On June 8th, "Red Dust 17 - Lady Lin Art Beijing First Exhibition Series II" was opened at the cutting-edge art institution "Muyun She" located in Building 6-96, North District, Apple Community, Chaoyang District, Beijing, which is the second in the first exhibition series of Lin Lady Art Beijing, and this stage of the exhibition will continue until June 14.
Two weeks ago, the "Seventeen Red Dust - Lin Lady Art Beijing First Exhibition Series I" held in Beijing's time-honored cultural "Qing Secret Pavilion", the organizer - "Ying Le Tang" with seventeen pieces of Chinese paintings with different faces, summarized the artist's living conditions and humanistic thoughts at different periods of his creative career; this time, the "Seventeen" and "Red Dust" after the reversal of "Seventeen" and "Red Dust" are not only a simple change in the name of the exhibition, but also a delay in the novelty and profound meaning of the series of exhibitions.
Lady Lin, a native of Tainan, Taiwan, graduated from the Department of Fine Arts of Taiwan Culture University and the Institute of Fine Arts of Taiwan Normal University. In her nearly 30 years of artistic career, Ms. Lin has focused on the creation of traditional Chinese paintings and has taught at the Taiwan Art Education Center and the Sun Yat-sen Memorial Hall in Taipei.
Lady Lin's random sketching on the spot shows the profound artistic heritage Lady Lin personally came to the exhibition site to show her understanding of art and life by replacing "painting" with "painting", and what is even more valuable is that this "painting" is an artistic creation that includes "poetry, calligraphy and painting", which is embodied by Lady Lin in random sketching. The combination of poetry, books, paintings and printing is not only the highest realm of traditional Chinese painting skills, but also the deep foundation of traditional Chinese humanistic and artistic expression. In today's Chinese art world, there are very few people who "all roads are connected", and those who can "all roads can be" are even more rare as morning stars. As a result, the "painting" in this "Red Dust Seventeen" is shared, and the meaning is self-evident.
Tang Zheming, a famous art historian and artist, once wrote for The Art of Lady Lin: "Most of the modern Chinese painters specialize in one discipline, or landscapes, or flowers and birds, and even concentrate more finely, such as those who specialize in Jinshi freehand writing, especially those who can write with pens, and there are a few who can combine various disciplines and writing, and it is even more rare that each can be unique and has its own appearance." Taiwanese painter Lady Lin is a rare contemporary landscape, flower, bird, figure, and even calligraphy, seal carving, freehand, brushwork, ink, coloring painters can be. ”
Another passage in Tang Zheming's text is a concise summary of the origin and departure of Lady Lin's artistic path: Lady Lin liked oil painting and did not like Chinese painting when she was young, I believe that this is the real feeling of many people who study painting, in general, intuitive and figurative things are always more resonant, and receiving professional training in the art academy has undoubtedly laid a solid foundation for her modeling ability. Entering the Department of Chinese Painting and studying Gong Brush Painting is not the original intention of Lady Lin, and she has been walking alone on this road for decades, taking a path into a splendid road, in her own words, "The more I don't like things, the more I want to overcome, deeply explore why I don't like it, and then find out the areas that can be accepted and played", in addition to personality, this "acceptable" and "playable" place is also the favorite place of Chinese painting.
According to the person in charge of The Music Hall, the biggest feature of Lady Lin's art is not only her delicate and flexible style of expression, but also that she has achieved achievements in traditional art creation such as painting, calligraphy, and seal carving. The person in charge said that works of art are not exactly symbolic concepts, they should resonate emotionally with the viewer, and become a medium that inspires collectors to think about life, the world and themselves. In the market economy environment of the "post-bubble era", the form of art investment and consumption has changed, and the tone of collection has been adjusted, and the ability to judge the value of works of art requires excellent institutions and collectors themselves to learn to construct.
According to reports, the new cultural and artistic operation brand of "Yule Tang" has been implemented to the end without being bound to the old customs since its official debut, not only in form in three months with "Seventeen Red Dust", "Seventeen Red Dust" and "Red Dust Modern and Ancient" three series of exhibitions to show and analyze the creative core of the artist.
"Red Dust 17 - Lady Lin Art Beijing First Exhibition Series II" is the second in the series of The First Exhibition of Lady Lin Art beijing, and the exhibition will continue until June 14. "Red Dust Now and Ancient" Lady Lin Art Beijing First Exhibition Series III, will be launched from July 6 to August 30.