In the twenty-fourth year of the Kangxi Dynasty (1685 AD), Fang Fei was on the fourth day of the fourth month, and Yan Shengsun bid farewell to Rong Ruonan and returned to Wuxi.
Although it is not the first time for Mr. Naran to go on a trip, this time Naran Rongruo is particularly reluctant, and it can be seen from the two poems he sent to Mr. Xu:
Leave the pavilion people to fall flowers in the air, scribble down the pity of the king. It is to find the old place again, Xiao Xiao's twilight poplar wind.
For the rest of his life, he hated Chu Shan lonely and sent Jun Jun to Wu tonight. Jun goes next year tonight and the moon, and the clear light still shines on the deceased.
What is "Xiao Xiao Poplar"? "Tang pear blossoms reflect poplar trees, all are parting places from life and death" "Wild grass is vast, poplar is also Xiao Xiao", "Poplar He Xiao Xiao, pine cypress sandwich road" ... "Poplar" in ancient poetry the intention is "tomb tree", which is connected with mourning and elegy, and in the second song, "Jun goes to next year tonight and the moon, the clear light is still illuminating the deceased", whether it is the same as "Hantang Duhe Shadow, Cold Moon Burying Flower Soul" emits a slang sad sound.
In the twenty-fourth year of the Kangxi Dynasty, Rong Ruo was thirty-one years old, and he was at the height of the Spring and Autumn Period, and his grace was generous, "going in and out of obedience, serving only with diligence, and paying attention to his superiors is different from his bodyguards." Jiuzhi, jin second class, looking for jin first class. Kamiyuki Haizi, Shahe, Xishan, Tangquan and Kisuke, Wutai, Kouwai, Shengjing, Wujing and Dengdongdai, Xingqueli, and Jiangnan of the province are not unavoidable. He was successively given gold medals, colored satins, imperial feasts, robes and hats, kurama horses, arc arrows, character posters, sabers, and incense fans..."
On the occasion of the 18th Birthday of the Kangxi Dynasty in March, Rong Ruo was given the imperial pen book Jia zhi "Early Dynasty" poems, and a few days later he was ordered to give the "Qianqing Gate Yingzhi" poem and translate the imperial "Songfu" into Manchu: For a guard, this kind of literary exchange, placed on any subordinate, is a blessing.
In May, during the Season of Xie's Death, Rong Ruo's meeting at the Shuishui Pavilion was more like a farewell to the last time in his life, and on the twenty-third day, he invited Liang Peilan, Gu Zhenguan, Jiang Chenying, Zhu Yizun, Wu Tianzhang and other close friends to feast.
Thousands of miles to build a pergola, there is no unbroken feast. At the end of the prosperity, there is always a desolate place.
The Night's Eve, which he sang on the day, reads:
The front of the steps is double-night, and the branches and leaves are covered with flowers. Dense and rainy, curly and obscure. The shadow is chaotic with the foil, and the perfume is sinking. This can be angry, and rotate to meet Xiao Yang.
Two nocturnal flowers in front of the steps, the branches and leaves are blooming brilliantly. In the rain and shine, the flowers open and close differently day and night. The shadows of the trees swayed and the bamboo curtains were mottled, and the fragrance was mixed with agarwood. Facing this night flower, he could dispel his sorrow, so he moved to the front hall.
Where did the lingering sorrow of April and the indissoluble sorrow of May come from? What is the reason why Rong Ruo is so pessimistic and abandons the world, saying that he is alive and dead?
In the broken jade of a poem "Mulan Flower Order" created in the spring of the same year (the twenty-fourth year of Kangxi), a trace of heavenly chance may be revealed.
If life is only like the first sight, what autumn wind and sorrow paint fan. Waiting for idle changes is the heart of the old, but the old heart is changeable.
Lishan language strikes midnight, tears rain zero bells finally do not complain. How to be bo lucky Jinyi Lang, than the wings and branches of the day wish.
How beautiful it would be if life were to get along like the first encounter, then there would be no Ban Jieyu's fan abandonment. It is easy to change your heart, but you say that lovers are easy to change their hearts.
I think that the story of the Tang Emperor and the noble concubine is still in my ears, but in the end, I have made a decisive difference, even so, I can't complain. But how can you compare with the Tang Ming Emperor at that time, he always had a vow with Yang Yuhuan to compare the winged bird and lian Lizhi.
The code of change of heart is widely available. The old husband of The Dragon, the buyer of the courtiers, the resignation of Wenjun, the drama of Qiu hu, and even "And Er Kai old, the old makes me resentful", "The hibiscus flower of the past, now it is a broken root grass", "Not to mention that in the mirror of the luan now, the concubine has not changed the heart of the king", "See more self-ugly, do not wait for the color to fade", etc., but Rong Ruo has chosen two consecutive canons of the Emperor of Bo Xing, which is not really the emperor?
According to the Shinto inscription written by Han Zhao, after the feast and drink at the Shuishui Pavilion, "I was sick for seven days and could not afford it." At that time, the lieutenant guards and the imperial doctor were sent to ask questions, and ordered them to report their situation repeatedly. Pro-prescription medicines were given, but they did not reach and then stopped. Mourning, sending envoys to give, and grace and mercy. ”
"Life is reported by the increase and decrease of illness, and the day is repeated", and the day before the departure of the patrol, Kangxi himself prescribed a pill, and Rong Ruo died before he had time to eat.
Curiously, the part of the medicine donation was deleted in the "Draft History of the Qing Dynasty": "In Russia, the general went out to escape the summer, and the lieutenant officer was sent to treat the imperial doctor as a disease, and the order was reported to increase or decrease the disease." Died in the year of thirty-one. ”
The word "遽卒" looks thrilling, is this the Spring and Autumn brushwork of historians?
Looking back now, Yan Shengsun has lived in Nalan's house for many years, and at this time, please resign and return to his hometown, is there also a strangeness that cannot be said and cannot be said, and to avoid disaster in Jiangnan?
Looking back at the summer of the sixteenth year of the Kangxi Dynasty (1677), Yan Shengsun returned to the south for the first time, and Rong Ruo composed the lyrics "Huan Xi Sha Send Yan Sunyou", remembering his friend:
The fishing tube was buried by the side of the lotus bridge, and The Ramath went to the east of the Five Lakes. The pen bed tea stove is too calm.
There is a short wall of ginkgo rain, and a high pavilion magnolia wind. Thrush idled to draw Hibiscus.
Rong Ruo affectionately depicted the life scene of Sunyou in Nangui's hometown, although the whole poem did not use any words about missing friends, but inked on the other party's retreating landscape life, so that it can better express the feelings of missing friends.
Comparing the past and the present, how embarrassing.
Rong Ruopao. Close friend Zhu Yizun composed "Six Poems of the Nala Guards" and "Sacrifice of the Nala Guards".
The altar text says, "My officials are who, and my nature is twisted." Old snow adds sideburns, new frost in the whiskers. He was stunned when he saw it, and called me too embarrassed. Holding hands with each other, it is easy to worry and enjoy. Not much to say, but to the ear. ”
(Figure invasion must be deleted)