Su Shi, as a pioneer and representative figure of the bold style of words, has he ever written poetry in a gentle style? The results are obvious. Su Shi not only wrote euthanistic words, but also a huge total. Of Su Shi's three hundred and sixty-two poems, about three hundred are euphemisms, accounting for more than 85% of all the lyrics, in other words, Su Shi's bold words actually account for less than 15% of all his lyrics.
Wang Zhuo's "Biji Manzhi" said: "Mr. Dongpo is not intoxicated with the rhythm of music, occasionally composing songs, pointing out the way up, the eyes and ears of the new world, and making the author know that he is self-excited." Because of his pioneering and breakthrough achievements in the style of bold words, many people think that Su Shi only writes bold words, which is not a comprehensive understanding.
So let's take a look at Su Shi's nine classic euphemisms:
"Jiang Chengzi Yi Yi ZhengYue Twenty Night Dream"
Ten years of life and death are vague, not thinking, unforgettable. Thousands of miles of lonely graves, nowhere to say desolate. Even if they do not know each other, they are full of dust and sideburns. At night, the ghost dream suddenly returned home, the small window, is grooming. There are no words for each other, but there are thousands of tears. It is expected that the intestines will be broken every year, the night of the bright moon, and the short Matsuoka.
This poem was composed by Su Shi in mourning his deceased wife Wang Fu, which condenses the poet's infinite desolation and best represents his graceful style.
"Butterfly Love Flower Spring Scene"
The flowers are faded red and small apricots. When the swallows fly, the green water people circle. The willows on the branches blow little, and there is no grass at the end of the world! Swing in the wall outside the wall. Pedestrians outside the wall, beautiful people in the wall laughing. Laughter fades away, but amorous is ruthlessly annoyed.
This song expresses the feelings of sad spring in a way that is both affectionate and ethereal, and the scenes are blended and mournful. The Qing Dynasty Wang Shi's "Flowers and Grass Mengshi" praised: "'Willow on the branches', I am afraid that Tun Tian (Liu Yong) may not be able to pass through. What is the meaning of the slope but interpreted as 'the great river goes east'? "This assessment is pertinent.
"Bu Operator Huangzhou Dinghui Courtyard Residence"
The lack of moon hanging sparse tong, leaking the first quiet of people. Whoever sees the ghost alone, ethereal and lonely. Startled but turned back, there is hatred and no one to save. Picking all the cold branches refuses to perch, and the lonely sandbar is cold.
The realm of this poem is indeed as Huang Tingjian said: "The meaning is high, it seems to be not eating fireworks and eating people, there are thousands of books in the chest, and there is no dust and tacky under the pen, who can go so far!" "This high and free, unworldly realm benefits from exquisite artistic skills. The poet "uses the spirit of sex to chant the story", taking the god outside the subject, setting the context in the meaning, and figuring people; in the description of the background of the lonely hong and the moon and night environment, the narrative of the selected scenes is simple and condensed, ethereal and flying, implicitly implied, vivid and vivid, and has a high degree of typicality.
"Water Dragon Yin , Sub-Rhymes Zhang Zhifu Yang HuaZi "
It seems that the flowers are still like non-flowers, and no one is sorry to fall from the teaching. Abandoning the family and the road, thinking is, ruthless and thoughtful. Haunting the soft intestines, sleepy eyes, want to open and close. The dream follows the wind, looking for the place where the lang went, and it is still called up by the warbler. I don't hate this flower, I hate the West Garden, and the red is difficult to embellish. Xiao lai rained, where is the trace? A pool of shreds. Spring color three points, two points dust, one point flowing water. In detail, it is not Yang Hua, but a little tear.
Su Cixiang is known for his boldness, but there are also gentle works, and this "Water Dragon Yin" is one of them. It uses the Yang flower of "abandoning the family and the road" in the late spring to transform the "ruthless" flower into a "thoughtful" person, "straight to the sentiment, not a compound endowment", and the resentment is lingering and ethereal, expressing the departed sorrow containing universality. At the end of the chapter, "Look carefully, it is not Yang Hua, but a little bit of tears," in fact, it is the pen of Xianzhi, which has been repeatedly recited and enjoyed by people since ancient times, and it can be called the pen of God.
"Xi Jiang Yue: A Big Dream in the World"
The world is a big dream, how many autumn coolness will life be? At night, the wind leaves have sounded in the gallery. Look at the sideburns of the brow. Liquor is often worried about the few customers, and the moon is more hindered by clouds. Mid-Autumn Festival who with the common lonely light. Look north.
When it comes to Su Shi's Mid-Autumn Festival words, everyone will definitely think of the well-known "Water Tune Song Head", but this "Xijiang Yue" that was also composed in the Mid-Autumn Festival has become very lonely. In this poem, Su Shi takes the "Mid-Autumn Festival", a traditional festival with deep emotional significance, as the environment, expresses the loneliness and sorrow of Huangzhou, and at the same time expresses his deep thinking about the history of life and his deep attachment to the true feelings of the world in the passage of lamenting the passage of time. In the creation of the cold and lonely artistic atmosphere, the reader can see the tragic and gentle side of the bold lyricist Su Dongpo behind the kuangda detachment.
Prologue to "Huan Xi Sha Drizzle Oblique Wind as Xiao Han":
On December 24, 1977, Yuanfeng traveled from Sizhou to Nanshan
Drizzle oblique wind for the cold, light smoke and willows beautiful sunny beach. Entering Huai Qingluo gradually became long. Snow foam milk flower floating noon cup, artemisia annua shoots try spring plate. The taste of the world is pure joy.
This is a travelogue that lays out the scenery in chronological order. The upper part of the word writes about the scene of early spring, and the writer and fellow travelers in the lower film have the flavor of a tea picnic when they travel the mountains. The work is full of spring breath and full of vitality of life, reflecting the author's love for real life and the spirit of jiansheng and enterprising.
"Yong Yu Le Peng Cheng Stayed overnight in Yanzi Lou Dream Hope for this word"
The bright moon is like frost, the good wind is like water, and the scenery is infinite. Qugang jumping fish, round lotus dew, lonely no one sees. Like three drums, a sonorous leaf, a dark dream cloud is broken. The night is vast, there is nowhere to be found, and I feel that I have traveled all over the garden. Tired guests at the end of the world, returning to the road in the mountains, looking at the heart and eyes of the old garden. The swallow building is empty, where is the beauty, and the empty lock building is in the swallow. Ancient and modern are like dreams, He once dreamed, but there are old joys and new grievances. At different times, the night view of the Yellow Tower sighed for Yu Hao.
In this poem, the poet fuses scenery, love, and reason in one furnace, and grows layer by layer around the love affair of The Swallow Building. The scenery is the scenery of the Swallow Building, the love is the lingering feelings after the dream of the Swallow Building, and the reason is the eternal inquiry about the philosophy of life that is "life is like a dream" generated by the Yanzi Building Guan Pan Pan Love Affair. The whole word melts into the scene, the rationality blends, the realm is quiet, the style is not lost in harmony, the title is recognized with the classic body, the melting is not astringent, and the secluded nostalgia complements the quiet realm, which fully shows the excellence of Su Shi's intentional writing.
"Nguyen Lang Gui Early Summer"
Green locust tall willow swallowing new cicada. Kaoru first enters the string. The water under the blue screen window sinks into the smoke. The sound of chess is a day of sleep. A slight rain has passed, and the small lotus has turned over. Durian blossoms are in full bloom. Jade Basin Slim Hand cleared the spring. Qiongzhu is broken but round.
It's a love song. But the difference is that before Su Shi, writing women's girlfriend words was always inseparable from lovesickness, loneliness, laziness, fatigue, and all kinds of weak sorrows, but Su Shi wrote here is not like this. The heroine is simple, innocent, carefree, not harmful to unrequited love, sleepy, wake up to appreciate the scenery, caress the spring. She loves life, loves nature, and is willing to melt herself into the beauty of nature. It is a healthy type of feminine beauty that blends in with the exuberance of early summer. Su Dongpo's poetry no doubt introduces a sweet spring to the word world, especially to the girlfriend.
"Dong Xian Ge Ice Muscle Jade Bone" Prologue: When the servant was seven years old, he saw the old nun of Meizhou, surnamed Zhu, forgot his name, and was ninety years old. He said that he had followed his master into the palace of the Shu lord Meng Chang, and one day it was very hot, and the Shu lord and Lady Huarui were on the cool Maha pond at night, and zhu gu could remember it. Forty years now, Zhu has been dead for a long time, and people are ignorant of this word, but remember his first two sentences, and spend time looking for taste, is it not the "Song of the Cave Immortals"? It is a cloud of feet.
Ice muscle jade bone, cool without sweat. The water temple wind comes dark incense. The embroidery curtain is open, a little bright moon peeps at people, people do not sleep, and the pillow is chaotic. Get up and take the hands of the plain, the court is silent, and when you see the stars crossing the river, you will see the thin stars. How about the night? The night has changed three times, the golden wave is light, and the jade rope is turned low. But when the west wind came, it was not secretly changed for many years.
This poem writes about the life of the ancient imperial concubines, and attaches the author's own deep life feelings in envy and praise. The whole word is clear and smart, the meaning is high, the imagination is strange, the waves are undulating, and the reading is fascinating. This word describes the scene of Meng Chang, the king of the Shu state, and his concubine Lady Huarui on the summer night of the Mohe River, and deliberately depicts the beauty and purity of Lady Huarui's posture and heart, expressing the writer's deep regret and sigh for the passage of time.
"Jiang Chengzi Jiang Jing / Smelling the Kite when the lake is with Zhang Xian"
Phoenix Mountain rains and clears, the water and wind are clear, and the sunset is bright. A hibiscus, opened still yingying. Where flying double egrets, if intentional, Mu Wanting. Overhearing the mourning kites on the river, bitter and affectionate, send who to listen! The smoke is cloudy, and according to the covenant is Xiang Ling. If you want to ask for the song at the end, people are not seen, and the number of peaks is green.
This word is the work of a chant. The upper film writes about the scenery on the lake, from the phoenix mountain in the early days after the rain to the breeze on the lake, the sunset in the sky, the lotus flowers, and the flying egrets, as if sketching a landscape map of Hangzhou's West Lake; the next film writes about the kite, first writing the mourning of the kite, and then rewriting the kite, using the "Xiangling Drum" allusion, which not only symbolizes the beauty of the Xiangling spirit of the kite, but also creates a poignant artistic conception.
Through these words, we can see that Su Dongpo's euphemisms have a high artistic level, breaking through the cage of ordinary euphemisms. It can be said that even if there is no bold word, with euphemisms, Su Dongpo can also win the Northern Song Dynasty. I don't know which one is the favorite of your readers and friends?

come