Zhan Jingfeng, ZidongTu, Baiyue Shanren, also known as Dalonggong Ke, etc., are from Liutang Village, Xiuning County, Anhui Province. In 1567, Zhan Jingfeng township was selected in the examination, in 1582 he supplemented the Teachings of Macheng in Hubei Province, and in 1588 he moved to The Confucius Of the Hanlin Academy in Nanjing, and was promoted to the post of Secretary of the Southern Bureaucracy. In 1595, he was made a professor in Baoning, Sichuan. In 1598, he was promoted to the general judgment of Pingle Province in Guangxi. He loved calligraphy and painting all his life, and left many calligraphy works to pass on.
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Zhan's activities were in the late Ming Dynasty, and he was famous in poetry, calligraphy and painting, and at that time, some people called him Zhu Yunming and Wen Zhengming, the leading figures of calligraphy and painting of the Ming Generation. However, in today's view,
Zhan Jingfeng's achievements in the appreciation of calligraphy and painting have benefited him and learned a lot, on the one hand, he had to learn from himself, and on the other hand, he had to travel.
In 1576, Zhan Jingfeng visited Xiang Yuanpi, a great collector in Xiushui (present-day Jiaxing, Zhejiang), and was able to view the xiang clan's collections, and then extensively viewed the collections of various families in Suzhou, Songjiang (now Part of Shanghai), and Jinling (present-day Nanjing, Jiangsu). During his seven years in Nanjing, he also exchanged art with the famous scholars Wang Shizhen, Wang Yuanzhen, Chen Wenzhan and Tu Long; During his three years in Boryeong, he went through everything and wrote several times. Experience is rich, appreciation is also good.
Zhan Jingfeng's major works include thirty volumes of the Complete Collection of Eastern Maps, sixty-four volumes of Zhan Shi Xiao Discernment, and ten volumes of Liuwei Shuhua, among which the last four volumes of the Complete Collection of Eastern Maps, the Xuan Lan Compilation, the one volume of the attached inscription, and the two volumes of the "Purpose of Calligraphy and Painting" found in the "Zhan Shi Xiao Discernment" volumes 40 and 41, are the most detailed on calligraphy and painting. In addition, the heirs also see zhan's collection of Wang Shizhen's "Calligraphy and Painting Garden" lost 25 kinds of ancient calligraphy and painting books, "Wang's Calligraphy and Painting Garden • Supplement". Zhan Jingfeng's artistic creation is high in calligraphy, of which cursive writing is the most prominent.
At the end of the Ming Dynasty, when Zhu Moucha compiled the "Book History Society to Continue", he said: "Zhan Jingfeng ... Deep in calligraphy, extraordinary with a pen, like a crowned man, dignified and respectable. If the wild grass has divine help, changes a lot, and does not lose the ancient law, the commentators say that they can be compared with Zhu Jingzhao (Yunming) to be the master of the contemporary era. Such an evaluation is obviously very high, and he has been regarded as a representative of ming cursive writing. Among Zhan Jingfeng's cursive works, the "Thousand Character Text" is the most famous, and it was published in the Ming Dynasty.
According to the Catalogue of Ancient Chinese Calligraphy and Painting edited by the Appraisal Group of Ancient Chinese Calligraphy and Painting and published by the Cultural Relics Publishing House, there are three kinds of long volumes of Zhan Jingfeng's cursive "Thousand Character Text" that have been passed down from generation to generation: one is the book written by Xia June of the twenty-fourth year of the Wanli Calendar (1596), and is now the Xiuning County Museum in Anhui Province; One was written by Ding You (1597), the twenty-fifth year of the Wanli Calendar, and is now in the Guangdong Provincial Museum; The other volume is the introduction to the book. A volume of the cursive "Linhuaisu < Thousand Characters of The >" in the 27th year of the Wanli Calendar (1599) of the Zhan Family Book, which is now in the Jiangxi Provincial Museum.
Commentary: Board the boat, let it go, listen to what it stops and rest. The night is half over, and there is solitude in all directions. Suitable for the lone crane, hengjiang east. Wings like wheels, Xuan Dressed in silk, suddenly long sound, skimming the boat and the west also.
If the guest goes, he will sleep. Dreaming of a soldier, the feathered man, passed under the Lingao, and said, "The amusement of Chibi? "Ask for his name, but don't answer." alack! Woohoo! I know. In the past night, those who flew past me, are not sons and evil? The Taoist priest smiled, and Yu was also shocked. Open an account and look at it, not see it anywhere.
Inscription: Wanli Pengshu (1598) Mid-Autumn Moon, Chibi passed before and after the drama book in Yulin Hall, Xin'an Zhan Jingfeng.
Plutonium Seal: Zhan Jingfeng Seal, Dongtu Father Collection Seal: Doubtful Cup, Inscription: 1. Zhan Dongtu Mr. Book Chibi Endowment Fragment. 2. Zhan Dong's books have not been easy to obtain recently, this is undoubtedly a genuine work, but the dragon only sees its tail ear, Jia Shu May, Chengyao. Plutonium Seal: Xu Qian
Xu Chengyao (1874-1946), formerly known as Qian, was a native of Shexian County, Huizhou Prefecture. Modern and contemporary Fang Zhi scholar, poet, calligrapher, and connoisseur of cultural relics. At the age of twenty-one, he was a scholar in the Middle Guangxu Jia Wu Ke, and in the thirty years of Guangxu (1904), he entered Hanlin. After the Xinhai Revolution, he was hired by Bai Wenwei, the governor of Anhui Province, to serve as the governor of the province's railways, and then followed Zhang Guangjian, the governor of Gansu, into Long, and served as the secretary general of the Gansu provincial government, Ganliang Daoyin, Lanzhou Daoyin, and the director of the provincial administrative affairs department. In 1924, he resigned and returned to Beijing, and in the same year, he returned from Beijing to She, and since then he has disappeared from his career, and he has died in his hometown with writings, including "Shexian Chronicle" and "She's Hometown".