A pair of gay people, Cardick and Harman, return to their hometown to attend their cousin's wedding, and the romantic and unruly Cardick hopes that her boyfriend will officially come out to the family, and as a result, the hot kiss between the two on the kissing train was discovered by the father in advance, almost causing a heart attack. Since then, the old father has regarded Cardick as a thorn in his eye, and has tried his best to beat the duck, and even organized an arranged marriage for Harman. But it doesn't seem that easy to get married – at about the same time, India's Supreme Court is engaged in a century-long debate over whether homosexuality is illegal...
India's first mainstream gay commercial film, personal feeling will go down in history. It has nothing to do with artistry, but it really dares to embed the big theme of gay equality with the precision of Bollywood's various routines, songs, dances and rhythms like stepping on points, and uses pompous laughter points and dense accompaniment to pile up a magical species that can be described as a gay New Year film, interspersed with historical memories of the abandonment of Article 377 (gay crime) of India's abandoned criminal law. Heterosexual Indian audiences will not feel any violation of this film, but will accept its demands. The "tuner" male protagonist is too powerful, the straight is straight and straight, the bend is bent, and each abdominal muscle exudes a commotion, like a flamingo of the best pride, can I say that I can't close my legs?
Although the whole film is like a manifesto from beginning to end, the lines are shallow and even a little too blunt. But considering that the film is from India, a country that once regarded homosexuality as illegal, it seems that the whole movie shines brightly in an instant. Those hilarious, exaggerated, and euphoric Bollywood features, the natural achievement of the film's special and pleasing core. The face and figure of the male number one, as well as his offensive and bearable appearance, are really handsome enough to make people have nothing to say.
India's folk customs and film earthy operations, there are still a lot of magical things. Although the film itself is still in the stage of LGBT sloganization and the framework of the main stream commercial film that cannot be jumped off, decay is decay, but the freshness is really quite strong. The advantage is that Bollywood's colorful and elegant grammar is used to package this bug odd story, the resistance and solution are exaggerated, and the pot is stewed to the point of spreading joy and frolicking, but it is very beloved. This is also a distance from LGBT films in other parts of Asia in terms of expression.