of the original painting of "BathIng Horse Diagram"
The work bath horse is actually around the expression of the realm in Zhao Mengfu's paintings, and pays more attention to the audience's sense of participation and interaction with the work, we constantly think when creating, how to make a static picture more vividly resurrected, we chose the creation of "realm", let the picture break through the limitations of paper, from two-dimensional to three-dimensional, and most importantly, let the people and horses in the picture that should be vivid really move, so that we have our current design.
Based on the original painting scene, the birth of the virtual rendering
Please don't overlook the details of the ground gurgling
Animation master Dan Dan is working passionately
part 02
How do we define it
Look at the production process of the tree spirits
The production task is complete
Factory mop piggy dog to everyone say hi
We prefer to call it "BathIng Horse Image Device" the reason why it is called an installation is because it is cross-media, based on holographic image + garden landscaping and space design, in fact, it breaks through the two-dimensional limitations of traditional images, so that the dynamic image has a substance in the space, and the scenery is integrated together, and at the same time seamlessly connects with the audience, immersed in it as if there is the fun of visiting the garden.
part 03
How we do it
Cyber view of the exhibition site
The final presentation from virtual to real
From the early concept, to the production of content, and the landing of the entity, the work tests a team's ability to control the details and beauty everywhere, including the design of concept effects, the production of digital images, space design, media selection, landscaping, lighting realization, lighting creation and so on.
I come when I have time
bye-bye
Read the original article
Walking Forbidden City Cultural |" There is my realm" "Yu Ma Tu" digital activation of a new attempt