This week's movie wanted list, the top two movies are starring the same person -
"Soda" Sugata Shoko.
Friends who pay attention to the sun shadow may have already found that this year's soda film is really not too much.
Fingers crossed, there are already six live-action movies —
"Miracle, That Day Was So Important"
The Empire of One
The Wonderful Story of the World
Gintama
"Ah, Wilderness" (part 2)
"Spark".
And that's not all, there's a dubbed anime "Fireworks" and three dramas.
Such a high yield is rare in the world.
We have seen many prolific labor models, but in such a high-yield situation, the quality of these soda films is still very good.
It is not a topic work that leads a trend, or a standard work with rapid improvement in acting skills.
Watching him play two roles with such a huge difference in "The Land of The Emperor" and "Ah, Wilderness", but they are all exquisite and vivid, it is really only admirable.
On second thought, soda is a pure post-90s, only 24 years old - the age we are familiar with "small fresh meat".
And then look at these small fresh meats in our country - what are they?!
Another day, I must write a single article "Look at other people's small fresh meat".
Want to see it?
Now, I recommend you to watch Soda's "Empire of One" and "Ah, Wilderness" (part II).
As usual, go backstage to reply to the title, and resources are waiting for you.
Issue 011
01
Empire one country
Rating: ★★★★
Shoki Sugata once again proves his mastery of the two-dimensional character after Gintama. The second middle school is not against the harmony, making the film full of laughter.
In a school that only boys and politics, Soda interprets Teiichi, who sells corruption and plays with power, to the extreme, and he also won the best actor for the baozhi Film Award for this role.
In addition, the film is packaged in a high school campus, and the adult Game of Thrones is also quite meaningful in the small society of the school. With a relaxed and humorous tone, the adult world's deceitfulness is vividly reflected, which is a very good screenwriting technique.
The film also uses the unique secondary temperament of Japanese movies from the beginning, which makes this growth history of the male protagonist become very burning. The final reversal is even more wonderful and funny.
02
Ah, The Wilderness (Part 2)
The focus of "Ah, Wilderness" should not be placed on the amazing bed scene of soda, and the second soda bed scene is only a point-to-point one, and the plot finally brings together all the clues given in the previous part.
The film sets the story in the near future society, which is nothing more than to allude to and amplify the desperate elements in the real society, politics, family, business, dreams, etc., in this lonely wilderness of the heart is full of tragic temperament.
Sugata continues the excellent performance of the previous part, and Korean actor Liang Yijun's role has also been greatly improved this time, achieving a small explosion at the end of the film.
03
Day face
Rating: ★★★
Judging from the color of the movie, it obviously feels less wanton and cheerful than the drama version.
The depiction of women's desire and love in the drama version breaks through the old model of extramarital love themes, and the optimistic imagination of female supremacism makes people shine; however, in the film version, with the disappearance of the role of "witch" Li Jiazi, the entire tone and mood of the film are trapped in the traditional mode of extramarital love themes - the dilemma of morality and emotion.
Fortunately, in the narrative routine of "political correctness", there is still a continuation of the afterglow of the drama version of the exploration of the secrets of gender emotions, and although Kamito and Saito are not as erotic and confused as the propaganda says, they interpret the unrequited emotions that they know destruction and refuse to let go.
04
Little Girl in Red 2
Rating: ★★
The first "Little Girl in Red" was a hot topic in Taiwan for 15 years. In terms of theme, the second part completely continues the set of the previous work, but in terms of texture, it has slipped a lot.
The special effects are simply unbearable, the standard is close to that of domestic horror films, and it is almost impossible to see clearly. Terror is also basically achieved by such disgusting means as eating bugs.
Xu Weining, who performed well in the previous part, also played very much in the second part, acting very hard, but often making people want to laugh.
05
Mother
Darren's new work perfectly illustrates what is called hope and disappointment. For the director who has made "π", "Requiem for Dreams" and "Black Swan", I have great expectations every time, but I did not expect this time "Mother! " is even worse than the previous "Noah".
Some say "Mother! There are all kinds of metaphors. Religious, political, social, and so on. And I just want to say, WTF!?
As a movie, character building, plot setting, photography and scheduling, etc. are all mediocre, but it is necessary to use a bizarre setting in the past to tell a bunch of seemingly profound truths.
Even the third act, which many people applauded, came too jerky and abrupt, as if it was to force an orgasm with a sleepy audience.
Sorry, except for the big cousin in the film, few people can feel the climax.
「END」
The Movie Wanted List is a fixed rating section that we push every Wednesday and Saturday. The list pushed every Wednesday recommends the world's best and most acclaimed and watched masterpieces of the week. The list pushed every Sunday is compared to the domestic cinema film of the latest week. The most noteworthy movies of the week, you can find them in this list. Welcome to follow and retweet.
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