"Mo Lan Tu" Zheng Sixiao roll ink on paper 25.7 * 42.4 cm Collection of osaka Municipal Museum of Art, Japan
Zheng Sixiao, (1241-1318), Southern Song Dynasty. Zi Suo Nan, Yi Zuo Yi Weng, No. Suo Nan, self-proclaimed Three Wildlings, also known as a layman, Fujian Lianjiang people, Shijia Sanshan (present-day Fuzhou). Taixue Shangshe, should be erudite macrocircle, huiyuan soldiers go south, hidden Wuxia. Sit in a southerly direction and vow not to associate with the northerners. Thirty acres of arita. Yi Zai su smelled its fine Mo Lan, and did not pretend to be with people, because he was given a conscription. Fury: "The head can be obtained, but Lan cannot be obtained." "Zaiqi and release it. Write Landorogen does not write about the slope, follow the meaning of the first yang. When people ask, they say, "The land has been taken away by men, and the king does not know it?" Try to draw a self-drawn volume of long, up to five inches high, innocent, beyond the surface. Title Yun: "Pure gentleman, no villain." Inscription Juyun: "I'd rather die with incense on the branches than blow down in the north wind." "It is not particularly exquisite to write Mo Lan, but it is also wonderful to paint bamboo."
"Coloring Orchid Bamboo Figure" Yuan Zhao Yong Silk set color length 74.6 cm width 46.4 cm Shanghai Museum collection
Zhao Yong was a famous painter of the Yuan Dynasty, Zhao Mengshe, who praised their father and son with the verse "Wu Xing Gongzi (Zhao Meng) Crown Contemporary, Yong Is Also Good at It Later". Zhao Yong is not limited to family law, he not only observes nature, but also understands the form of Lan Zhu, and can write the charm of Lan Zhu. Draw a slope stone in the lower right corner of this figure, outline it with ink lines, slightly rub it, and dye it with light ink, which is full of three-dimensional sense. A branch of green bamboo between the stones, curved upwards, as if swaying in the wind, with a pen to work vigorously, business self-sufficiency. A cluster of orchids is painted under the bamboo stone, and the leaves are full of vitality, moisturizing and elegant with a pen, showing the flexible and gentle character of the orchid.
"Four Qing Tu" Yuan Li Yan ink pen on paper 35.6 cm width 359.8 cm collection of the Palace Museum in Beijing
Originally a long scroll, this figure was divided into two volumes around the middle of the Ming Dynasty. The front volume is painted with a clump of bamboo and square bamboo, and is now in the Nelson Atkins Museum of Art, Kansas, USA. The section selected here from the Palace Museum is the back volume. The orchid, bamboo, stone and Wu name "Four Qing" painted in the picture refers to the high purity of the gentleman. The volume can also be divided into two sections, the first section depicts ershi, cong bamboo and orchid, taking the oblique trend from right to left, and the latter section drawing er sycamore and cong bamboo. The painter is mainly in the shape of things, mainly in reality, the bamboo trees are all knotted and leafy, and the orchid stones are also folded and colorful. Although the branches and leaves in the painting are dense, the brush strokes are elegant and concise, and the shape is formed, which is not smooth. The ink color is suitable for color and change naturally.
"Double Hook Orchid Diagram" Ming Qiuying paper color length 34.7 cm width 39 cm Beijing Palace Museum collection
Qiu Ying is a rare all-round painter in the middle of the Ming Dynasty, with figures, landscapes, flowers and birds, and boundary paintings, and green, light, ink, brushwork, and freehand are all exquisite. Qiu Ying has many works that should be used in his life, and most of them are imitating the ancient style. This "Double Hook Orchid Diagram" is a fresh work from the heart. Although it still lacks the quiet and indifferent of the literati painting orchid, the color is very elegant, and the pen edge is also feminine and colorful. It is a rare painting of Qiu Ying flowers and birds.
"Mo Lan Tu" Ming Chen Gu Bai Ayaben ink pen length 26.3 cm width 294 cm Lushun Museum collection
This figure is a combination of two methods of colorless bonelessness and ink freehand, which belongs to the category of light ink color freehand flower painting. Orchids are written in light ink, interspersed with flowers and leaves, seemingly chaotic and orderly, and the pen and ink are more calligraphic. Pen, ink, color, and shape complement each other, blending into one, handsome and beautiful, with a unique style.
"Aoi Stone Diagram" Ming Chen Chun ink pen on paper, Beijing Palace Museum collection
This painting is self-titled: "The green leaves are weeping and the dew is clear, and Jin Ying's side is windy." Daofu "No annual model. This painting is a masterpiece of middle-aged ink freehand floral paintings. The picture depicts a branch of okra lined with flying white lake stone and double hook tender bamboo. The petals outlined by the flanks are simple and rapid, and the flipped state of the petal tips is outlined with a broad pen, which is particularly vivid. Several clusters of sunflower leaves are sprinkled with dripping ink, and through the natural penetration of ink color, they show the change of leaf color and the serrated state of leaf shape, just like heaven. Bamboo branches are double-hooked with simple lines, which is also seen in the sense of carelessness. This painting method also vividly conveys the simple nature, fresh and elegant feelings of the connotation of sunflower stone.
"Youlan Tu" Ming Du Da Silk paper set color length 110.3 cm width 30.8 cm Nanjing Museum collection
Du Dashou is good at ink painting, not falling into the wrong path, especially wonderful sketching, a flower and a half leaves, light ink, and sparse and chaotic, aggressive and realistic, which has a great impact on future generations. This drawing depicts two lake stones on a slope, with a steep posture, surrounded by beautiful and colorful orchids, leisurely but delicate. The picture is elegant and the brushwork is vivid.
"Orchid Bamboo Diagram" Ming Wen ZhengMing Ink on paper 47 cm in length and 23.3 cm in the collection of the National Palace Museum in Taipei
Wen Zhengming paints orchids, paying attention to its elegant fragrance, clean and self-righteous; painting bamboo writes its high wind and bright knots, and it is strong and upward. This picture co-writes Orchid Bamboo and praises "Double Qing". He painted orchids on the slopes with ink, orchids with light ink as petals, bamboo leaves with a smooth pen, showing the wind fluttering, lively and natural.
"Floral Grass Insect Diagram" Mingdu Dacheng ink on paper 28.6 cm in length and 44.8 cm in width
Du Dacheng, Jinling (a native of Nanjing), a native of Suzhou. Gong music rhythm, good at painting flowers, trees, birds and insects, de Yanxiu vivid fun, is a good sketching skill. This picture is a few strokes, as if inadvertently, but the flowers, leaves, grass and insects are full of business and lifelike. Across the water there are Qingren land sales, Pan Jing also two treks. Originally attached to Du Yan's "Bamboo Forest Gaoshitu" volume.
"Lanzhu Stone Diagram" Clear text signs the ink pen on paper 25.7 cm in length and 357 cm in width and 357 cm in the collection of the Palace Museum in Beijing
This painting of mountain stone and orchid bamboo mostly uses the brushwork of the book, hooking, rubbing, breaking, dyeing most of the center to participate in the flank, the work is sharp. The depiction is exquisite, but it is simple in the details of the work, and it is seen in the composure. Pen and ink are beautiful in dryness, jerky in skill, and have a strong lyrical meaning. However, the composition is dense and sparse, the mountain stone outlines less wrinkles, more dry pens and no rendering, forming a regular and slightly decorative, with a fine nib with clumsiness, ink color dry and wet and overall light. These paintings all reflect Wen's own characteristics, showing a strong literati bookish atmosphere, and the style of the gongxiu with a clear and vigorous rhyme, which also reflects the typical appearance of his later years.
"Orchid Diagram" understands the collection of Nanjing Museum of Nanjing Museum with a 28 cm longitudinal ink pen on paper and 210 cm in width
Bai Ding specializes in ink flowers, and its subject matter is mostly the flowers and trees commonly found in the garden, and in the painting method, it is a combination of double hook and dot dyeing. The pen and ink are simple and straightforward, clean and sparse. His ink freehand flowers express the artist's personality and mind, which is favored by later generations of painters. This painting has a typical literati painting style, with sharp brushstrokes.
"Orchid Diagram" Tomorrow Zhou Tianqiu ink pen on paper 50.3 cm width 24.2 cm Nanjing Museum collection
This illustration depicts only one bouquet of orchids. Its posture is graceful and full of business. The orchid leaves are sleek and stretched, interspersed, and the petals are randomly clustered, which is beautiful and beautiful. The leaves are made of heavy ink, and the ink color of the flowers is slightly lighter, all of which are integrated into the brushwork of calligraphy. Its gestures are twisted and turned, some thick and thin, some quite and some turning, some intermittent and continuous, some receiving and some longitudinal. Spicy and old, with many variations. Coupled with the wet and dripping ink, it vividly expresses the texture and charm of orchid.
"Hundred Flowers" Ming Zhou's crown on paper and ink pen
This figure uses the method of drawing flowers and dot leaves. Zhou Zhimian makes good use of the method of hooking flowers and dotting leaves, and its method is simple and simple, full of charm. This volume of ink pen writes cockscomb flowers, hibiscus flowers, osmanthus flowers, chrysanthemums, daffodils, ganoderma lucidum, plum blossoms, okra, etc., elegant and simple, fully showing the painter's skill, humor and characteristics in painting. Zhou Zhimian was a well-known flower and bird painter at that time, whose flowers and birds were vivid and vivid, integrating Lu Zhi's color craftsmanship and Chen Daofu's ink freehand painting method in one, and founding the "Hook Flower Point Leaf School", which promoted the development of ink flower and bird painting. "Hundred Flowers" is old and simple.
"Mo Lan Tu" Ming He Shi ink on paper 115.9 cm in length and 58.2 cm in width
The author He Shi, a security guard in Guangdong, engaged in painting activities during the Wanli and Chongzhen years, often from Li Liufangyou, painting and passing on his method; and shen Chunze instructed him to write orchids alone, and to write dry leaves to see this picture of fresh style, quite a wonderful sketch. Through observation and practice, letter and pen rendering, hand-to-hand formation, ecological moving, self-style.
"Landscape and Flower Figures" Ming Xu Wei Ink on Paper Sixteen Open Each opening length 26.9 cm horizontal 38.3 cm Beijing Forbidden City
The whole book uses ink freehand to paint people, landscapes, flowers, the brushwork is long-lasting, the ink is dripping, the image is concise and vivid, and each opening has a self-title. The technique of this volume is comprehensive, which can reflect Xu Wei's talent and push freehand painting to another peak. This volume of works, the style is rough and unbridled, and it is full of pain. With the pen dry and thick wet, dense and virtual, all in the law, this so-called "can not have the law", "chaos and not chaos", showing the author's talent and character. In the history of Chinese painting, what really achieves "similarity and dissimilarity" and is consistent with the name and reality should be Xu Wei as a model.
"Hundred Flowers" Ming Sun Kehong paper set color length 27 cm width 532.5 cm Beijing Palace Museum collection
Sun Kehong (1533-1611), also spelled Yunzhi, was a native of Huating (present-day Songjiang, Shanghai). Good at painting flowers, elegant style. This scroll depicts twelve sections of folded branches and flowers, from front to back: lilac, white plum, big red jewel camellia, white peony, orchid, magnolia, moon season, phalaenopsis orchid, chrysanthemum, golden millet, magnolia, butterfly flower. The passages are spaced by the painter's self-inscribed verses, and a coherent effect is achieved. Twelve kinds of flowers, the painter can grasp the natural characteristics of their branches and flowers to depict, some are quiet and elegant, some are warm and gorgeous, but their posture is all unclear and elegant, revealing a certain mood quality of the painter. The depiction in the painting is delicate and gentle, and the coloring is gorgeous and solemn, which makes the picture appear neat and beautiful, which can see the influence of Song painting.
"Yutang Zhilan Tu" Ming Sun Kehong paper color length 135.8 cm width 59 cm Beijing Palace Museum collection
This picture uses a double hook coloring method to paint magnolias, and the orchids are set off by lake stones. The pen is clean and the colors are light and elegant. The lake stone is thick with ink, combined with dot dyeing, and the thick exquisite lake stone and the light plain white magnolia contrast strongly and harmoniously, and the painting style is clear. This work belongs to the painter's fine brush style all the way, the whole work has an elegant and elegant state, the color contrast is clear, full of rhythm, is a work that can represent the painter's fine brush painting style of flowers and birds.
"Bamboo Stone Diagram" Ming Wang Fu ink on paper 68.7 cm in length and 23.5 cm in width in the Collection of the Shanghai Museum
Although Wang Fu's painting of bamboo inherits the legacy of the former humanistic and Wuzhen ink bamboo paintings, the brushwork is more vigorous and elegant, the law of the object is more refined, emphasizing the charm of pen and ink and the feelings of the literati, and there is a comment that "the posture is charming in the vigor, and it is sprinkled outside the vertical and horizontal", so at that time he was called "the first hand of the national dynasty". This picture is written on a sunny day, with a pen and hair, which is a new style after the Yuan.
"One of the Atlas of Flowers and Grass Insects"
Ma Quan (born and died in an ominous year), the character Jiang Xiang, Jiangsu Changshu people. Daughter of Ma Yuanyu. Workers and birds, wonderful family law. The color is elegant and the style is quiet. When Changzhou Yun Bing paintings are famous for their bonelessness, while Jiang Xiang paintings are famous for their defaming, Jiangnan people call them "double absolute". His main activities were during the Kangxi and Qianlong dynasties.
"Mo Lan Tu" Qing Xi Gang silk ink pen length 70 cm width 23.5 cm anhui provincial museum collection
This picture depicts a cluster of orchids, some have bloomed, some have buds to be put, the pen and ink are rough and straight, the orchid leaves are indulgent, intricate and lush and disorderly, the composition is novel, the oblique trend is taken, and the style is unique.
"Orchid Bamboo Diagram" Qing Cheng is in the collection of the Lushun Museum on holy paper and pen length 347.5 cm
This figure uses black ink to write out the number of orchids, a few pieces of slope stones, and a few sticks of thin bamboo. Orchids bloom like butterflies on top of orchid leaves, and the slope stones are round and full of pencils. The painting Lan Yun pen is soft and rigid, as if using calligraphy into the painting, the strokes are strong, bringing out the beautiful wind.
"Fang Lan Tu" Qing ShiTao ink and pencil on paper
Shi Tao surpasses his predecessors in pen and ink and artistic conception, eclectic and unique. He once had a self-title: "This so-and-so pen and ink, this so-and-so School of Law, the blind show of the blind, the ugly woman's evaluation of the ugly woman." Appreciate the clouds? Not establishing a law is my zongye, and not giving up a law is my purpose. "It shows his determination to learn from his predecessors but never stick to his predecessors and innovate." This painting is Shi Tao's representative work, from which we can appreciate Shi Tao's extremely original style. There are large polyester self-titles and various family inscriptions. Only the orchid of "The valley who pities the king is incense, and the two branches are low..."
"Orchid Bamboo Atlas" Qing Zhusheng ink pen on paper 31.1 cm in length and 21.8 cm in the Lushun Museum collection
Lan Zhu has always been the medium of the poetry advocated by the scholars. The light fluttering of orchids and the high winds and bright festivals of bamboo are the subjects that have been enjoyed by flower and bird painters of past generations. This atlas depicts only a cluster of orchids, and its style is elegant, and its demeanor is flowing, and it seems to move against the wind. The painter uses thick ink to write orchid leaves and orchids, almost without rendering, a drum, so the picture appears crisp and imposing.
"Orchid Diagram" Qing Wang Huan Fan Face Nanjing Museum Collection
Wang Yu (王愫), a Painter of the Qing Dynasty, was a Qing Dynasty painter, a native of Linwushan, a native of Taicang, Jiangsu, a great-grandson of Wang Shimin, and a nephew of Wang Yuanqi. The Zhu Pen Bamboo Stone is known as Jia Shu. Together with Wang Yu, Wang Jiu, and Wang Chen, they are called "Little Four Kings". This picture is a cluster of orchids, which really has the wind of "empty valley and orchid".
"Orchid Bamboo Diagram" Qing Qian zai paper ink pen length 139 cm width 35.1 cm Lushun Museum collection
The painting reads: "Qianlong Jia Wu, ordered jiangxi, to meet with Old Mr. Xiufeng to write a thesis, both to complete the matter, to write this in order to learn from Daya." Two days before Chongyang, Xiushui's brother Qian Zai was recorded in Kui Su Tang. "Although this painting is a suitable work, it is also vivid and vivid. Paint bamboo stones and orchids, thick ink outlines bamboo leaves bamboo poles and lake stone outlines, light ink write orchids, orchid leaves, clear harmony, elegant harmony.
"Red Orchid Diagram" Qing Jinnong silk book color length 63.7 cm 40.5 cm Beijing Palace Museum collection
On the painting, there is a painter's self-inscription: "The red orchid leaves are wonderful, but there is no fragrance, this summer it is seen in the Fengchen Courtyard Qingjiang Junhe pavilion Shuinan Villa, Yuexi, Fei Yanzhi a little, picture this small." If Song Xu Huang Zhuxian has not been able to paint it. The Book of Shaiye. "Paint rare red orchids. The brush strokes are more neat and delicate, the style is calm and beautiful, the pen and ink are clumsy, do not seek similarity, and have a simple style.
"Phalaenopsis Orchid, Zhu Zhu Tu" Qing Jinnong paper color length 24.5 cm width 32 cm
This drawing is colored and ink painted with various flowers, a total of eight openings, a volume, selected and printed twice. Phalaenopsis orchid is a color freehand painting with the inscription: "Wildflowers and grasses, there is this scenery in ShenJiayuan." "Therefore, there is both sketching pen and ink. Painting stones, evergreen moss, dandelion pens are simple and divine, and the brushwork is calm and strong, which is a deliberate work.
"Meizhu Stone Diagram" Qingwang Shishen ink and pen on paper 100.7 cm width 26.4 cm Collection of Tianjin Art Museum
This is an earlier work of the painter, which is delicate and vigorous, and the style of the work in the later years has changed, and it is more stout. Wang Shishen's paintings have a variety of themes, including bamboo, stone, etc. in addition to various flowers, preferring qingya, and painting orchids, plums and other flowers. This was also the favorite of the painters at that time. This drawing depicts Qumei, Xiuzhu, and Strange Stone, and the painter calls Mei Lengxiang, Brother Shi, and Brother Bamboo in his own inscription.
"Orchid Bamboo Diagram" Qing Wang Shishen Ink on Paper 118.1 cm in length and 43.3 cm in width in the collection of the Shanghai Museum
Wang Shishen (1686 - c. 1762), also known as Jinren, Chaolin, Xiuning, liuyu Yangzhou, was one of the "Eight Monsters of Yangzhou". He is especially famous for writing plums, orchids, pines, bamboo, and painting plums. The pen is heavy, not reserved, often with a thin and hard pen, writing a sparse and clear atmosphere, between dot paintings, intriguing. This picture is based on double hook orchid and ink bamboo, using different techniques to reflect each other, which is a masterpiece of his life.
"Lanzhu Stone Drawing" Qing Zheng Xie ink strokes on paper
The content of the picture is stoneside green bamboo, stone cracks and orchid grass, right front raw bamboo three poles, old bamboo vigorous and tall, Hsinchu beautiful and beautiful, each with its own characteristics, falling on the paper rhyme vividly, although it is a few strokes of freehand, and the god of bamboo, the state of bamboo, the rhyme of bamboo has been expressed vividly. The stone block on which the bamboo is relied on is also one of the main bodies of the picture, as the background of the bamboo, it adds to the momentum of the painting with the state of being strong and strange, and reflects the vitality of the bamboo; the orchid on the stone adds to the stone fun, does not give people the stubborn and old-fashioned puzzle, and the anti-stone is also a lovely and lovely thing, and also has its life preferences. Judging from the inscription, this is the author's birthday gift to the elderly, painting with a vibrant theme, coupled with a poem that is not without humor, which is really appropriate.
"Thorny Bush Orchid Diagram" Qing Zheng Xie ink pen on paper 31.5 cm horizontal 508 cm Collection of Nanjing Museum
Zheng Banqiao's painting attaches great importance to starting from life, once said: "Where I paint bamboo, there is no teacher, more than the paper window powder wall sun and moon shadow in the ear." He carefully observes and appreciates the various styles, postures and interests of bamboo in different climates and different environments to enrich his performance. In the words of the painter himself, this painting is truly "full of gentlemen", painting orchids, bamboo, and stones, and showing the purity of orchids and bamboo and the bright festival of the breeze is very calm.
"Bamboo Stone Youlan Tu" Qing Zheng Xie ink pen on paper 185 cm in length and 105 cm in width 105 cm collection of Guangzhou Art Museum
This picture of orchid, bamboo and stone, with a pen to be strong and round, is extremely loose and flying. The stone is outlined with a center forward, the pen is thin and hard, there is less rubbing, and the charm is sufficient, the bamboo is thick, the stone is light ink, the thick and light are reflected, and the fun is full of fun. The overall view of the whole picture, the momentum is handsome, the wind god is scattered, and there is a proud standing.
"Stone Drawing of Youhuanglan" Qing Zheng Xie ink pen on paper 140.1 cm in length and 62.2 cm in width in the collection of the Anhui Provincial Museum
Zheng Xie's bamboo, whether it is Hsinchu, old bamboo, qingzhu, rain bamboo, water village bamboo, mountain bamboo, all give them character and life, to achieve a compelling look, lifelike, full of touching vitality, to the viewer to bring pleasure and beauty enjoyment. The painting also depicts bamboo, orchids and aragonites. On the painting there is an inscription by Luo Ping: "I am not tired of the Eastern Jade Jun, and the double phoenix of the Temple of Heaven sometimes smells." A peak is like a chaoxian place, and the green festival forest is leaning on the clouds. Luo Ping. "
"Youlan Tu" Qing Zheng Xie ink on paper length 91.6 cm width 51.4 cm
This drawing depicts cliffs, orchids, and bamboo branches. Zheng Xieyou painted Lan Zhu to see the name. For people to be uninhibited, to enter the county order, not only engaged in politics, but also do not forget the love of poetry and wine painting. Abandoning the official residence in Yangzhou, he interacted with the rioters and inkers, and hung up the grid, and painted his own business. This picture is freehand orchid bamboo, the pen and ink are dashing, the mood is cheerful, and it can fully express the characteristics of the author's style. Seven words and one poem on the painting clearly reveal the intention of creation.
"Deep Valley YoulanTu" Qing Luo hired ink and paper
When Luo Ping was 24 years old, he studied under Jinnong, who said that he "loved to paint, first imitated the wild plum of Jianglu, and then learned to give the character Fanma, The Strange Tree stone", "the pen is clever, and there is no end to it". When he was 28 years old, he painted the album "Flowers, Vegetables and Fruits", and Jinnong called him "bold and dry, extremely horizontal and oblique". This "Deep Valley Orchid Map" shows the orchids hidden in the deep valley, with a dashing and indulgent pen, quite a posture of long rainbow.
"Qiulan Wenshi Tu" Qing Luo Hired paper ink pen length 14.9 cm width 32.2 cm Nanjing Museum collection
This drawing of orchids and aragonite, the painter has a unique point in the use of ink color and line, concise lines, round and thick, hard as iron painting, soft as tampons, accurately outline the shape of orchids and aragonite, its ink, ink color shade, dry, virtual effect is very good.
"Xiangtan Autumn Intention" Qing Luo hired ink on paper 168.3 cm in length and 88.6 cm in width
Luo Ping (1733-1799), also known as Yufeng, also known as the monk of huazhi temple, a native of Shexian County, lived in Yangzhou, and was one of the "Eight Monsters of Yangzhou". From Jin Nong, he learned to paint, and got his true transmission, painting plum blossoms, bamboo branches, and orchids. Landscapes and flowers open their own paths, the characters are also wonderful and evocative, and the painting ghosts are especially good at winning. This picture is very beautiful with a pen, rich and elegant, which is his proud work.
"Lanzhu Stone Diagram" Qing Luo Qing Silk ink length 132 cm width 66.5 cm Guangzhou Art Museum collection
Luo Qing (1821-1899), a native of Panyu, Guangdong. Good at finger painting, in his later years, he was blind in both eyes, and he could still draw orchids and bamboo with his fingers. Finger painting is often done with a little cotton wool in the nail to store ink, which is equivalent to painting with a brush. The painter used his finger to make this "Orchid Bamboo Stone Diagram", which was imposing and tall and ethereal.