Nobuo has bought several books and used to read Nobuo when he was on the Sina blog. I first met Noo when I saw his name and photograph in a party photo of a poet transforming into a bookseller. In that photo, Li Yawei stood in the C position, and the wild man was on the side, introverted and low-key. Nobuo's pen name comes from the Book of Evens: "Wild Fu is angry at the uneven place, and wears the ancient knife in his chest." "The name Yefu is sonorous and powerful, and has a chivalrous spirit. This book is a preface written by Chai Jing, the text is really good, and it has the charm of the Republic of China. At present, Chai Jing has disappeared. The tide of the times rises and falls, and the waves exhaust the heroes.
For the generation that grew up obsessed with martial arts novels, jianghu is no stranger to us. In the past, Jin Yong's martial arts dreams, as he grew older, he found that Gu Long's novels were closer to the real world, and when people reached middle age, understanding the love and sorrow of ordinary individuals was the essence of life. Nobuo's "Jianghu Around Me" is the righteousness of a generation of people, and the joys and sorrows of a generation. Wild man is full of talent, his writing knife slashes and axes, full of charm, the use of words is minimalist, the use of love is extremely deep, often deep love to the depths of people lonely.
Reading Yefu's article is like drinking hard liquor, swinging his intestines and tearing his heart and lungs, drinking to the slightly drunk past, holding headaches and crying with his brothers who come from south to north, and then stumbling into the depths of the night. Life is like this, when you go through hardships, with great misfortune, you still miss that time, nostalgia for trauma, Stockholm syndrome in general. 木心说：不知原谅什么，诚觉万事皆可原谅，偏偏野夫是手起刀落，快意恩仇之人，用不幸下酒，滋养魂魄；用文字立传，昭告天下。 因此鲁迅那句名言：让他们怨恨去，我一个都不宽恕。 It is more appropriate for wild men.
The characters in Yefu's pen are not the masters of the "Chronicles of the States of the Eastern Zhou Dynasty", but the grief and tenacity of ordinary people. They are flesh-and-blood, sentient and righteous people abandoned by the times. If no one speaks up for them, they are doomed to perish in this era of great fear, silent and silent. The cool guest Li Si of the characters in the book, Li Ye, the palm of the happy and vengeful, the folk preacher Lao Tan, the cousin who was born and died for the Burmese Communist Party, the yellow brother who is eager for justice and righteousness... With heavy and uninhibited brushstrokes, Nobuo records that absurd and bloody history. 坐看云起时，行到水穷处。 或浅吟低徊、怅然泣下；或击节高歌，快意恩仇。 忘记意味着背叛，而记录是对历史最好的安慰，艾略特说过：铭记那些珍贵的时刻，生死与变迁，痛苦与孤独。 时代的阴影始终要走向新的光明。
我打小一身酒胆，交游甚广，三教九流，乐在其中。 There is no shortage of people with one skill, and it is even more legendary. 我们时常相聚痛饮，在饭馆、在江边、甚至酣畅高歌处，直陈奇幻之经历，感怀世事之无常，追忆那些悲喜交加的漫长岁月。 有下海的公务员、有混社会的大哥、有为了爱情余与岳父打官司的诗人、有文物贩子、还有犯事远走他乡的隐姓埋名之人... Everyone's life is full of sorrow and joy, containing Zen machines, constituting a microcosm of the big era. Maybe at the right time, I will also set up a biography for them.
Even if there is a strong wind, life does not give up. 人到中年，再想改变自己的性情已无可能，亦不需要浓郁的让人喘不过气的情感，在阅读中和一个个鲜活的生命相交相遇，用文字记录自己成长的难忘岁月，让无数细节抖落尘埃，就地复活，焕发新生，就是值得的人生。