In recent years, spy dramas have hit the screen. Groups of intelligence organizations infiltrated the enemy and stole information. This triggered a series of tense, exciting, and suspenseful plots, pulling the audience to have to go down with the plot in their hearts. "Sophie's War", a female-dominated spy war work, breaks the situation dominated by "male intelligence" and steps out of a road on the screen that blooms everywhere. The actor of "Li Xiangzhen" in the film, the young actor Li Ting, has her own words to say about the feelings of that era and the life of that era.
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Like many actors, Li Zhen also has her own set of "little nine nines" in the selection of roles. Strong impact must be her primary consideration, whether it is a distinct personality or rich psychological activities, it is necessary to make Li Ting feel that "some can be acted". Li Zhen said that at the moment she got the book, she liked "Li Xiangzhen" at first sight. At that time, "Li Xiangzhen" was like a new human being, whether dressed or mentality, and even in terms of his view and way of doing things, he was even "incompatible" with that era: "I thought this girl was very simple and brave. It will not be like the special environment of that era, because of the pressure given by the leaders in the factory, let yourself carry a heavy burden. 'Li Xiangzhen' is very free, it can be said that he can do whatever he wants, and he will confess to whomever he likes. Including the suicide behavior of "Li Xiangzhen" in the film, in Li Ting's view, it is a self-proof attitude, and will not compromise and bow because she wants to live and let people look down.
Li Zhen admitted that "Li Xiangzhen" is her own true performance. The bluntness and simplicity of the character also exist in her. Amplifying your personality, coupled with the feelings and experiences in life, is the best interpretation of the role. Compared with the straightforward and generous "Li Xiangzhen", the heroine "Sophie" does not look so "simple". "Sophie's Confession" tells that the young girl "Sophie" had to serve as an intelligence officer of the enemy special organization to steal factory information in order to protect her children. In the face of "Sophie", Li Ting also gave her own understanding, she frankly said that "Sophie" is not a bad person in the true sense, children are the first for every mother, without children, "Sophie" is a person who can absolutely put herself outside of life and death.
The relationship between "Li Xiangzhen" and "Sophie" in the play is very delicate, which gives Li Ting more room to play. "In the face of a person who he thinks is a sister, he is unaware of her use, and also creates the sunny side of the character of 'Li Xiangzhen'." She is not a shady person, she worships 'Sophie', 'Sophie' really treats her as a sister in life, and the relationship between the two people is simple and delicate. Talking about her private relationship with "Sophie" actor Zhang Xinyi, Li Zhen told a funny story on the set: the two people with good personal relationships are also called sisters offstage. Once filmed, Li Ting, who was in a hurry, shouted "Xin Yi Jie, Xin Yi Jie" at "Sophie", which can make the director cry and laugh, and also proves the harmonious cooperation relationship between the crew of "Sophie's Confession".
"Zhang Pingliang", a character who occupies a considerable position in "Sophie's Confession", won the strong love of "Li Xiangzhen". From good feelings, love to confession, this is an important process for "Li Xiangzhen" to complete the mission in the play. Li Zhen admitted that she was very appreciative of the feelings of "Li Xiangzhen". "'Li Xiangzhen' was a very fashionable person at that time, and she paid more attention to the idealization of feelings. For 'Zhang Pingliang', it is a kind of worshipful and different feeling. It's not like the people around you see it, how deep, how fiery. She just wanted to see him every day, and it was enough to be together. ”
What really changed "Li Xiangzhen" was that after committing suicide, "Zhang Pingliang" still rescued her, donated blood for her, and took care of her. "At that moment, 'Li Xiangzhen' seemed to have been baptized, and the people and things in front of her made her think, wake up, and finally put herself in the right position." Young people, both then and now, will have moments of emotional wavering. People need to go through something to really mature themselves. If you look at it in reverse, you will feel that the original approach is very childish. ”
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"Sophie's Confession" is Li Ting's second work after graduation. Compared with the first work, Li Zhen admitted that the effort under this drama is deeper and more. From a fledgling graduate to standing in front of the camera to interpret life, in fact, this takes a long process. How to grasp the essence and soul of the character is probably the first lesson that the actor has to learn when he receives the book. "In the script, where is the most essence of the character, how to perform the entire emotional context of this character, where is the peak, where is the low, the priority is prioritized, the hierarchy is clear, this is in my opinion a necessary point for playing a good role."
Asked about regrets, Li Ting said that if you look at "Sophie's Confession" in reverse, at that time, she paid more attention to the surface and advantages of the role, and she would deliberately play the role smaller when she was mature, "If she appears again now, she will be more mature, and I feel that 'Li Xiangzhen' has more things to be tapped in her heart." ”
Finally, Li Zhen did not forget to talk about "Sophie's Confession" as a spy drama based on women. Compared with the spy war works of men's "melee", women's unique hearts and emotions are the biggest attractions that are different from this. "Everyone in life gets a dilemma. People keep weighing, but in the end, no matter which choice they make, everyone has to have a moral bottom line in their hearts. Compared with men, women will be more sympathetic and more heart-wrenching. The plot conflict point is clear, and I believe that the audience will never forget it. ”