Speaking of the Chinese music scene, some singers leave without listening enough to them, and go with the music; some of these musicians have died young, and we always think of it and can't help but be sentimental! Yes, they were very talented, but they were all – and still missed by fans. The voices that go to heaven from the human world never stop in the hearts of those who miss them, and God takes away his fate while jealousy of their voices.
<h1>Teresa</h1>
Teresa Teng (29 January 1953 – 8 May 1995)
As an irreplaceable superstar in the history of Chinese music, she has not only influenced the development of Chinese pop music, but also influenced the Chinese society in the cultural field. Teresa Teng has attracted young and elderly people in many regions with her feminine and moving singing voice and intoxicating love songs, and she has influenced a generation of Chinese singers and songwriters, and is a proud Singer of Chinese who has broken into the world. Teresa Teresa is the first singer with international influence in the Chinese pop music scene (not only in China but also in the world), "as long as there are Chinese people, there is Teresa Teng's singing".
<h1>Leslie</h1>
Zhang Guorong (12 September 1956 – 1 April 2003)
He is a successful singer, actor, musician; a representative of both talent and diligence in the show business circle, which has a great influence on the Chinese music scene and the film world, and Cheung Kwok Wing is one of the indicators of Cantonese pop music. Whether it is music and acting, his brother is an all-rounder with multi-faceted abilities; Zhang Guorong has always been keen to promote the younger generation of the show business circle before his death, many artists in Hong Kong and Taiwan have received his help, and his talented artistic achievements are also a model for many artists. "The Wind Continues to Blow" has never been able to take away the nostalgia of everyone in the "brother", his influence has been branded in the entire circle of symbols, and the favor is far from expressing enough for Zhang Guorong and all those who love him and think of him.
<h1>Huang Jiaju</h1>
Huang Jiaju (10 June 1962 – 30 June 1993)
As the lead singer and soul of Beyond, Wong played a pivotal role in the band and unified the music of the four members. He also shows us a different style of rock music, he is one of the few singer-songwriters in Hong Kong who is proficient in songs, lyrics, playing and singing. The works he created have a very world view, no reason to be mysterious, nor the gorgeous refinement of the academic school, so they are loved by the audience and the classics left by the works are widely sung! "The Sea and the Sky" has also become the song of jiaju, "Forgive me for this life of uninhibited indulgence and love of freedom will also be afraid that one day will fall", mentioning Chinese rock music: "Huang Jiaju" has become the first singer in everyone's heart.
<h1>Chen Baiqiang</h1>
Chen Baiqiang (September 7, 1958 – October 25, 1993)
One of the leading singers of Cantonese pop music in the 1980s, Chan was a versatile artist in terms of musical practice. He is good at interpreting romantic love songs, but also can compose his own songs, and his noble temperament is particularly impressive and praised, and there are few singers like Chan Baiqiang in the Hong Kong music scene. His songs give people a sense of aesthetic, romantic and elegant style, and the kind of mood interpreted by Chen Baiqiang in songs such as "What to Ask for in Life" and "Partial Like You" has left an impenetrable different taste in the hearts of listeners.
<h1>Zhang Yusheng</h1>
Zhang Yusheng (June 7, 1966 - November 12, 1997)
He is not only a singer, but also a successful songwriter. In his songs, there is no diseaseless moaning love, no hypocritical showmanship, he just says what he thinks through music; in Taiwan, he is known as a "music magician", Zhang Yusheng's high and long, sharp and bright and unique voice is already a representative leader in the Chinese music scene, and he died young and lost the opportunity to develop again in music, which is very regrettable! Works such as "My Future Is Not a Dream", "Thinking of You Every Day", "I Look Forward to", "The Sea" and other works pour out Zhang Yusheng's inner world is the only way for the audience to miss him.
<h1>Rowan</h1>
Rowan (12 February 1945 – 18 October 2002)
He was one of the representatives of the Hong Kong pop music scene from the 1970s to the 1980s, and as a professional of film and television theme songs, Rowan sang film and television theme songs that occupyed an important position in the Hong Kong pop music scene. In works such as "Hello in the World", "Little Li Flying Knife", "Iron Blood Dan Heart", "Manjiang Hong" and other works, works with first-class melody, ideology and theme have become part of the public memory. The songs he interpreted carried forward the spirit of the Chinese nation and held high the banner of the descendants of Yan huang, whether it was such a frivolous song as "Laser In" or an inspirational masterpiece such as "A Little Wind and Rain", his interpretation was deeply rooted in the hearts of the people. In the Hong Kong music scene, avant-garde, charming, bold, these words have become synonymous with Rowan, and his versatile image on the stage has also left a deep impression on people.
<h1>Anita</h1>
Mei Yanfang (October 10, 1963 – December 30, 2003)
Musically, she has a variety of styles, and the female singer with the most Chinese solo concerts in the world. At the age of 35, she won the Golden Needle Award, the highest honor in the Hong Kong music scene, and at the age of 40, she won the China Golden Disc Award (National Music Award) for artistic achievement! She has dedicated her life to her favorite stage, and she is also a well-deserved big sister in the music world. Classic songs such as "Song of the Sunset", "Intimate Lover", "Like Water Flowing Year", "Woman Flower" and other classic songs sing mei jie's unique heroic style. "The Queen of Change" Mei Yanfang shines in the limited time of the last life, telling us how not to live in vain, and let us reflect on the meaning of life. Her feelings and all the regrets of her unfinished music have remained on the stage she loves the most, and the fragrance of the "daughter of Hong Kong" Mui Yanfang's generation will always remain fragrant!
Their appearance is the pride of the Chinese music scene, but also a lingering "music influencer", it is the emergence of each of them, we understand that music is also the pouring out of the world, but also an irreplaceable pouring. In front of the glorious glory, behind them there are also the miscellaneous sufferings and mental processes of the world, and the fatalistic things are ultimately immeasurable and escapeable by everyone; heaven may these wonderful songs on earth continue to be able to continue their unfinished "musical dreams", and those who miss each of them will never be extinguished, and I believe that this has always been the case in the vast years.
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