"Rusu Qingfen: A Hundred Years of Painting Garden Shuzha Cong Kao" narrates 62 letters with stories, each of which records a moment in the history of the time, but it is vivid, real and touching.
In the thousands of years before the advent of smartphones, Xinzha was an important carrier for people to exchange information and greetings. Older people have mostly written letters. Using the collected letters as a medium, taking the readers to "visit" the former sages and masters of the cultural and artistic circles over the past hundred years one by one, showing the words, smiles, joys and sorrows of the artists, Zhu Wanzhang's "Ruler Su Qingfen: A Hundred Years of Painting Garden Books and Books" narrates 62 letters with stories to the readers based on the author's concern about the late Qing Dynasty Painting Garden, the author's teachers and friends, and the author himself. Each letter is a moment in the history of the time, but it is vivid, real and touching. The 62 letters are compiled into a book, accompanied by Mr. Wan Zhang's interpretation, like a picture coherent into a cartoon with sound and drama.
One can cross, on the time axis of a hundred years, to appreciate the life, spirit, and style of artists from Ju Lian, the lord of the Lingnan Painting League, to Xue Yongnian, an art historian of different eras, ju lian to Yang Yongyan, "Ten thousand branches forbid rain, incense condensation does not fly, zhi yi immortals want to wait for the old poet to practice the wind covenant", as if you can travel through the past, sideways among the lingnan painting masters, order to drive a boat, yinfeng and make the moon, turn around and blink, it seems to have met Xue Yongnian who can fiddle with WeChat, and is sending WeChat to Mr. Wan Zhang, "Famous paintings are in the past and in ancient times , the bottom of the emmanuel pen melts. The gourd is not the same, full of paper and autumn wind."
The two can be viewed closely, as if you are next to those artists, watching them write letters, listening to their parents' shortness, talking about the texts, paintings, and characters of the covenant, talking about the taste of calligraphy and paintings, talking about the number of journeys, "Brother Qian fainted several times in the countryside about ten years ago because of his bad heart", Master Cheng Shifa was confide in Ma Guoquan; over there, in 1979, Xie Zhiliuhui saw the treasure and designated the unsubscribed landscape paintings collected by Mr. Wu Nansheng as the work of the Northern Song Dynasty; here, Mr. Yang Renkai vigorously defied the public opinion and designated a controversial Ming calligraphy work as The work of Hai Rui And repeatedly encouraged the author Mr. Wan Zhang to conduct special research on Hairui.
The three can sigh that Mr. Wan Zhang can spend several years collecting letters, each letter has its emotions, its life, its story, and everyone related to the letter is so real and amiable. Let the history of the wind and rain, the belief in art is deeply rooted, praiseworthy! "Comrade Nansheng has been in violation for several years, and he is still in the midst of his thoughts," "It is said that the sales of calligraphy and paintings in Beijing are not good," "It is again mengzai who runs for his untouchable body and seeks medical treatment, which makes people feel even more unforgettable" "Still losing his personal freedom, but only in his spare time in political struggle, he can secretly make some extremely small Chinese paintings."
The four can nourish, and the people, words and pictures related to each letter can nourish the reader's soul and spirit. Ju Lian's literary characters are vivid and vivid, open and closed, and presumably his people are also determined to carry out their determination and behave correctly. Chen Shi once had a "noble personality, writing different from ordinary people", "even in the world, everything can be said to be true as the ancient Chinese Gao Shi hermit". Mr. Su Gengchun, a famous calligraphy and painting appraisal master, is humble, does not do harsh things, and is full of friends all over the world, "The bookmark is written, and now send it to please receive, I don't know if it is agreeable?" If not, you can tear it up and write it again," he said to the student Wanzhang.
Five can spur on. Every master is a model, even the humble author Mr. Wan Zhang, is also a line of love, a line of dedication, a book and a body. Not long ago, I read his masterpiece "He Paints and Paints Himself: A Small Portrait of Wu Rongguang" in the "Reading" magazine, which shows that he has made real efforts and has real kung fu in the painting circles from the late Qing Dynasty to the Republic of China. Every artist and every scholar and doctor related to the 62 letters has done this, which is enough to spur every reader. (Zhang Guoping)