I believe that everyone has seen the TV series "Three Lives and Three Worlds and Ten Miles of Peach Blossoms" before, due to the super high popularity of the original novel, and the popularity of the actors, this TV series received a lot of audience likes when it was broadcast, and it is also a film and television work with a very high degree of discussion and popularity.
However, for many people, it is really memorable, in fact, thanks to the portrayal of the voice actors behind it.
There is a scene in Sansheng III: Yehua took away Susu's eyes because of a misunderstanding, but he still loved her deeply in his heart. So although he personally removed Susu's eyes, he was still entangled in his heart. And the heroine Su Su's own heart is also full of uneasiness and fear. Therefore, it is particularly critical in the processing of sound.
Not long ago, on the popular variety show "Sound Immersion", the male and female lead voice actors of this drama, Ji Guanlin and Bian Jiang, also re-showed this scene. In the live interpretation, the two top voice actors also used their own interpretations and voices to bring the audience into the situation, which reminded people of their feelings when they first watched "Three Lives and Three Worlds and Ten Miles of Peach Blossoms".
The strength of the voice actors on such a professional stage is only vividly expressed, and it also gives many people the opportunity to understand the dubbing industry. So as a well-known female professional voice actor in China, Ji Guanlin, how much do you know?
Ji Guanlin's experience
Ji Guanlin, born in January 1980 in Tianjin, Chinese mainland voice actress, graduated from Tianjin Normal University. During his time at the school, he has dubbed nearly 100 translated films. Later, with his performance in the TV series "Zhang Daqian", he was recognized and officially became a voice actor.
Counting the dubbing work of Ji Guanlin, it is not difficult to see that many of them are popular film and television works, as well as some classic game dubbing.
In 2006, she voiced Little Dragon Girl in "Condor Heroes". In 2009, he voiced Zhao Min and Zhou Zhiruo in "Yitian Slaughtering Dragon"; in 2011, he voiced Tang Yurou in "The Legend of the Paladin Sword", the first time for a domestic single-player game; in the same year, he voiced Zhen Huan in "The Legend of Zhen Huan".
In 2013, he voiced Dongfang Undefeated in "Laughing Pride". In 2016, she voiced the female character Tsubaki in the animated film Big Fish Begonia. In January 2017, he voiced Bai Qian, played by Yang Mi, in "Three Lives and Three Worlds and Ten Miles of Peach Blossoms".
Ji Guanlin's working attitude
Ji Guanlin believes that for a voice actor to become a character, he must first have "voice acting skills". Because often voice actors perform emotional performances in places that are invisible to the audience.
Therefore, she will ask herself to devote herself to the role and vividly restore the emotions in the play. When encountering scenes with obvious mood swings, Ji Guanlin's voice will be hoarse for two or three days. That's what she calls entering the play.
Ji Guanlin said in an interview: "Now I know how far I should record and what stage to stop. But what is this degree? You are not enough, you can't be enough, you can't do it, you have to be right at a particularly delicate point. ”
This is also one of the most frequent attitudes in her work, to do it well. In order to figure out the character's personality, she painstakingly feels the tone of the character over and over again, and adds her understanding of the role to her own interpretation, so that people will feel alive and vivid.
Compared with the voice actors who are not capable enough but are not willing to work hard, the reason why Ji Guanlin can become a benchmark in the industry is because her own work status is more attentive than others.
Summary: Ji Guanlin has experienced the bitterness of voice actors, using her voice to express the joys and sorrows of every story and every character. Although she can only work behind the scenes that the audience can't see, she still uses her voice to make today's audience remember her and like her.