She is a shining rising star in the contemporary painting world. Since the age of 22, he has been selected for the National Art Exhibition with his landscape paintings and has been collected by the National Art Museum of China.
In the past five years, he has participated in many national art exhibitions, and the results have been stacked, becoming a member of the China Artists Association, especially participating in the exhibition with Chinese landscape paintings, and being so young, which is rare in the painting world.
Li Ting
Born in 1992 in Tianshui, Gansu
Graduated from Xinyu College of Fine Arts Education
National Exhibition Selection and Awards:
In 2014, his work "People in the Mountains" was selected as the Great American Huaxia. The First National Exhibition of Works of Art for the Disabled was exhibited and collected at the National Art Museum of China.
In 2016, he was invited to participate in the China-South Korea Exchange Exhibition.
In 2017, his work "Dangui Homeland No.2" was selected for the 3rd National Exhibition of Chinese Painters' Brush Heavy Color Paintings in "Danqing Yangzhou" sponsored by the China Artists Association.
In 2018, his work "On the Way" won the qualification (the highest award) and the "Grateful Ocean · Chaoqi Elephant Mountain" National Exhibition of Chinese Paintings.
In 2019, his work "Flowing Year" was selected for the 4th Loudong (Taicang) National Landscape Works Biennale sponsored by the China Artists Association.
(Text/Ye Pengfei)
Li Ting's landscape paintings reflect her understanding of the Tradition of Chinese Landscape Painting, which has her own spirituality, and she grasps the context of the inheritance and evolution of Chinese painting.
During her college years, Li Ting deeply felt the importance of revitalizing tradition, and chose the focus on landscape painting, and began her persistent cultivation. In her study, Li Ting can fully grasp the context of the development of landscape painting, whether it is the Southern Sect or the Northern Sect, she carefully ponders.
With a deep understanding of Dong Yuan, Juran, Fan Kuan, Guo Xi, etc., in order to re-experience the regional characteristics of "Yuan Sijia" and "Xin'an Painting School", sort out the evolution and development of landscape painting, and find the most suitable pen and ink form for her artistic pursuits, she has inspired her to grasp the method of integrating "Nanzong" as the pen and "Beizong" as the body, and walking a path of taking the Fa to the top of the shigu, which reflects her spirituality everywhere - that is, the grasp of tradition.
She herself grew up on the Loess Plateau, and the university was in the beautiful scenery of Xinyu, Jiangxi. Therefore, the simplicity of the northwest landscape and the spiritual beauty of the Jiangnan landscape are consistent with the goal of the integration of the "Southern and Northern Sects" that she pursues. In Li Ting's pen, there are dense landscape compositions, but they do not lose their ethereality, and there are strange lofty mountains and dangerous valleys, but they do not lose their beauty.
The natural beauty of the mountain village, the pure state of nature, transforms her own spirituality in her pen and shapes the beauty of her self. It can be said that the creation on her landscape picture is not what she sees in her eyes, but what she has transformed by her wisdom and heart, and the revelation of ink on paper with pen and ink!
From Li Ting's landscape paintings, we can see her grasp of traditional pen and ink techniques. Her pen is from the tradition, but it can be sent out on the spot, the pen turns with the heart, spontaneous spirituality. Especially in the use of ink color, most of them focus on the use of ink, and the application of color is mainly shallow and light green, which also highlights the characteristics and difficulties of her creation, and the essential characteristics of pen and ink have become her characteristics.
She also has a number of full composition works, such as the "Dangui Homeland" series, with rich colors, fine pen and ink, especially with thick ink to express the sky, with ink lining color, forming the contrast of ink color, just harmonious and unified, this strange use of ink color is her spiritual unique luck, showing the comprehensiveness of her landscape painting creation, which is also her attempt to transform the modernity of tradition.
She was not moved by all kinds of fashion painting styles and novel forms, she wandered in tradition, created in nature, wandered in the painting environment she pursued, seriously and calmly thought about the inheritance and innovation of Chinese landscape painting, further promoted and explored the national characteristics of landscape painting, and formed her own "neoclassical" painting style.
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