Depending on which worldview, if it is another author, with Maoriland's skills and personality can be combined with a better way of expression, it will definitely have higher popularity, but Aoyama's works cannot.
Although the female character shaping plane of male authors is a very common problem (for example, when I get to this situation, I pulled out my favorite male novel author three days and two sleeps, his female character is not three-dimensional to the point that in my heart is "want to write, but it is not three-dimensional" type Textbook-like failed female character shaping hahahahahaha), but this is especially obvious in Aoyama's works, and it is moving towards a flat instrumental tendency.
The relatively more brilliant and more complete three-dimensional female characters in Aoyama's works are all single (such as Bei Jie in my eyes, such as lamentations with a less three-dimensional degree), and once they are cp bound to a male character, they are basically reduced to the tool position (such as Lan Sauce). There are also those who change from the former to the latter, such as a series of xxx wives such as Yukiko. These actually reflect the author's tendency - a woman, no matter how strong, always has to sacrifice herself for her husband and become a tool man.
I feel that this may be a common problem of neon men, who saw the gossip of the neon Kabuki family a few years ago, and I think that the women in their family are like this, completely sacrificing themselves to become the nourishment of "husbands" and becoming their husbands' vassals.
Looking at Aoyama's character shaping, no female character jumped out of his own three views, so for a man with this point of view, the role positioning of a woman who has been bound is the appendage of xx, so the more later, there are so many wonderful points in the early days of Lan, but the positioning is more and more marginalized by the main line, more and more embarrassing. Although I still think that Lan is my paper person Bai Yueguang, I feel very heartbroken - obviously change the work, she can be more attractive.
But if in Aoyama's work, the female characters who have been bound and unbound are basically wasted chess, if they are unbound when Xinlan has become a fact (that is, the feelings are broken), if you want Lan to re-enter the main line and not attract black, you must work the description of the emotional transformation of Xinyi and Lan. So is this possible, I personally think it is impossible for Aoyama - a tool person, are you willing to spend extra time and energy to create a reasonable motive for her? Ah, if the Lan sauce fans are too able to beat me, I think Aoyama may also have this possibility, after all, the author also wants to eat just right, but with Aoyama's pen strength, I doubt the shaping after that. Personally, I think Aoyama is not very good at depicting female characters that appear frequently, in other words, I think his understanding of women is blank to the point where there are many mistakes in painting - the characters of Lan and Wai in my heart are not as brilliant as when they first appeared, and they all have a tendency to be instrumentalized, but they are relatively less inky and have always maintained a sense of mystery, and I think the characters are still very stable.
So to answer the question, if the new Lan is untied, will Lan be liked by the audience?
First of all, no matter what the situation, someone must like it, because her role setting is actually very interesting.
Then the specific situation is analyzed, and I think there are two possibilities for this problem
A, Xinlan is not bound from the beginning, then Lan is afraid that she will be turned into a pure passerby role, at least marginalized, because the role positioning is repetitive, her various advantages have been replaced by superiors, if you can not show Xinyi's affection, she is not the best choice to advance the plot.
The popularity of pure passers-by... Everybody gets it
b, Xinlan untied from this moment, then as I elaborated above, there are nothing more than two possibilities, 1 Qingshan wrote the emotional transformation, 2 lazy to write.
Writing, with Aoyama's female character shaping ability and world view, I think it may not be able to be portrayed well. Without writing, Lan has since been completely marginalized and transformed into a pure passerby.
Popularity and current floating should not be big, it is not easy to say whether it is down, but the assassination squad can be organized I will register a name (?) ）
Conclusion: No matter which female character wants to be unpersonated by the high popularity, it is best to escape Aoyama's work (?). ）