One
Liang Yusheng is the leader of the new school of martial arts, he is of great significance to the development of the new school of martial arts, it is he opened the new school of martial arts mode, only to have the later Jin Yong's peak, only to have the unique path of Gu Long.
There are many friends who like to compare Liang Yusheng, Jin Yong and Gu Long, in fact, as far as Liang Yusheng has a groundbreaking significance for the new martial arts, Liang Yusheng's status in martial arts will not be too low. It's just that the works of the three men all have their own extremely obvious personalities, so they can only be compared from different points:
Liang Yusheng's feelings of the family and the country are extremely obvious, and the distinction between good and evil is the most direct. In his pen, Zhang Danfeng can put aside his prejudices to save Zhu Qizhen and return to China, Ling Weifeng unswervingly leads the Tianshan swordsmen against the Qing court, Lü Siniang does not hesitate to risk his life to go to the deep palace just to get rid of the cruel and unkind Yongzheng Emperor, Liang Yusheng's works have always pursued the concept of "it is better to have no martial arts than no heroes", which is also his personal ideal pursuit.
Moreover, Liang Yusheng's poetry is extremely profound, when he first watched the "Biography of the White-Haired Witch", he was deeply attracted by the opening words: "The wind and thunder are righteous, the frost is feminine, the sigh is beautiful, the white head is not old, the promise of a hundred years, the heart is not fulfilled, the short hoe is planted with flowers, the long poem is accompanied by wine, and the poetry sword is always remembered every year..." This half of the words have already summarized the life of the white-haired witch, making people sigh and sigh incomparably!
Jin Yong's poetry skills are not as good as Liang Yusheng's, but Jin Yong's portrayal of the plot of the novel and the portrayal of characters are the most profound. Since it is a martial arts novel, there are all kinds of adventures and coincidences, and there is also a love feud between children, Jin Yong can use these to shape the plot quite perfectly, so there is Duan Yu falling into the immeasurable jade cave to meet the immortal sister to get the "Northern Meditation Divine Gong", so there is Zhang Wuji in the Guangming Peak Secret Passage encountered the "Qiankun Great Shift", and Guo Jing accidentally memorized all the "Nine Yin True Scriptures" and so on.
Of course, Jin Yong's portrayal of the characters is extremely distinct, whether it is the domineering Xiao Feng, or the cowardly Chen Jialuo, even the playful and cute Huang Rong, and the exhaustive Cheng Lingsu, all of which are impressive. The most rare Jin Yong's even small characters have distinct personalities, such as the hilarious Peach Valley Six Immortals, the heart-wrenching Xiao Zhao, and even He Sanqi, Ma Guangzuo, Feng Bo Evil, Qu San and other people, all of which are unforgettable. In the portrayal and control of characters, Jin Yong can be called a master, compared to many of Liang Yusheng's characters do not have their own personality, making people have no impression.
There are two master-level figures in front of Liang Yusheng and Jin Yong, and Gu Long can only find a unique way to have a certain status in the jianghu, so Gu Long's works are light and heavy, and he plays his good reasoning characteristics in the work to the fullest. Therefore, Gu Long's most wonderful works, "Amorous Swordsman Ruthless Sword" series, "Legend of Lu Xiaofeng" series, "Legend of Chu Liuxiang" series, and "Meteor Butterfly Sword" and so on all have speculative plots, which can link these seemingly imaginative, but actually closely related clues, and have to admire the size of Gu Long's brain hole.
Two
Liang Yusheng has many works, but there are also many problems in the works, the main performance is that the works are uneven, and the plot and characters have many similarities. In fact, this is related to the environment at the time of his creation and the lack of revision in the later period.
In fact, liang yusheng and Jin Yong's martial arts works were first published in the form of newspaper serials, and then sorted into books. The main reason why Jin Yong's fifteen works feel relatively sophisticated is that Mr. Jin Yong revised his works one by one after sealing his pen, so there were later triptych editions and new century editions. However, Mr. Liang Yusheng has always been cultivating continuously, and in his later years, he did not systematically revise his works, so there were some shortcomings in these works.
For Mr. Liang Yusheng, the most admired is his diligence, because when he creates novels, he often updates two or three works at the same time, which is difficult for ordinary creators to bear. Creating a novel is quite a laborious thing, after all, we must always think about the characters and plot, to constantly innovate, Liang Yusheng in the serial in order to speed up the process, can only be "sneak lazy", the previous plot is applied again, to change, in order to maintain the continuity of the series.
There is no doubt that Mr. Liang Yusheng is very diligent, and it is precisely because he is too anxious to serialize that his works are numerous but insufficient, and the depth and tension of his works are not enough, which also makes many readers criticize him. However, Liang Yusheng's works are a kind of feeling, constructing the most profound jianghu world, and also a wonderful memory of the elderly when they were young.
Of course, the most influential in Liang Yusheng's works is always the Tianshan series, whether it is the number of film and television adaptations, or the degree of topic discussed, the Tianshan series of works is far better than other series. The Tianshan series of works also spans the largest, from the middle and late Yuan Dynasty to the middle and late Qing Dynasty, of which Liang Yusheng's most well-known works are mainly derived from this series.
However, there are many works in the Tianshan series, and there are only five of them that are highly readable.
Three
Liang Yusheng's broad Tianshan series actually includes the "Ping Trace Series", "Tianshan Series", "Yunhai Series" and "Houtianshan Series".
Among them, the "Ping Trace Series" mainly involves Zhang Danfeng's previous and subsequent works, including "Returning the Sword", "Ping Trace Hero Video", "Scattered Flower Girl", "LianJian Fengyun Record", and "Guangling Sword".
The "Tianshan Series" is mainly the works before and after the Seven Swords of Tianshan Mountain, including "The Legend of the White-Haired Witch", "The Legend of saiwai Qixia", "Seven Swords Under the Heavenly Mountain", "Three Women of the Jianghu", "Ice Cold Lightsaber", and "The Legend of the Glacier Heavenly Woman".
The "Yunhai Series" is mainly based on Jin Shiyi's experience and descendants, including "Yunhai Jade Bow Edge", "Ice River Washing Sword Record", "Wind and Thunder Earthquake Kyushu", and "Heroic Bone DanXin".
The "Houtianshan Series" is relatively based on the story of Zhang Danfeng's reincarnation of Meng Hua, including "You Jian Jianghu", "Makino Meteor", "Thunder with a Finger", "Records of the Legend of the Absolute Plug", "Sword Net Dust Silk", and "Phantom Sword Spirit Banner".
In fact, in the four small series of this general division, only five works can be called classics, namely "Ping Trace Hero Video", "The Legend of the White-Haired Witch", "Seven Swords Under the Heavenly Mountain", "Three Women of the Jianghu", and "Yunhai Jade Bow Edge".
"Ping Tracer Video" portrays a perfect hero Zhang Danfeng, who values his home and country, can abandon personal hatred, still think about others when misunderstood, and finally win respect and win love. Zhang Danfeng is the most typical Confucian hero in Liang Yusheng's pen, he always regards the responsibility on his shoulders very seriously, has a broad mind, it can be said that Zhang Danfeng is the most ideal chivalrous guest in Liang Yusheng's mind, so that some later characters more or less have Zhang Danfeng's shadow, such as Yang Yunxiao, Tang Xiaolan, Tang Jingtian and so on!
"The Legend of the White-Haired Witch" and "The Jade Bow Edge of Yunhai" are both more unconventional works of Liang Yusheng, the most important of which is that the two main characters portrayed, the white-haired witch Lian Ni And Jin Shiyi, are both good and evil characters who are not understood by the world. The white-haired witch has always been intolerable to the famous and decent, and later stabbed by Zhuo Yihang's sword and heartbroken, resulting in a night of whiteheads, and Jin Shiyi is not understood by the world, always pulled by Li Shengnan, who does not play cards according to common sense, when he chooses between Li Shengnan and Gu Zhihua, he is also hesitant, and when Li Shengnan finally fell into his arms, he understood the favorite in his heart, but at this time Li Shengnan has passed away! The white-haired witch and jin shi widow Li Shengnan are both extremely profoundly portrayed, and the two works are also climactic and the plot is compact, which can be called the superior work in Liang Yusheng's works.
"Seven Swords Under the Heavenly Mountain" and "Three Women of jianghu" are two highly related works, and the two works involve relatively many characters. The representative figures in the Seven Swords of Tianshan are Ling Weifeng, Yi Lanzhu and Gui Zhongming, and the three heroines are the two sisters of Lü Siniang and Feng Ying Feng Lin. Ling Weifeng and Yi Lanzhu represent the tenacious Spirit of tianshan, and they are always with a cangsheng in their hearts, so Ling Weifeng eventually forgets Liu Yufang in the jianghu, and Yi Lanzhu and his mother Nalan Minghui are separated from death. In the three female heroes, Lv Siniang is actually the female version of Zhang Danfeng, who is also the same perfect, has a heart and a responsibility, cleans up the portal internally to remove the master brother, and removes Yongzheng from the external deep palace slaying dragon, which can be described as a world-shattering ghost god. The portrayal of Feng Ying and Feng Lin's sisters is also in place, the sisters began to separate from the age of one, Feng Ying was taken to Tianshan by Yi Lanzhu to inherit the Tianshan Sword Technique, Feng Lin was taken to the palace to grow up with the Sa-style double demons, and finally at the end of the book, the two daughters met their mother to achieve a reunion. These three lines Liang Yusheng can grasp quite well, but also extremely compact, which reflects Liang Yusheng's true skill.
In the "Tianshan Series", these five works can be regarded as Liang Yusheng's classic works, and they are also the most unmissable works in the Tianshan series. Relatively speaking, the rest of the works such as "The Strange Story of the Sword", "The Legend of the Glacier Heavenly Woman", and "The Heart of the Hero Bone" are not bad, but they are not counted as the best works. As for the Liang Yusheng Datang series and the Great Song series, there are also fine products.
If you rank the five works according to their influence, "Yunhai Jade Bow Edge" is the first, "Ping Trace Hero Video" is the second, "The Legend of the White-Haired Witch" is the third, "Seven Swords Under the Heavenly Mountain" is the fourth, and finally "The Three Women of the Jianghu".
Insist on the original, I am loyal to the liver and righteousness of the old third, welcome to pay attention!