Kumiko Aso celebrated her 25th anniversary as an actress this year. Among the dramas this season, it is also a good performance in "MIU404" (TBS series), which has gained high praise for its storylines and good performances by the cast. It is a buddy drama of men, but she fully demonstrates the presence as a flower of one red one point in that.
Actress Kumiko Aso, who celebrates her 25th anniversary this year, has a strong performance in this season's MIU404, which received high praise for her strong storytelling and the superb acting skills of the actors. Although she is a criminal investigation drama in which male police officers partner as the protagonist, Kumiko Aso, as the only woman among the main actors, gives full play to her presence in the play.
"Naoki Hanzawa" attracts the masses, and "MIU404" attracts core fans ... Kumiko Aso's presence is the key
"Naoki Hanzawa" attracts a wide audience, while "MIU404" attracts core drama fans... Kumiko Aso's presence is key to this
In this season's drama, the Sunday theater "Naoki Hanzawa" (TBS series) has surpassed the audience rating. SnS and net news overflow with the topic of this work every time it broadcasts. Under such a number of years, MIU404 has gained as much support as the same work. In Oricon's "Drama Satisfaction Ranking", which surveyed the satisfaction of drama viewers, both of the two works scored a perfect score and tied for first place.
[cn] In this season's Japanese drama, the ratings of the Sunday theater "Naoki Hanzawa" (TBS) are in the dust. And every time it is broadcast, social networks and network news are full of related topics of the show. In this case, MIU404 received a support rating comparable to naoki Hanzawa. In the Oricon "TV Series Satisfaction Rankings", which surveys the satisfaction of TV drama audiences, both Japanese dramas received full scores and tied for first place.
In oricon's audience questionnaire, there are many voices citing Aso's presence, such as "The dignified appearance of Kumiko Aso, the main character's boss, is impressive" (Female 50s, Saitama) and "Kumiko Aso, who is not a comedy, is surprisingly addicted" (Male 50s, Tokyo).
In Oricon's audience survey, some comments about Kumiko Aso's presence in the show were very eye-catching, "Ms. Kumiko Aso, who plays the protagonist's boss, her capable and handsome appearance is impressive" (female 50th generation Saitama) "Kumiko Aso, who is not used to acting in comedy, unexpectedly fits well for this serious role" (male 50th generation, Tokyo) and so on.
The screenshot is from the Chasing New Subtitles group
Aso plays the first female leader of the Riot Investigation Team to bring together a unit of male society. Aso does not dispatch to the scene, but watches over the members from the headquarters. While highlighting his presence, he clearly highlights the character of the contrasting protagonists. There, aso's uniquely yinging-out suppleness also works.
Kumiko Aso played the first female captain of the "Mobile Search Team" with all male members in MIU404. Instead of going to the scene to investigate, she has to manage and command the team members at headquarters. While highlighting her own sense of existence, she also sets off the different personalities of the protagonists. This is also due to the unique and natural sensuality she exudes.
In addition, Aso's presence in this work has another role for viewers. In this work, where the screenplay, direction, and theme song are produced by the "Unnatural" team and the cast is produced by the "Konodori" team, it exists as a different molecule that does not belong to either, neutralizing the color of the drama without biasing it, and the viewer can feel "inner circle feeling" from the acting that took that step back.
In addition, for the audience, the presence of Kumiko Aso in the play has another role. The screenwriter, director, and theme song of this drama are all from the "Unnatural Death" team, and the protagonist is from "Obstetrician Hong bird", in this drama, Kumiko Aso is like an outlier, not belonging to either side, her presence makes the style of the whole play not biased towards any of the above dramas, and the audience can feel the fusion of the two crew members from her step back acting skills.
Aso loved by famous directors as a movie actress ... It blooms as a comedienne in "Mikazuki-kun" which became a turning point
As a film actress favored by well-known directors... With the role of "Three Days and Moon", showing his comedic talent ushered in a career turnaround
Aso made her actress debut in 1995 with bad guy beach, a film directed and starred by Sho Aikawa. He has appeared in films such as Katsuyuki Motohiro's July 7, Sunny (1996), and in 1998 he performed with Akira Pattern in Shohei Imamura's "Kanzo Sensei" directed by Shohei Imamura. As a role of Sonoko Mannami, Aso quickly attracted attention for her strong performance, and won numerous film awards, including the Japan Academy Award for Best Supporting Actress and the New Actor Award. It became a turning point as an actress.
Kumiko Aso debuted as an actress in the film BAD GUY BEACH, starring and directing by Sho Aoikawa in 1995. After his debut, he starred in films such as "July 7, Sunny" (1996) directed by Katsuyuki Motomoto, and in 1998, he collaborated with Akira Shōmoto in "The Liver Doctor" directed by Masahira Imamura. In the film, she played the heroine Wan Bo Yuanzi, and her dedicated acting skills made her famous and attracted much attention, winning the Japanese Academy Award for Best Supporting Actress, the Newcomer Award and other film awards. The work became a turning point in her acting career.
After that, in addition to being used as a major cast such as Kiyoshi Kurosawa's "Ningen Pass" (1999) and "Circuit" (2001), his performances were liked by the directors, such as Isao Yukisada's Himawari (2000), Luxury Bones (2001), Takeshi Kitano's Achilles and Turtles (2008), and Sasakibe Kiyoshi's "Yunagi no Machi Sakura no Kuni" (2007) and "The Legacy of The Japanese Rings" (2011). He continued to appear in films that were highly acclaimed at overseas film festivals, and he continued to build his career while making films the main battlefield.
After that, she starred as a major role in Kiyoshi Kurosawa's "Survival License" (1999) and "Loop" (2001), as well as "The Sound of Sunflowers" (2000), "Extravagant Bones" (2001), "Achilles and the Turtle" directed by Takeshi Kitano (2008), "Sakura No Kuniku on Yukirashi Street" (2007) directed by Kiyoshi Sasabe( 2007), "The Legacy of the Sun" (2011) and many other films, and her acting skills were favored by well-known directors. Having starred in a number of films that have been well received at overseas film festivals, Kumiko Aso has used films as her main battlefield to accumulate her qualifications as an actress.
The turning point for Aso's further leap was the role of Shizuga Mika mika in the serial drama "Prescription Police" (TV Asahi/ 2006). The appearance of the crescent moon which left the nail firmly by the fight with Shuichiro Kiriyama who played The Odagiri Joe while barrageing a peculiar bokeh, and encouraging the scolding while messing with him made the viewer Yamitsuki. From the fact that she had been an image of a hard-line film actress until then, she expanded its popularity to the general public in a position opposite to the appeal of cuteness with a sense of weakness.
The opportunity to take Kumiko Aso's acting career to the next level was the role of Shizu Michizuki in the Japanese drama "Time Police" (TV Asahi / 2006). Using a unique way of pretending to be stupid, Kumiko Aso and Oda Chie made the opponent scene played by Shuichiro Kiriyama impress the audience, and the three-day moon that repeatedly changes between bullying Kiriyama Shuichiro and spurring and encouraging Kiriyama Shuichiro captivated the audience. The role of Michizuki also made Aso Kumiko's image in the hearts of the audience undergo a 180-degree change, from the previous hardcore movie actress image to a cute image with some sense of detachment, which greatly increased the popularity of ordinary audiences.
In recent years, while based on movies, she has appeared in TV dramas and fully demonstrates the acting skills she has cultivated over her 25 years as an actress. He has established his position with well-balanced media exposure and continues to play an active part in the front lines of the entertainment scene.
In recent years, on the basis of starring in movies, she has also participated in some TV dramas, and the acting skills honed in her 25-year career as an actress have been fully exerted. Relying on appropriate media exposure to establish his position, he continues to be active in the front line of the entertainment industry.
25 years when it wasn't smooth sailing
25 years of acting have not been smooth sailing
Aso, who has not lived a smooth life, jumps into a world of severe competition with the aiming of the entertainment world in the midst of complex family circumstances, and is an adult while performing entertainment activities. There is an aspect which has the home now, too. However, he said without hessity, "Of course, there were difficult times, but now I can laugh off such experiences. I try to laugh forcibly when it's hard or hard." The true face and way of life shown through such a view of life and performing arts activities may have gained the sympathy of women in various positions living in the present age widely.
Kumiko Aso's life was not smooth sailing, and she aspired to become an actress and enter the competitive entertainment industry, growing up in the process of performing artistic activities. Now she has a family of her own. But she doesn't mind the hardships she's going through: "Of course there have been times in life when I feel hard. But now it's time to laugh at that (bottom) experience. The more difficult and hard times are, the more I will try my best to smile and face it." It is probably this view of life that resonates with women who have survived in modern society in various positions, and the true side and attitude she has shown in her acting activities.
The term "nature, gentleness, meekness" is often applied to Aso, who has a 25-year history of actresses who have been studying at a milestone. In "MIU404", while complementing the two leading actors, acting with a step back while oozing the incense of "one point of red", it does not come out too much and is not buried. He calmly understands his position and the role he has been given, and keeps an exquisite sense of distance.
Constantly delving into acting skills and accumulating experience, Kumiko Aso, who ushered in the key node of the 25th anniversary, has become majestic and calm, and the three words "natural, gentle, and soft" are used to describe her. In "MIU404", while setting off the two protagonists, she exudes the charm of "the only woman among the main actors", and uses her acting skills to take a step back and not to be rash, so that she is not too conspicuous and not without a sense of existence. Think calmly about your position and the role you're given, and maintain a wonderful sense of distance.
In the production announcement of "Operation Strange Love" (TV Tokyo series / 2015) starring, "It is a late-night drama, but I want audience ratings" I also gave a glimpse of the passion hidden within, but the base will be the same in "MIU 404".
In the production press conference of "Strange Love Battle" (TV Tokyo/2015), which she starred in, she said that "although it is a late-night drama, I want high ratings", this sentence gives people a glimpse of her deeply hidden passion. Presumably, she also thought so when she starred in "MIU404".
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