He was the director of the Shanghai Academy of Graphic Arts at that time, and he also had his own contribution to the development of Chinese painting, especially in the research and development and production of modern pigments, which was directly related to him, but now few people remember his name, his name is Zhang Yuguang.
Today's story about him we will not introduce one by one, we only look at his Chinese paintings, his Chinese paintings, comparatively speaking, is still relatively traditional, in the traditional brush and ink painting, you can already see some shadows of Western painting, because at that time he followed the French painter Lu Taofu to learn painting, watercolor painting, oil painting and anatomy are involved.
In some of his sketching works, there are also influenced by the painting style at that time, from time to time there will be some labor scenes of people at that time, these are the imprints left by that era, and there is no escape in his pen and ink, in fact, more of his works are still relatively traditional, there is no drastic subversion of traditional Chinese painting, but the continuation of the vein of traditional Chinese literati painting, but the process of his painting has some swings, so that there is no more updated breakthrough, With the loss of time, his figure and paintings have also been submerged in the long river of history.