——|| Li Yunlong Art Introduction || ——
Li Yunlong, also known as Li Qilong, Han Hui Zhai Lord, Shanke, Junkong, Zi Yunqing, Shanxi Xiangfenren, Member of The Chinese Book Association, Member of the Shanxi Branch of the China Artists Association, National First-class Artist, Director of the Chinese Wang Xizhi Calligraphy and Painting Research Institute, Painter of the Chinese Landscape Painting Creation Institute of Foreign Cultural Exchange of the Ministry of Culture, Director of the Chinese Central Organ Calligraphy and Painting Association, President of the China Oriental Yunlongsong Calligraphy and Painting Institute, Consultant of the China Charity Auction Foundation, Calligrapher and Painter of the Strength School, Shi Chenglongrui, Wang Yong, Cheng Zhenguo, Zhang Fuxing, Poetry and Calligraphy as one, His works have been exhibited in national and provincial exhibitions and are collected by party and government organs.
Remember the famous calligrapher and painter Mr. Li Yunlong's feelings of GaoShi
My Greater Chinese culture has a long history, is broad and profound, and has nurtured generations of wise and heroic heroes and daughters.
Chinese culture is after thousands of years of historical turbulence, overthrow, replacement, to rebirth, it is repeated, renewed, and inherited, so it has formed today's huge cultural system. In the long river of Chinese history and culture, it can repeatedly support China's ancient and new cultural civilization. The first is inseparable from the wisdom and ingenuity of our ancestors, Yan Huang's predecessors, and the industrious and brave people of all generations, and the heroic and invincible spirit of repeatedly being heroic and fighting, and invincible. Our previous literati doctors, in particular, liked to use cangsong to compare it. Cangsong's fearlessness of cold wind and frost, and the courage to stand resolutely on the top of the cliff, deeply shocked and enlightened people, so Cangsong naturally had a relationship with our civilization.
The literati of the past generations have learned and learned, and they are all broad and profound. Some even shoulder high powers, but also shoulder important responsibilities. Their poems and chapters are very high and wonderful, such as the Seven Sages of the Bamboo Forest, Li Taibai, Su Dongpo and so on, and so on, and countless also. In order to further enhance the thinking and taste of Chinese culture, they also practice their own conduct. This kind of cultivation coincides with the spirit of the scholar and the Cangsong, so the Cangsong Gaoshi naturally formed the inseparable chapters and pictures of the literati painter. From the ancient Bo Yi, Zhong Ziqi, Sima Qian, Wang Xizhi, Tao Qian, Li Bai, Su Shi, and the Yuan Dynasty painters Ni Yunlin, Wen Tianxiang, etc., they all had high character and profound knowledge. They have always stood at the forefront of national cultural civilization, and with their otherworldly character, they have supported a blue sky and influenced generations of post-scholars. Therefore, in order to praise these high-ranking people, people naturally connect Cangsong and Gaoshi under the pen of literati painters to express this immortal spirit, and otherworldly character and style. Some even connect Coats with plum blossoms, chrysanthemums, etc., which also show this kind of behavior, not exciting, and have their own character. Therefore, very early on, the painter has painted Gao ren Yishi and Cang Song, but did not point out the theme, especially in modern times, painters have specially close-up Cang Song Gaoshi, the most modern painting Cang Song Gaoshi, should be zhang Daqian, Pu Ru and Chen Shaomei three masters, Gao Shi spirit is an immortal spirit, is a kind of chivalrous righteousness, otherworldly upright spirit, is the most tasteful high style of extraordinary realm. It can also be said that it is more of a mind and Taoism.
It is precisely because of the agitation and feelings of the literati on Cangsong Gaoshi, but also touching the atrium of the painter, in addition to these three deceased masters, now there is also a calligrapher and painter in Beijing Songzhuang, and there is also a strong feeling for Cangsong Gaoshi, this is Mr. Li Yunlong, a painter from Xiangfen, Shanxi, who lives in Beijing Songzhuang for a long time, I also have the chance to meet Mr. Li, Mr. Landscape, especially like to paint Cangsong Gaoshi, Mr. Painting, both otherworldly and gentle and friendly, Mr. Li Yunlong in the foundation of the predecessors, excavation, sorting, and achieve a new life, With the theme of Cangsong Gaoshi straight, it can also be said that it is a higher close-up of Cangsong Gaoshi to express the heart and lyrical feelings.
Mr. Li Yunlong, living a simple life, he often looks at his own heart with the word simple, he is easy-going, sometimes very talkative, the cheerful and generous when he speaks, but also shows his inner breadth and cosmic mind, which coincides with his admiration of the literati. After years of experience in social life, Mr. Li Yunlong has sublimated his own nature from the ups and downs and ups and downs. He often comes and goes alone, he does his own thing, does not argue with others, only loves art, he has come all the way from Chinese painting and calligraphy. His otherworldly character and style and not agitated temperament, in today's painters is very valuable, there is time I like to watch Mr. painting, when he paints, it seems to be writing calligraphy, the brushwork is strong and thick, the strength is transparent, and there is no lack of aura, the brushwork is like a dragon in the clouds, flying up and down, moving, pulling, saving, beating, sometimes like the wonder of the farmer's ploughing, sometimes like the wonder of the mountain falling stones, the god of dragonflies, sometimes like a million soldiers galloping across the battlefield, sometimes like a thousand miles of clouds, the sand sits and flies, The moment is like a bird flying out of the forest, sprinkling like a mountain spring flowing, booming and like a roaring river, dragons soaring clouds, watching Mr. Li Yunlong painting, his whole body strength is at the end of the finger, sometimes it is like practicing Taiji, and the shaolin two family skills, all shape, very wonderful. In fact, the mystery and shape of his pen come from his calligraphy skills, and watching him paint is really a special enjoyment. Mr. Li Yunlong in his early years on the True Grass Seal, including Wei Stele, Jin Wen, Oracle Bone, Han Jian, have a strategy, is a great effort, he especially likes wild grass, Jin Wen, and Li Shu, usually more with Xingcao came out, it is precisely because of his years of obsession with calligraphy, there is a height of calligraphy into the painting method later.
In addition to calligraphy and painting, he can also write poetry, sometimes he has feelings, he also recites chants, poetry, he likes both the boldness and romance of Taibai, and the Zen and mysterious mysteries of Mojie. When painting in the mountains, he also wrote a lot of landscape poems, and he also had great taste and personality. Mr. Li Yunlong's freedom from Cangsong Gaoshi is due to his understanding of poetry, calligraphy and painting, and the color of Hanyin. He also read a lot of books on the context and calligraphy and painting to cultivate himself, and he could integrate all kinds of learning into a family law. At the same time, he can also fully comprehend the essence of The Buddha's Taoism, so he is free and dashing, strong and heroic, and has no obstacles. All this comes from his habitual confidence in traditional culture. When he paints and calligraphy, he writes a breath of air, a metaphysical style and realm.
Mr. Li Yunlong has a very good cultivation and mentality, in life, there are also walks to the water poverty, sitting and watching the helplessness of the clouds, there are also mountains and rivers to doubt the road, willow dark flowers and the joy of another village. In his silence, there are still the lonely peaks of the Eight Great Mountain People, and the emptiness of not hanging on the smoke, which all come from his extremely high understanding and talent. It is indeed valuable that he can open up the veins of poetry, calligraphy and painting, and merge them into one, and pay attention to the paintings. His paintings are paintings from a distance, and the close-up view is all kinds of calligraphy brushwork, trance and sorrow he is not in the appearance of things, between pen and ink, all is the void, this is a high realm, just like Ouyang Xiu's "Drunken Pavilion" in that sentence, drunkenness does not mean wine, care about the mountains and rivers also. His paintings and calligraphy, writing is a kind of feeling, not just drawing and writing the appearance, his paintings, each stroke is in the state of writing, and it is a high-quality penmanship after enlightenment, strong and free, loose and flexible, the whole is very compact and complete, condensed and concentrated, the qi pulse is smooth, not entangled, not rigid, just like in the platoon, chaotic order, all artistic exaggeration and wonderful changes, like the interpretation. Mr. Li Yunlong began to paint, such as entering the no-man's land, brushwork, moving like a cloud in the clouds, quiet and like a slow-motion way of wandering, the sophistication is subtle, to the majority of people also. At this time, it really has the loneliness of Ni Gaoshi, the feeling of being desolate and not eating fireworks in the world, just like the stillness of the world.
Mr. Li Yunlong's paintings have both the idea of birth and the feeling of entering the world, and he integrates the wonders of these two realms into one, which is very extraordinary, and it is really high. His paintings are full of literary style, profound, very bookish, but also calligraphic, but also high-quality works of art, is a panacea for the purification of the soul.
He was able to concentrate all his essence in the paintings of Cangsong Gaoshi, which demonstrated his admiration for Gao Ren Yishi's feelings and realms.
Today is also the era of carrying forward traditional culture, advancing with the times, and Cangsong Gaoshi also happens to be in line with this situation, using Cangsong Gaoshi to save the soul and character of some people who have lost. Therefore, Mr. Li Yunlong's Cangsong Gaoshi is very collecting potential and has high collection value.
Except for Zhang Daqian, Chen Shaomei, and Pu Ru, there are no more painters, so Li Yunlong and these three masters can be said to be the four masters who painted Cangsong Gaoshi, and there is no doubt that they will pass on their names to future generations.
Mr. Li Yunlong is in middle age, the road to art is still very long, I hope that Mr. Li Yunlong will continue to work hard to study and temper, including the landscape and the Cangsong Gaoshidu. Go up a few steps and reach a higher realm.
There are people outside the mountains, there is a sky outside the sky, Mr. Li Yunlong also knows that he still has a great distance from the summit, in order to live the art he loves all his life and the mission of promoting traditional culture, he will work harder, more thoroughly, work hard, work deeply, understand the mysterious way, and become steel. I hope that Mr. Li Yunlong can splash a dazzling wave in the long river of history and art. I also hope that his artistic ideas will be more enlightening to future generations and contribute to the ancient traditional Chinese art.
At the end of this period, borrowing the famous sentence of Our country's great literary hero, Mr. Qu Yuan, and Mr. Li Yunlong, the road is long, and his cultivation is far away, and I will seek up and down.
2021.10.25.Individual passengers in Beijing.