With the scheduled broadcast of the chapter of "Big Monster Gomera VS Kamen Superman" (end), this year's Conan New Year Theater Edition has also officially entered the final part, to be honest, personally, it is still a bit unfinished, always feel that the final finish is a bit too hasty, especially the Easter egg part, lacking the "surprise" it deserves, and has a little more "strong plug" flavor.
Of course, although this year's special edition does not have the amazing plot of last year's study tour "Xinlan" official announcement, if you look at it with a little thought, you will be pleasantly surprised to find that this year's work is actually full of various tributes to the classics of the past, each of which can evoke your good memories.
Without further ado, let me take you to find a few scenes in this "Big Monster Gomera VS Kamen Rider" that pay tribute to the classics.
(The content in the text is only a reference to Conan's 2020 New Year Special Edition works, only entertainment, if there is any deficiency, please correct it in time)
<h1 class="pgc-h-arrow-right" > a tribute to the two story elements of "Camera" and "Kamen Rider"</h1>
First of all, the name of this work, "Big Monster Gomera VS Kamen Superman", has already paid tribute to the two major story elements in the Conan anime", "Gomera" and "Kamen Rider Superman".
As a resident guest in the storyline of the Junior Detective Corps in Conan dramas, the two characters of "Kamen Rider Superman" and "Gomera" have always had extremely important roles, such as the role of "Kamen Rider", which first appeared in the "Department Store Coercion Incident" in the 17th episode of the Conan TV version (18 episodes after the split).
"Gomela" is a little later, appearing in the TV version of the 63 episodes (after the split 65 episodes) of the "Big Monster Gomera Incident", both of which belong to the first few character elements that appear in the work, and they have been active in the work with the role of the Young Detective Corps, even if there is no real scene, they will brush a sense of existence through the lines of those children from time to time.
Therefore, this time the animation team has laid "nostalgia" and "tribute" for us in the name of the work alone.
<h1 class="pgc-h-arrow-right" > tribute to The Stranger Ten Years Later</h1>
Then as the plot slowly deepened, more and more classic elements were displayed in front of our eyes, such as a few conversations between Conan and Gray Plains in the third chapter (urgent) chapter, which contained and paid tribute to many Ofconan classic works, for example, when Gray Plains questioned why the prisoners fell out 10 years later, Conan replied, "After all, a lot of things can happen in 10 years, some people have succeeded, and some people have also failed." ”
And then after listening to Conan's explanation of the gray principle, he said a meaningful sentence: "Life is full of changes, 10 years ago, I would never have thought that I would become what I am now."
Next, let's recall the plot of Conan OVA's "Stranger Ten Years Later", have you found that the two sentences just now are just the best introduction to the content of this ova, perhaps the most correct sentence in conan's mind that grew up naturally because of the failure of the APTX4869 antidote was the sentence "10 years ago, I would never have thought that I would become what I am now."
<h1 class= "pgc-h-arrow-right" > tribute to "The Difficult Road to Osaka's Assorted Pancakes"</h1>
Also in this part of the dialogue between Conan and Ash Hara, in addition to paying tribute to the 10-year time "terrier", there is also this classic "terrier" about "Osaka yaki".
In this passage, Ashwon asks Conan to buy a delicious "Osaka yaki" as a reward, and Conan replaces it with "takoyaki", although Conan prevaricates Ashwon's dissatisfaction with a "foreigner" reason, but oh, judging from his monologue in his heart that "I said to eat Osaka ware" and his expression of remembering something. He must have remembered the story between himself and Hattori Heiji for a delicious piece of "Osaka ware".
As for this story, it takes place in Conan's special edition of "The Difficult Road to Osaka's Assorted Pancakes" and the theatrical version of "Shipwrecked in the Sky". The specific content will not be discussed in detail, and everyone can go online to tutor by themselves.
<h1 class="pgc-h-arrow-right" > a tribute to Hattori Heiji and Conan's motorcycle trips in the theater</h1>
In addition to the tribute in the third chapter, the fourth chapter of this time is also full of various classic plots and scenes, such as the scene in the play where Conan sits on Hattori Heiji's motorcycle to solve various cases, which actually reminds me of the scene in the theatrical version of "The Crossroads of the Labyrinth", where Conan and Hattori ride a motorcycle to chase the murder together.
This may be my personal delusion, I always feel that this scene seems familiar.
<h1 class= "pgc-h-arrow-right" > tribute to the chapter "The Skyscraper That Timed Detonates</h1>"
However, in the fourth chapter, I personally think that one of the biggest highlights is the scene where Hattori Heiji uses his mobile phone to guide Toyama and Ye to remove explosives.
In this episode, although the detonation device marked No. 26 was perfectly dismantled by Conan, the other No. 27 was moved to the home of the audition event by the TV organizers, and due to the lack of time left, Conan and Hattori were unable to rush to the scene, and in the absence of any way, Hattori Heiji could only ask Kazuya to dismantle the device under his guidance.
Does this scene remind you of anything? Has there been a flash of the Scene in the Conan Theatrical Version of "The Skyscraper Detonated by Timing" in which Maoriland and Conan (Kudo Shinichi) dismantle the detonation device in the middle of a wall, which is also the setting that the male protagonist cannot reach, the same atmosphere of the timing detonation, and the same is the demolition of her own green plum bamboo horse. Even the color of the final cut wire is "blue".
The only difference is that this time the male and female protagonists have been replaced by "peace", and the partition guidance has become a more high-tech mobile phone call.
<h1 class="pgc-h-arrow-right" > summary:</h1>
Without referring to the reasoning plot (personally not good at), I personally feel that this "Big Monster Gomera VS Kamen Rider" is quite good in the handling of laughter points, especially hattori Heiji and Toyama and Ye, a pair of "living treasures", almost bear all the laugh points and humor points of the whole word, and are also full of various classic tributes, the fly in the ointment is the lack of emotional lines, originally thought that more or less "peaceful" emotions will be a little show and advance, the worst is also a habitual "confession" failure scene, In the end, nothing was found.
I can only sigh, it seems that Hattori Heiji and Toyama and Hachiyama still have a long way to go.
Finally, you also saw what classic shots and elements in this "Big Monster Gomera VS Kamen Superman", welcome to leave a message.
(The above content is only personal thoughts and opinions, and the pictures in the text are excerpted from related animation works)