Ni Yangxing, also known as Yang Xin, the word weed, the number of the spirit dove, also known as the dove. People from Zhuji, Zhejiang. Specializing in landscapes, he specializes in loquat, persimmons, plum blossoms, etc. Shi Chenglu, Kong Zhongqi, Wu Shanming, Liu Cun and other gentlemen, asked Mr. Wang Bomin and Zhu Yingren for advice. He is currently a member of the Zhejiang Artists Association, the Zhejiang Chinese National Painters Association, the Lu Non-Art Research Association, and the director of the Yu Rentian Art Research Association.
He has published: the large-scale eight-open hardcover edition "Selected Landscape Paintings of Ni Yangxing" published by Xiling Printing House, the cover is signed by Lu Yushao, the title page is signed by Cheng Shifa; "Ni Yangxing Chinese Painting Collection" is published by Xiling Printing House, the cover is signed by Shen Peng, the title page is signed by Wang Xuezhong; "Ni Yangxing Painting Selection" is published in Heilongjiang, the cover is signed by Xie Zhiliu, the title page is signed by Lu Fei; "Ni Yangxing Chinese Painting Collection" published by China Academy of Art Publishing House, the cover is signed by Liu Jiang, the title page is signed by Shen Peng; in 2011, Beijing Education Publishing House published " The Twelve Classics of Chinese Painting include Liu Dawei, Long Rui, He Jiaying, Wang Xijing, and Yu Jigao;
In 2011, Hunan published a series of landscape albums in The Calendar of Taiwanese Calendars; "Ni Yangxing Loquat Painting Collection" was published by Lingnan Fine Arts Publishing House, with the cover signed by Feng Qiyong and the title page signed by Zhu Yingren, published in 2012. "Ni Yangxing Contemporary Famous Artists Carrying Painting Collection" published by Tianjin People's Fine Arts Publishing House, the cover is signed by Yang Renkai, the title page is signed by Liu Jiang, published in 2014.
Take a group photo with Teacher Lu Weifei
The combination of calligraphy and painting in Chinese painting has long become a literati and scholars. They are polished together, and the inscription makes it a pleasing masterpiece. It has become a common practice.
"Fuchun Hun Hou Hua Zi" Sha Menghai inscription poetry hall
As far as I know, Wang Yuanqi and Shi Tao co-wrote "Bamboo stone diagram", I don't know who else did this earlier than them? I don't know what I know, but I have learned that in modern times, there are Huang Binhong's masterpiece "Flower and Bird Diagram" cooperated with Zheng Wuchang and Wang Gelui; Pan Tianshou and He Xiangning co-wrote "Songmei Stone Map"; Guan Shanyue and Fu Baoshi's "Jiangshan So Many Jiao" diagrams; the four major flowers and birds talents Jiang Hanting, Zhang Dazhuang, Lu Weifei, and Tang Yun's "Autumn Willow Goldfish Diagram"; Zhu Zhan, Lu Yushao, and Tang Yun's "Plum Blossom Bamboo Stone Diagram"; Li Kuchan, Dong Shouping, Zheng Naijue, Sun Qifeng, Cheng Shifa, Zhu Qizhan and Yang Shanchen's large-scale "Flower Diagram"; Zhu Zhan, Li Xiongcai and Guan Shanyue's "Three Friends of the Cold Years"; as well as Lu Weifei, Cheng Shifa, Zhou Changgu's "Plum Fish Diagram" and other similar masterpieces. In short, there are many examples of editing cooperation like this. Because some halls, reception rooms, public places, living rooms, living rooms and other places need to hang some paintings, and the strength of one person is limited, so the state will gather old gentlemen from all over the world to get together, cooperate with several masterpieces, promote fine works, and at the same time give them the opportunity to interact with each other and deepen friendship, which is a souvenir. After a few years, the old man passed away, and the only Chinese painting was precious. Seeing things and thinking of people, touching the scenery and feelings, flowing for hundreds of generations, becoming a unique song in the world.
"Ink is dripping with new ideas" Mr. Yang Renkai inscription
In addition, some disciples and students admired the talents of teachers and gentlemen, and sincerely invited them to add pens, inscriptions, and introductions. Although the format is small, with the finishing touches of the teacher and mr. Master, the weight of the painting can be increased, so that its momentum is vividly expressed, and the brilliance of the masterpiece is added. For example, Mr. Qi Baishi added pens to Mr. Li Keyan's "Cattle Herding Diagram" and "Character Diagram"; Mr. Wang Tongyu added the first inscription to Mr. Lu Yushao's "Imitation of Ancient Landscapes"; Mr. Guo Moruo inscribed a poem for Mr. Fu Baoshi's "Portrait of Qu Yuan"; and the Chairman's inscription "So Many Delicacies in Jiangshan" cooperated by Fu Baoshi and Guan Shanyue, all of which expanded the picture, increased the momentum, turned iron into gold, made the paintings complement each other, and enhanced the taste and quality of the masterpieces.
"Five Leaks" Lu Yu ShaoShitang
Here, I can't talk about cooperation with famous masters, but through some of my clumsy works, I humbly asked the teacher for advice, and in the places where the pen was lost, the residual pen, and the pen and ink were not refined, I got the sincere advice of the old gentlemen, and gave encouragement, and also gave love to the younger generations, letting go of the pen, polishing, and inscription. Seeing that the inferior work had been corrected by the teacher and Mr. Axe, it had become a nearly perfect work, and I was grateful in my heart, broadened my horizons, and learned the essence of painting, and improved it.
"Fuchun River Map" Xie Zhiliu inscription poetry hall
Now many old gentlemen have passed away one after another, and I have communicated and learned through letters as a means of communication in my lifetime. I have always regretted that I have never had the opportunity to meet the old gentlemen, but I feel warm and cherished to receive their handwritten replies. Today, I am still running on the road of studying and improving calligraphy and painting, and the knowledge and fruits I have learned in the journey of life are also the result of the careful teaching and promotion of these respected teachers and gentlemen, and also the comfort of the soul.
"Shanshui Qingyin" Wang Bomin inscription poetry hall
The Ni Yangxing I know
Text/Bao Limin
Getting to know Ni Yangxing was purely a coincidence, a coincidence at the first Pujiang Calligraphy and Painting Festival at the end of the last century. He has read many of my articles, confessed his wrong love, remembered our name, was well-known and did not know people, heard people call me, and introduced himself and met me. Five years later, I was invited to the opening ceremony of a painting exhibition at the West Lake Art Museum in Hangzhou, where I met him and accepted his warm invitation to his home.
"Mountain Color Changchun" Qian Junzao inscription
Ni Yangxing was born in a peasant family in Liping Village under chaohui Mountain, and has been farming for generations, and now lives in Caota Town to paint and make a living from painting. Tall, always showing a faint smile on his face, with a little bitter smile, treating people warmly, diligent in his deeds, speaking in words, a loud and thick Yuezhong rural voice, nearly fifty or so, known destiny. Don't underestimate this rustic peasant painter! He is the star of Zhuji City since the new century, and the new talent of calligraphy and painting in Shaoxing! There is also a virtuous and capable wife and a pair of lively and lovely children, and there is a stable living environment for painting and reading!
Since the reform and opening up, the living and creative environment of Chinese calligraphy and painting artists has been greatly improved compared with the 1950s and 1960s, and it can be said that in the past two decades, the life and creative environment of Chinese calligraphers and painters have been the best period in history. Ni Yangxing is no exception, he caught up with this good era.
"Ink Yun Tiancheng" Mr. Cheng Shifa question
However, compared with painters in major cities such as Beijing, Shanghai, and Hangzhou (especially with well-known old painters and middle-aged painters from famous art academies), Ni Yangxing's survival and creative environment are much worse. He was born in a peasant family in a mountain village, his family was poor, and he dropped out of middle school to work as a farmer. Hard to rely on his interest in painting and hard self-study; With his obsessive pursuit of painting art and the iron footboard that broke through the iron shoes, he visited his teachers and friends and sketched sketches; With a pen in his hand, he won the approval inscription of many famous calligraphers and painters in Shanghai and Hangzhou, won the recognition of intellectuals and calligraphy collectors inside and outside the province, and supported the burden of life of a family of four.
"Mei Shi Tu" was co-written with Tan Jiancheng
Ni Yangxing specializes in landscape and water, and is also good at flowers and fruits, loquats, persimmons, plum blossoms and so on. He studied under Lu Shifei and Kong Zhongqi, and received more guidance from teachers such as Wu Shanming, Liu Cun, and Wang Bomin. His landscape paintings look like rough heads and chaotic clothes, dragging mud and water. As his master Kong Zhongqi said: "Immerse yourself in learning Huang Binhong's pen and ink shapes based on jiaomo, sumo, stained ink, accumulated ink and short dots, next to Yu Rentian, Stone Jug, and Shangxiang Shixi, sometimes there is a strange and remote and deep, thick and thick, or pen and ink absurdity without losing the artistic conception." Another example is the comment of The Chinese art historian Wang Bomin: "The yuan qi is dripping with obstacles and wet. Yang Xing has painted landscapes nearly, and the good use of ink stained water is quite a rare atmosphere. In Ni Yangxing's home, there was a chance to watch him draw with his pen, he moved his pen quickly, only to see him casually take the pen from the pen holder, meditate a little in front of the painting, and then use the pen in the center, one stroke to make two strokes, two strokes and three strokes. On the painting plan is a large cup of water--not clear water, but stains for washing pens (according to Yang Xing, it is a stain that does not change all year round)--one side of the big brick, ink stains in the brick. It turned out that the sloppiness and mud and water in Ni Yangxing's landscape paintings were all from the ink-stained water of the Yan Cup that he did not wash all year round!
"Five Leaks of Autumn Colors" Wu Shanming supplemented the fishing boat and inscribed it
Ni Yangxing painted flowers and fruits, his pen, shape, chapter method, and the hot teachings of the two teachers of Lu Zhifei and Liucun, and the creation of foreign teachers. Careful observation and diligent sketching. He is good at painting plum blossoms and peonies, especially loquat and persimmons. His loquat, persimmon or yellow chengcheng, red brilliant, bright colors, fresh and tender can be picked, or double hook white depiction pure ink color, composition full, yin and yang to the back, interspersed with cover, in a thick branch of a large leaf of ink, heavy, fruitful, loved by readers, but also received praise from famous artists. Qian Junzuo, a famous calligrapher and painter in Shanghai, praised: "Ni Yangxing paints loquat and persimmons, boldly drops his pen, which is rare." What he did was quite the will of Wu Changshuo (Wu Changshuo). Keppy! Keppy!" Naishi Lu Also praised: "Yangxing copper pot persimmon, Zhuji production, taste sheng northern persimmon, this Ni Yangxing creation also, with ink leaves to set off the vermilion fruit, the color has a unique magic."
"Persimmon Squirrel" co-written with Zhu Yingren
The Chinese painting scene in the new century is a painting circle in which a hundred flowers compete and bloom, and it is also a painting altar of the era in which a hundred schools compete. I wish Ni Yangxing to go out of Zhuji, out of Shaoxing, out of Zhejiang, and achieve better results in the world of competition and competition!
Beijing, December 4, 2004
"May Loquat" Lu Kunfeng inscription
Say Ni Yangxing
Shen Zuan (famous playwright, calligraphy and painting critic)
In the twilight of the middle of winter, the snow seeds were sandwiched in the light rain, and it was suddenly much colder. In order to find a clean and economical small hotel, Ni Yangxing hurriedly finished eating and got up to say goodbye. He also didn't have time to shake my hand. He disappeared into the rain and mist of the courtyard. I felt a pang of confusion: I was worried that his inability to find a suitable place to live would increase the burden and break his frugal habits. I wanted to give him a little money to pay for the accommodation. But by his character he will not receive. The next morning he called and said that he had rushed back to zhuji grass tower. Leaving behind a few new paintings of landscapes and fruits and vegetables, he said, "Give them to your friends as you please!" I don't paint well. "I look closely: they are all his own careful paintings. As far as I know, he often spends his free time for public welfare, and Ni Yangxing did not receive generous reception from society, but he was very generous to society.
"Autumn Solid Map" Mr. Sun Qifeng supplemented the grass and asked the question
I reckon that I've known him for nearly a decade, but I haven't seen him much until I started to get in touch with him more last year and started to get to know each other. It is easy to know a person, it is more difficult to understand a person, such as this peasant painter Ni Yangxing, who has a personality, and we have a lot of twists and turns.
"Loquat New Work" Yanagimura inscription
The first time I met Ni Yangxing was at the calligraphy and painting exhibition held by Mr. Lu Weifei's last life nine years ago. The person who pushed the wheelchair that day was a tall young man, not very burly, and he was not impressed with words, and he went straight to the cart and toured the exhibition hall downstairs. Only to see him concentrate on viewing the calligraphy and painting exhibits, and from time to time to Mr. Shi Fei proposed to Mr. Shi Fei the use of pens, layouts and inscriptions, etc., speaking bluntly, not false rhetoric, or Mr. Fei was not embarrassed, but also seriously pointed out how to use dry ink and dry brushes in the painting to clean up the trunk of the wet ink, explain fingering, how wrist strength depends on the principle of "heart power". The old man has been ill and weak for a long time, before and after the opening ceremony that day, Mr. Fei and many leaders and experts have been very tired, from time to time leaning on the wheelchair to close their eyes and recuperate, but whenever the young man asks a question, he opens his eyes and answers. I wondered: Who is this? What is the origin? Especially when the old man is carefully talking, it is only between the throats "Oh?", "Oh?" However, compared with the juniors of many art academies and painting academies, and even the appearance of the private disciples who followed around them, they were respectful and tending to worship, which was in contrast. I took a few close-up photos of Mr. Fei fei while he was in a good mood. The young man asked me, stunned, "Where are you, and did I go in when you took the picture?" I said indifferently: "You're pushing a wheelchair, there might be". He asked Lu Gongwang's brother for paper and pen, wrote me a note, and said, "Please send it to me, the money can be given to you first!" His abrupt demeanor made the public and the brothers of the public more than waner. When Gongwang introduced my relationship with Mr. Shi Fei, he said apologetically, "I don't know." But then he said, "You must have a lot of Mr. Lu's paintings, when will I come to your house to see your tibetan paintings?" At that time, my impression was that although this person was abrupt, he was very real, and he was indeed a frank calligraphy and painting lover. Among young people, he wants to communicate with people, but he does not know how to communicate, and he has a cute side.
"Loquat Bamboo" with Mr. Shin Seok-gah in collaboration with Mr. Lu Yufei
Later, I saw several of his paintings and the letter that was inappropriately worded but sincere in Mr. Lu's home, and I knew that he was a material that could be made. He would love to recommend himself to his predecessors, but he doesn't know how to package himself. Half a month before his death, Mr. Fei fei is said to have murmured ni Yangxing's name, and it is said that when he came from Zhuji, the old man was in a coma, and when he woke up and heard about it, he was a little sorry!
"Talk about giving a branch of spring" Qian Junzao inscription poetry hall
My ancestral home is also Zhuji Caota, and it is said that I am a qingshan Cen Shangren, but I have not yet been to the ancestral residence of my ancestors, but because of the introduction of my mentor and close friend Yu Rentian, I got to know the four contemporary Zhuji masters - Chen Wangdou, Jin Mingqiu, Zhao Qishan and Cai Xueliang, who are famous for painting reed geese, flowers, landscapes and orchids. Unfortunately, they all died one after another, but three of them mentioned that "there is a Ni Yangxing in the grass tower", and in their opinion, this person will have a future appearance. Unfortunately, they live in the countryside and are unable to promote this talented and ambitious young man who is not recommended by anyone.
"Yan Qiu" Wu Shan Ming supplemented the character
When I saw some landscapes and flowers of Ni Yangxing one after another, I remembered the words of the art master Liu Haisu: "No matter what kind of art, to carry forward and expand, rely on works, to produce good works, the key is to have talents." It is true that the key lies in talent, but the more critical key is to use talent. Cultivate talents, if they cannot give full play to their talents, talents will still disappear. A talent like Ni Yangxing, relying on his own efforts and the care of his predecessors in all aspects of society, has achieved this achievement today. Of course, this point is far from enough, Ni Yangxing should still go to a new level, there is still a certain amount of energy in his body that has not been released. Especially in the late autumn of last year, the exhibition of paintings held for him by Rong Baozhai on Nanshan Road in Hangzhou caused a good response in the Hangzhou painting world. Many predecessors and famous artists praised his talent and skill. This gave rise to some topics, the most concentrated one: society should pay more attention to him. But Ni Yangxing didn't seem to mind at all. The peers and news media who attended the meeting asked him to introduce himself, but he scratched his scalp and said: "If you want me to paint, I will draw seriously, and I can't talk about it!"
"Peony" cooperated with Mr. Lu Weifei and wrote a topic
It was after that exhibition that we became friends. In the art world, I have made a lot of friends, and among my young friends, he is not the first, but the reason why he has become the second to come to the top is mainly his directness and sincerity. His landscape paintings and flower and bird paintings are two of his strengths in the comprehensive development of many sources, and I like his landscape paintings the most.
"Golden Autumn" Mr. Qian Junzao question
Far away from Shi Tao and Shi Xi, near Huang Binhong and Yu Rentian were the two great masters of his master. Huang Binlao's lushness and thickness, Mr. Ren Tian's ethereal and empty, he can melt without making a "red" copy. In particular, he did not forget to learn from his predecessors. This is also the habit he grew up in zhuji good mountains and rivers deep in the mountains and rivers Zhong Lingyu xiu, coupled with many years of diligent Yantian, due to the limited painting conditions because of the ugly and simple habits! In the use of burnt ink and wet ink, he often used accumulated ink, su ink and stained ink, and he actually appeared with a smart, huazi and dripping momentum. From this, I think of Mr. Yu Rentian's "lonely building for forty years" in poverty, when he painted thousands of real landscapes with bald brush and ink, which shows the truth of poverty and refinement. Yang Xing told me: "At first, I was not confident, it may be that Lu Yufei first reminded me that the fusion of the three ink paper mainly relies on practice to make skill' If the kung fu is deeper, the initiative may be completely in my own hands." "I prefer his large-scale pages: the alternating expanse and cascading formed after being cleaned up with a dry pen in splashed ink, which has both the smell of grass and trees, and the texture of a thousand walls: ethereal in the thick, and mountains and rivers in the haze. In my opinion, this is the bypass that Ni Yangxing got in the eclecticism.
"Squirrel Stone" Mr. Zhu Yingren supplemented the squirrel
It is true that Ni Yangxing is young after all, and it is still inevitable that fireworks and axe chisel marks will be avoided, and I believe that he will be able to create nature in the process of continuous integration, which will surely be the cultivation and tolerance won by time.
"Squirrel Stone" Qian Junkui made up the stone and inscribed it
Although Ni Yangxing has become a little famous, he is still confused in the current situation that not all of the famous painters are rich. However, although Ni Yangxing was poor, he was rich, because he had many teachers and friends who cared for and promoted him, and he had such a beautiful landscape as nourishment in his hometown, which was becoming more and more fulfilling in art, and he had a happy family. In particular, his wife took up the burden of life for his meticulous artistic creation, and also cultivated a pair of intelligent children. Although the value of works of art will be higher as the artist's achievements deepen, they are destined to experience many trials and hardships in the long journey ahead. Although Ni Yangxing is obsessed with this lifelong commitment, there are many more challenges than opportunities. Therefore, some people believe that he is taking a dangerous chess game on the chessboard of life. Therefore, we hope that he will go from the mountains and rivers to the willows and flowers.
"Plum Blooming Spring Light" Fang Ji inscription poetry hall
I would like to encourage Yang Xing with a small poem:
Determined to fight like a chess piece, lyrical like rain waving a thousand pieces,
When the water reaches the confluence, it is agitated, and the road stretches from the turn.
A new millennium first sequence noon apricot blossom season in the West Lake to see the mountain fast
"Dongting Summer Fever" Wang Gongsuke Inscription