Nandu News Reporter Zhou Yu On May 25, the film "Blazing Danger", co-directed by Zhuying director Si Zhaoxin and director Han Dong, held its premiere ceremony in Guangzhou. The new generation of powerful actor Liu Mingming and the well-known young actor Li Xinyi, as the leading actors, together with the main actors Guo Dongwen, Si Zhaoxin, Zhang Yiru, Zhang Guisen, Lin Haihai, Ge Yi, Cai Wei, etc. came face-to-face with the audience, and fans applauded the new film in unison. It is reported that "Blazing Danger" will be released nationwide on May 28.
Poster of "Blazing Danger".
Director Si Zhaoxin told Nandu reporters that compared with fire movies with explosive and catastrophic nature, the "main theme light comedy" "Flame Danger" cleverly uses comedy techniques to send fire safety awareness to thousands of households in a real and vivid plot and details, edutainment and education. The film takes the daily life of firefighters as the main body and fire protection as the background, telling the story of firefighters who adhere to fire principles in the face of conflicts between family, parents and girlfriends. Si Zhaoxin said that his son has been serving in the fire brigade, which makes him have a very deep affection for firefighting.
Stills from "Blazing Danger".
Liu Mingming, the male protagonist of the film, said that he initially thought that communicating with the firefighters would be very serious, but after contacting them, he found that they were very enthusiastic. "Wearing a thick fire suit and carrying an oxygen cylinder on your back, it was a challenge to shoot in a real fire scene." Liu Mingming said that the actors were hot and tired after a day of shooting and sometimes lay directly in the water next to the fire truck to rest. He hoped that people from all walks of life could understand the fire safety work, and the fire inspection was not "looking for fault", but a service work to protect the safety of people's property.
"There is an impressive line in the film - firefighting, the emphasis is on 'prevention'." Cui Gang, director of the Information and Publicity Department of the Guangdong Provincial Fire Rescue Corps, said that the original intention of "Flame Crisis" was to enhance the fire safety awareness of the masses and eliminate the fire hazards around them, "so that everyone knows the knowledge of fire extinguishing and self-help, and if necessary, they can escape in the face of fire."
It is reported that "Blazing Danger" tells that Li Deloitte, the fire squadron leader of Nanyue Zhucheng, found that there was a major fire hazard in Fan Youwei's shopping mall, ordered him to rectify it many times, and accidentally found that Fan Youwei was his girlfriend's father and father's old comrade-in-arms. On the one hand, there is unswerving love, and on the other hand, tens of thousands of people and property security, so that Li Deloitte is deeply caught in a dilemma. Just when the conflict between the two reached its peak, the fire in the mall was about to erupt, and the lives of tens of thousands of people were already hanging on the line...
Stills from "Blazing Danger"
Set against the background of firefighting, the film tells interesting and touching stories between father and daughter, lovers, comrades-in-arms, and police and civilians, focusing on the contradictions and conflicts between characters. The film has both intense firefighting scenes, complex and tortuous storylines, and also integrates a lot of fire safety common sense, which is a film with both "commercial" and "social" values.
"Blazing Danger", which is based on story materials and filming in Guangzhou, has taken a different path and actively explored the "daily narrative" mode of fire movies, obtained unexpected results, and has been praised by industry experts. Zhou Wenping, secretary general of the Guangdong Filmmakers Association and director of the Commentary and Exchange Committee, summarized four significant changes after watching the film: the narrative focus changed from "elimination" to "prevention", focusing on the daily work of firefighters; the character image changed from hero to ordinary people; the narrative style changed from thrilling and tense to relaxed and interesting; and the scene performance shifted from focusing on visual spectacle to focusing on internal tension.