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Tokyo | Day

Tokyo | Day

Recommend a second movie called Tokyo Hiwa

Tokyo | Day

She is a yangko, because of endocrine disorders, she will often be hysterical and crazy, and she will be on the verge of a mental breakdown all the time.

Friends were intent on alienating her

Tokyo | Day

Yoko's laughter always carries a kind of innocence that is full of stubbornness. Cheerful, yet undeniable neuroticism. It is this contradictory sensitivity that makes this woman's beauty seem particularly fragile and incomprehensible

Tokyo | Day

He is Shimazu, a photographer, a very lewd, stinky old man with a Nikon Big F and a Konica Ingenious RF camera with him, and he is out taking pictures all day

Tokyo | Day

The story revolves around the lives of a couple. There is not much talk between two people, and there is always a bit of loneliness in the family without children. The wife's spirit is on the verge of collapse, and she often does some behavior that others cannot understand. The husband is a photographer, deeply in love with his depressed and nervous wife, very tolerant, very silently love her, and record his wife's smile with the camera

[1] Yoko ran away from home for three days, and Shimazu looked around. When Yoko returned, there was one more boy by her side, and Shimazu didn't say anything, but apparently didn't have a good feeling for the strange boy with autism. When the two of them were eating, Shimazu asked Yoko to add food, and Yoko bowed her head and said nothing, her hands clasped tightly and placed on her knees. Shimazu angrily threw the bowl out

[2] Yoko took a girl's dress and let the autistic Iron Man put it on. I don't know if in real life, Yoko has always hoped that she and Araki can have a daughter?

[3] Because he was chased for sneaking pictures on the train, Shimazu met an equally eccentric man who forgave him, understood him, and even invited him to watch his plays. While queuing up, a woman takes a photo album taken by Shimazu for Yoko and asks for an autograph, and the two lovers are sincerely afraid. After the woman shook hands with Yoko, Yoko's hand was still in mid-air, perhaps unable to believe that it was true

Tokyo | Day
Tokyo | Day
Tokyo | Day

【4】 Yoko was pleasantly surprised to see a piano! As soon as the camera pans, it turns out to be a huge stone, resembling a piano waiting to be played. Two people were as elated as children, not caring about the pouring rain, running off the road, crouching next to the stone, the two people smiled brightly, happiness overflowed, beautiful fingers playing happily on the stone. "Dangdang, dangdang, dangdang."

[5] On the tram, an empty beverage can ran to Yoko's feet. This lovely woman was cramped and uneasy, and when she asked her husband for help, he actually laughed and twisted his head to the side

Later, two people you kicked, I kicked, Andaro accompanied them to the house. Shimazu suddenly ignored Tantaro, and Yoko squatted down and pretended to be Intaro's voice and said, "You abandoned me?" Shimazu came over and lifted up Yoko, yoko turned back in love, Shimazu said, although sad, let him find his own happiness!

[6] This picture is Araki's most famous memory of Yoko. Shimazu saw Yoko walking alone on the road and suddenly realized that this woman could leave herself and live alone. Shimadzu felt a strong shock

Tokyo | Day

[7] The two men agreed to go to Liuzhou on July 7, where they had honeymooned. After arriving in Liuzhou, Shimazu, an unreliable uncle who wears leg pants, bald brain shell, and a little lewd image, actually wants to get a haircut, and finally lies down in the barbershop in the afternoon with a foamy face and the barber grandfather. When he woke up, he couldn't find the beautiful Yoko anywhere, Shimazu panicked, he ran desperately, desperately looking, and finally found Yoko by the river. This lovely woman lay on the boat and fell asleep like a child. Shimazu cried out in happiness, took out his camera, and took that classic picture!

Tokyo | Day

At the end, Yoko dies of illness

When I watch this movie, I feel very bored, in the whole movie, there is no touching scene, there is no kissing or showing love scene, even the words of love are not, there is no intimate shot, it is like simple time, just like boiling water, very boring.

But from the two people eating more than once, from the long gaze that is deliberately extended, the viewer can easily capture the emotions that are entangled in it, and they are deeply moved.

"Tokyo Hiwa" is a Japanese festival, and naoto Takenaka's film does not have any obvious storyline, it can be said that the whole film is edited with excerpts from the couple's daily life, and most of the time you are watching a silent movie.

I may be young enough to appreciate the love between them, and when I look back on this movie years later, maybe I will experience the love between them

If you have patience, you can go and see the children's shoes

Tokyo | Day
Tokyo | Day
Tokyo | Day
Tokyo | Day

I think the camera sense of this film is very strong, the aesthetic composition, the film is very delicate and soft, and the plain picture has a very connotation

Children's shoes that love photography can be seen

PS: "日和(ひより)" generally refers to the meaning of weather and weather, but also means "good weather" and "sunny day".

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