Wang Yuanqi (1642-1715) was a famous painter in the early Qing Dynasty, with the character Maojing, the number Lutai, and the first stone master Daoren. He was a native of Taicang, Jiangsu Province, the grandson of Wang Shimin, and together with Wang Shimin, Wang Jian, and Wang Yi, he was known as the "Four Kings" of the early Qing Dynasty, also known as the "Four Kings of Jiangzuo".
【Name】Qing Wangyuan Qi Songxi Xianguan chart axis
【Era】Qing Dynasty
【Introduction】Ink on paper, 118.5×54.5cm.
On the left side of this picture is a signature: Painting by Qi Gong of the Emperor Yuan. Seal: Chenyuan Qi (朱白方), no painting date, should be his work enshrined in the palace, and collected by the court.
【Name】 Qing Wangyuan Qi Xiao Lonely Mountain Chart Axis
【Introduction】Ink on paper. Kangxi Pengyin (37th year, 1698), 97× 46cm. It is now in the collection of Changzhou Museum.
The author at the top right of the painting has his own title: [Jiang Xing Xiao Gu Shan Zhou Ji wrote a big idiot brush, when Peng Yin winter day. Gengchen Xiaochun Jingdi even checked out the title, Lutai Qi. There are three seals before and after : 埽華庵] (朱長元), [Wang Yuan Qiyin] (白方), [Lutai] (朱方), and a number of seals in the collection.
【Name】 Qing Wang Yuan Qi farewell poetic intention axis
【Introduction】Color on paper, Kangxi Xin Mi (40 years, 1701), 128.6×75 .6cm. It is now in the Palace Museum.
The author of the upper part of the painting titled himself: Wumen Luyan two or three sounds, I went to Xijiang Junbei Expedition. A cold night moon at the head of the building, peach blossoms flowing water every other year. The two years of acacia were divided between the north and the south, and the lonely boat Huaipu suddenly met the king. After a night of sadness, the west wind and waves on the shore of the lake are cloudy. The meaning of the map into a point dyeing new, a mountain and a water can be true at the end. Zhijun has a smoky habit, and the side is heavy with old dust. Invasion of the morning buckle household happy pan Huan, no frost flower people Yan cold. The cause of forced scabies is more than one, and the hanging junsu wall does not need to be seen. Peng Yin summer and autumn, Jingli cousin read Yu Zhai, Yu wei to make a plan to stop the fast, long scrolls and go north, repurchase paper to treat. Over the years, they have traveled back and forth between the north and the south, and only once in Qinghuai. At the beginning of this day, the capital gates were gathered together, and there was great joy. After several days of yuzhai jiansuo before the appointment, he froze into this picture. Because of the four problems, to prove the traces of my two clutches. Kangxi Xin Mi Xiao Chun under the Han King Yuan Qi. Plutonium seal: The royal calligraphy and painting drawings are left for people to see (Zhu Baiyuan), Wang Yuan Qiyin (white fang), and Lutai (Zhu Fang).
【Name】Qing Wangyuan Qi imitation Huangzi Jiu landscape map axis
【Introduction】 Silk Color, Kangxi Xin Mi (40 years, 1701), 122.7×52 .8cm. It is now in the collection of Liaoning Provincial Museum.
The composition of this painting is smooth, the pen is slightly simplified, and the signature in the upper right corner is: Xin Wei Winter Imitation Big Idiot Pen. Lutai Qi. Front seal: Cang Run (Zhu Changyuan), post-print: Wang Yuan Qi Yin (White Fang), Lutai (Zhu Fang), lower left corner of the frame: Shi Shi Daoren (White Fang).
【Name】 Qing Wangyuan Qi imitates the great idiot landscape map axis
【Introduction】Ink on paper, Kangxi Gengchen (39th year, 1700), 106.4×56.2cm. It is now in the collection of the Shanghai Museum.
The author of the upper right part of the painting is self-titled: Mr. Ji Weng's article is not only political affairs, pay attention to the elegance, falsely appreciate the remaining paintings, belong to the followers for many years, and have not answered the order for a long time. Gengchen in August under the Han autumn window Xinji, occasionally got a paper imitation of the big idiot, Xinghui quite compatible, dare to ask for the right. Lou Dong Wang Yuan Qi. Pre-Wen Seal: 埽華庵 (朱長元), Wenhou 钤印: Wang YuanQiYin (White Fang), Lutai (Zhu Fang).
【Name】Qing Wangyuan Qi imitates the Wuzhen landscape map axis
【Introduction】 Ink on paper, Kangxi Hedi (38th year, 1699). 74.2×40.6cm。 It is now in the collection of the Shanghai Museum.
The author on the upper right of the picture has his own title: [Painting to the Southern Song Dynasty, Jingzong Yanye, bone style is humble, Mei Dao manpower to turn the decadent wind, into the flavor of everyone, the so-called light makeup is not flattering when people are also.] He wrote this in Kasuga Kyoe Province. Lutai Qi. ] Wenqian Plutonium Seal: [Gu Zhi Zhai] (Zhu Changyuan), Wenhou Plutonium Seal: [Wang Yuan QiYin] (White Fang), [Mao Jing Father] (White Zhu Fang).
【Name】Qing Wangyuan Qiyun Mountain chart axis
【Introduction】Ink on paper, Kangxi Hedi (38th year, 1699), 94× 45.7cm. It is now in the Palace Museum.
The author of the upper left of the painting titled himself: In the autumn rain, the Daoist brother of the Cloud Period talked about the day, in order to make a high-level Book, he did not finish the writing, and now he sits back and forth, and he continues to succeed, I am afraid that he is not the face of the ancients. When Kangxi died in March, he went down to Han. Wang Yuanqi. Seals: 埽華庵 (朱長元), Wang YuanQiyin (白方), Mao Jingfu (白朱方).
【Name】 Qing Wangyuan Qi imitation Gao Ke Gongyun Mountain chart axis
【Introduction】Ink on paper. Kangxi Gengchen (39th year, 1700). 99×47.2cm。 It is now in the collection of Liaoning Provincial Museum.
This pictorial study of the Yuan Dynasty Gao Kegong painting style, the upper left corner of the frame author signature: [Gengchen Qing and Guangling Zhouji, imitation of GaofangShan pen. Lutai Qi. The front seal of the paragraph: [Gu Zhi Zhai] (Zhu Changfang), the post-seal of the paragraph: [former Qi Maojing] (Bai Zhu Fang). There are also six collection seals.
【Name】Qing WangYuan Qi imitation Wang Mengshan water map axis
【Introduction】Ink on paper. Kangxi Xin Mi (40 years, 1701), 106.3×53 .8cm. It is now in the collection of the Shanghai Museum.
The author of the upper right part of the painting has his own title: [Remembering the Autumn of The Emperor in Qin, for Mr. Yuting's imitation of the big idiot pen, reading it for eight years now.] Later, for the study of mountain wood pen and ink, obtuse and blunt, the ancients did not get the high and light flow, the work is shallow and the understanding is delayed, and it is still in the past. Please take the rice with Bo spray. Kangxi Xin Shu Late Spring Painting of Han Lou Dong Wang Yuan Qi. The seal before the text: [The imperial calligraphy and painting picture is left with people to see] (white changyuan), and the post-text seal: [Wang Yuan Qiyin] (white fang), [Lutai] (Zhu fang).
【Name】Qing Wangyuan Qi Xia Shan chart axis
【Introduction】Color on paper. Kangxi Gengchen (39th year, 1700), 107×59.5cm. It is now in the collection of Guangdong Provincial Museum.
On the canvas, the author's self-title: [Oblique wind and drizzle hit the canopy window, looking north to Yangzhou across a river.] Infinite Cloud Mountain is written away from Xu, and the West Garden remembers the silver cylinder. Yu Ke years in the winter with Gao Zikou guest drinking tree storage Zhangzhang embroidery valley, tree brother out of the stone valley Linzijiu "Summer Mountain Map", see the show and ask for a clumsy pen, long time did not respond. Gengchen Qinghe went north, the wind blocked the river dry, wrote this feng sent. Weak wrists, stupid, mouth rice old clouds, shame on people. Lou Dong Wang Yuan Qi. 〕钤引首印:〔埽華庵) (朱elliph), also 钤印: [Wang YuanQiyin] (白方), [Mao Jing Father] (白朱方). Lutai gave the pen and ink a wonderful world, sweeping away the habit of carving fibers. Gai learned from the family and became poor. This figure peak tree stone is simple and elegant, and it can really gather the victory of all the families, that is, Yifeng and Yellow Crane must not be good at beauty in front. Mr. Diao gu studied fine painting and should be appreciated, and he knew whether to say anything about Yu. Five days after Gengchen Xiaochun looked, he cultivated the smoke and scattered the people Wang Yi question. 〕 钤印 [王翚印] (白方), [石谷] (白方).
【Name】Qing Wangyuan Qi imitation Gaofang Mountain Yunshan Map
【Introduction】Color on paper, length 113.6 cm, width 54.4 cm, Shanghai Museum collection.
Depicts the scenery of the mountain village after the rains in the spring of Gangnam. Yun Shan takes the Yuanren Gao Ke Gong Method, horizontal dot dyeing, and uses scorched ink to break the rich and thick texture, and the composition is high and far and flat, and the meaning is deep and ethereal.
【Name】Qing Wangyuan Qixi Mountain Seclusion Map
【Introduction】Jianzang Seal: Gong BoPingsheng Treasure Reward (Zhu) Ai Xin Jue Luo Ting Yong Character Shao Min Small Character Pan Ji No. Lin Gu also known yongxi (white) iron frieze collection of calligraphy and painting Jinshi character (Zhu) Luhe Zhang Yi Tibetan calligraphy and painting (Zhu) Chen Zhimingyin (Zhu) Xishan Hermitage" was written in 1704, when Wang Yuanqi was 62 years old. Ink on paper, vertical shaft. On the painting, Wang Yuan Qi's seal is three parties, namely "Wang Yuan Qi Yin", "Lu Tai", and "Imperial Calligraphy and Painting Pictures Left to People to See", and the three-way seal is found in pages 45-47 of the "Chinese Calligraphers and Painters' Seals and Notes", 45, 46, 84 Prints. 1704 was the most proud year of Wang Yuanqi's life, in April of that year, he entered the South Study, and thus successively served as a waiter, a bachelor, and a princely government, and enshrined Kangxi, so the Kangxi Emperor often watched his paintings, and the imperial book "painting and leaving it to others to see" was obtained in this year. He engraved the Kangxi inscription into a seal, and from then on, every painting was often printed with this square seal. The "Xishan Seclusion Map" was written on the 30th day of the waxing moon of this year, when Wang Yuanqi was returning from Kangxi's side and guarding the old age in Guzhao Hall, and his mood was particularly happy. Therefore, the imitation of Mei Daoren painted this "Xishan Seclusion Map", and the composition brush and ink were full of a kind of invigorating. This work has been passed through the late Qing Dynasty and the Republic of China, two great collectors love xinjue luo. Ting Yong (Zi Shao Min) and Jin Cheng's Dharma Eye Collection. Mr. Qi Gong was even more delighted when he saw this scroll in April 1989, and in addition to praise, he told the origin of the inheritance in small letters, adding to the cuteness of the painting.
【Name】 Qing Wangyuan Qi imitation Huang Gongwang landscape scroll
【Introduction】Silk, 122.71 × 52.8 cm.
Wang Yuanqi Landscape Fan surface
Material, shape: paper
Size: 19×54cm
Wang Yuanqi Yayi Mountain Residence Fan noodles
Material, shape: colored paper
Size: 18×53.5cm
Yunlin Yayi Mountain Tu Pure Master Jingguan, slightly imitating its meaning, using the big idiot family style, to Bowei old one Cantonese. Brother Wang Yuanqi.
Seals: Wang YuanQiyin (Bai Wen), Mao Jing (Zhu Wen), Cang Run (Zhu Wen)
Wang Yuanqi Peng Yin (1698) as a vertical axis of the Distant Forest
Size: 76×37cm
Seals: Wang Yuan Qi Yin, Mao Jing Father, Gu Ji Zhai, Xing and Yan Xia Hui
Knowledge: Painting avoids brush slip, to seek the edge of the turn is not for the pen to make, the so-called turn, in the break and continuous, continuous and not continuous efforts. Dong Zongbo was very deep in Ni Huang, so there was a theory, Yu was on a trip to the West River, and he happened to meet a familiar boat with a paper rope painting, because he thought about this number of words, and wrote it with it. Peng Yin winter, Peng Li Zhou Ci, Lu Tai Zhi.
Jianzang Seal: Pingyu Appreciation, Xu Gong, Qingbox Bookstore
Inscription (Xu Pingyu): Wang Lutai Shulin Yuanxiu Map. 1954 was acquired in Beijing, Pingyu. Seal: Wang Lang
Wang Lutai distant forest remote map. Nineteen five-four was won by the factory, Yu. Seal: Wang Lang