Since she was a teenager reading the Red Chamber, she has never felt that Dai Yu is arrogant and small, and that fashion does not understand her inner human brilliance. Come to think of it, it should be because of the talent filter...
She loves two poems the most, one is "Funeral Flower Yin" in the spring twilight, and the other is "Wing Chrysanthemum" in autumn, whether it is flowers or people, she can communicate with them.
Shouldn't such a person be arrogant?
It is said that in the late autumn when the chrysanthemums are fat, Xiangyun invited the Chrysanthemum Poetry Society, and Daiyu's "Wing Chrysanthemum", "Asking Juju", and "Ju Dream" won the first place in the poetry of the talented female Chrysanthemum.
The beauty of this is that you can only look at the song "Wing Chrysanthemum":
The rogue poetry demon was invaded by dawn, and went around the fence to sink into the sound.
Millipal Yun Xiu Pro Frost wrote, and the mouth was snored to the moon.
Full of paper self-pity questions sue resentment, pieces of words who explain the complaint to Qiu Xin.
After the Tao Ling Pingzhang, the ancient high wind has spoken to the present.
There are two levels to this:
The first layer - through the cultural perspective of carrying the tao and the object, the mainstream cultural image of Ju refers to the hermit, so Yong Ju is actually a hermit, since the ancient literati Yi Shi Ai Ju, is loyal to the ideal of "poor is good at their own", which can be seen in the words "around the fence", "Tao Ling", "ancient high wind" and other words in Dai Yu's poems;
The second layer, which is also often overlooked by the world, in the bones of the birth that abandons the "bending the waist for five buckets of rice", in addition to the joy of dashing and freedom, there is also the inability to stretch the ambition, the hardships of the world, and the sadness of no one to give, in this free choice, there is hidden the helplessness of retreating to the second. The so-called "full of paper self-pity questions, pieces of words who explain the autumn heart", is this understanding.
▲ Southern Song Dynasty Zhu Shaozong "Chrysanthemum Flying Butterfly Diagram" Collection of the Palace Museum
When it comes to hermits, we have to mention Tao Yuanming and his chrysanthemums — as you can see, not only Dai Yu, but also the literati of all generations who have hidden thoughts can't avoid Tao Yuanming.
Yuan Shu said: "The autumn bushes are like potters, and they are becoming more and more oblique around the fence. It is not that the flowers prefer chrysanthemums, and this flower is even more flowerless"; Du Fu said: "The old man on the edge of the fence is Tao Qianju, and the disciples on the river meet Yuan Shao's cup"; Li Qingzhao said: "(Bai Ju) is not like a noble concubine's drunken face, nor is it like Sun Shou's frown." Han Ling steals incense, Xu Niang Fu fan, Mo will be compared to not novel. Take a closer look at Qu Ping Pottery Order, the wind and charm are appropriate. The breeze rises, QingFen is full of brew, and does not reduce the brewing" - MengJiao is even more absolute, bluntly saying: "Qing poetry is both famous and overlooked, and Jin Ju is also surnamed Tao"...
Bai Juyi was implicit, although he did not mention Tao Gong's name, but he also used the classic of "cold tolerance only the eastern hedge chrysanthemum, the golden millet was more clear at the beginning of the dawn" to secretly meet the Tao Gong under the eastern fence, leisurely see the South Mountain"; this interesting Zhao Fan also recognized, so he did: "Although the wild chrysanthemum still exists, Chongyang wants to see the dew and flowers", in response to its saying that "the three paths are barren, and the pine chrysanthemums still exist".
Lu You even wrote "Tao Yuan Mingyun Three Paths on the Wild Pine Chrysanthemum Still Exists to Cover with Chrysanthemum with Pine Also Remains To Read", paying tribute to Tao Gong:
Chrysanthemums such as duanren, independent ling frost;
The Book of Qin, the Book of The First Qin Dynasty, the Meritorious Standard, the Immortal Fang.
Scattered in the middle, see this number of branches yellow.
High affection and keep the virginity, the big festival Rin Jie Gang.
It is a clear understanding of the meaning, not for the sake of wine.
Folding three sighs, the fragrance of the late years.
The person he chants is first Ju, then from Ju to Tao Yuanming, and finally what he pulls out is his own heart-the so-called Yongju is actually a self-metaphor. This, the first layer.
▲ Ming Chen Hongshou's "Playing with Jutu" Collection of the National Palace Museum in Taipei It can be seen that not only is he a poet, but the painter also loves Tao Yuanming
In fact, Tao Yuanming did not deliberately wing chrysanthemums, come a chrysanthemum twelve songs, wing chrysanthemums to give clouds, "picking chrysanthemums under the eastern fence, leisurely seeing the South Mountain"; "autumn chrysanthemums have good colors, and the flowers are exposed to their Ying", chrysanthemums have a sense of constant presence in their poems, Tao Gong is not just using chrysanthemums as a "image" for literary creation, but really planting chrysanthemums, pinju, food chrysanthemums, and wing chrysanthemums, accompanied by chrysanthemums.
For example, "a few clusters of chrysanthemums in this life, the flower color has changed again." Cloaked in old gold, the west wind is in full swing. Obviously, he went to the flower garden to see the chrysanthemums he had planted, and found that they had bloomed with feeling.
Another example is "Under the eastern fence of picking chrysanthemums, the morning light is still faint." The frost brushed my hat, and the zero dew stained my clothes" - the same is "picking chrysanthemums under the eastern fence", this time it is early in the morning, which is obviously different from the last time when I "leisurely saw the South Mountain".
Privately, this is the key to Tao's ability to be the "god of chrysanthemums".
The important point is that it is one thing to see the frost and cold scenery of Ju Ao, to write poems and paint by inscription; it is another thing to accompany Ju every day and integrate it into daily life, and Tao Gong's love for Ju is obviously stronger and deeper.
Later generations of literati also had those who raised chrysanthemums and loved chrysanthemums, most of whom took Tao Gong as the head of the horse, such as Pu Songling, who once wrote a "Huang Ying" in "Liaozhai" and specialized in juju essence.
Ju Jing Huang Ying and his brother are both masters of smelting chrysanthemums, she married Ma Zicai, who despised his career and loved chrysanthemums, and supplemented his chrysanthemums to sell chrysanthemums for a living, this horse talent is even more like a chrysanthemum, and he is accompanied by chrysanthemums every day, and he really can't bear to buy and sell them in his heart - the two brothers and sisters are surnamed Tao, but they respond to mengjiao's classic of Juguan Tao's surname.
▲Chat Jai story picture page
Those who understand tao gong's sorrow, not only Daiyu, but also the Ming people Shen Zhou - this is going to sink into the second layer:
He said in his "Chrysanthemum": "Autumn full of hedges began to see flowers, but from cold to prosperous. The west wind doorway contains incense, except for the Tao family to my house. ”
This is in line with Tao Yuanming's "Return to the Past" in "Nai Zhan Heng Yu, Carrying Joy and Running." Servants welcome, childish Houmen. The three paths are deserted, and the pine chrysanthemums still exist. Bring the young into the house, there is a bottle of wine. Leaning on the south window to be proud, the trial of the knee of Yi An..." is the corresponding.
When dyed with wind and frost and retreating to their hearts, although the house is small and broken, there are family, pine chrysanthemums, and wine to talk about comfort - there are wounds in the heart, which need to be healed, and the chrysanthemums that stand proud of the frost make people who have lived in the world for a long time and are full of wind and frost "from cold to prosperous".
Since then, in addition to using chrysanthemums as a metaphor, it has also represented the good life that nature and the heart yearns for. In addition, Tao Gong made a heavy spiritual sustenance on Jushang: instead of placing a loyalty on the hopeless world, it is better to place it on all things in heaven and earth and on self-cultivation.
▲ Ming Duyi's "Tao Yuanming Appreciation of Jutu" Collected by the Metropolitan Museum of Art
Tao Yuanming's era was a chaotic era of dynastic changes and frequent wars. Moreover, the official system at that time continued the "Nine Pins Zhongzheng System" since the Han Dynasty, and many Han disciples could not enter the dynasty to exert their ambitions for officials, and they could only succumb to the rule of the children of incompetent families and repeatedly encountered walls, so they despaired and chose to retreat to the world.
Such grievances can be seen in Tao Gong's spiritual monologue "Return to The Story":
The so-called "return to the west, please rest and take a trip." The world is contrary to me, and the words are repeated? "That's it! When does the yufushi Uchiha have to be restored? Is it not entrusted to stay? What do you want to do? Rich and noble is not my wish, the imperial hometown can not be expected", just says this.
According to the Book of Song, Lao Tao's resignation was quite arrogant:
"The county sent the governor to the post, and the county official Bai should see it with a belt, and sighed: 'I can't bend my waist for five buckets of rice to the little people in the township.'" He was dismissed from his post on the same day. Endowment to return. ”
Tao Gong has entered the world five times and been born five times, and the entanglements, twists and turns, heartache, and grievances can be seen -- it is precisely because he has been suppressed for a long time that he is even more arrogant when he rises up. At this time, the words of Dai Yu, Shen Zhou and others should be another sigh...
▲ Ming Tang Yin "Picking Chrysanthemums" Collection of the National Palace Museum in Taipei
When Tao Gong resigned his post and returned to his hometown in such a state of mind, it was simply a rush from the cage to freedom, so he would show the urgency of "staying in the cage for a long time and returning to nature"; and after "planting beans and mountains, the grass is full of beans and seedlings", he can still obtain the satisfaction of "not enough clothes to pity, but make the wish not violate".
Looking back and savoring the scene of the day: In the late autumn when everything is withering and the cold wind is depressed, Tao Gong's courage to serve the country has disappeared, and he is physically and mentally exhausted walking on the deserted path, and when it is gray and dark, he suddenly sees the green onions and chrysanthemums, is it not great to be pleased? This is the unity of the beauty of nature and the desire of the heart, a healing of the spiritual world. Therefore, he should often plant chrysanthemums and appreciate chrysanthemums, and use them as a companion to relieve loneliness and worry.
The Slovaks are eternally dead, the sun and the moon are new, and it is the mid-autumn of October that belongs to the chrysanthemums. When admiring chrysanthemums, if you think about Tao Gong's state of mind at the beginning, this yo-yo HuangHua must be even more warm and harmonious!
When Dai Yu taught Xiang Ling to compose poetry, he had a poetic discussion:
[If you really want to learn, I have here the Complete Works of Wang Mojie, and you will read a hundred of his five-word laws, carefully and thoroughly understand them, and then read one or two hundred of Lao Du's seven-word laws, and then read one or two hundred of Li Qinglian's seven-word sentences. In the stomach, these three people first made a foundation, and then took a look at Tao Yuanming, Ying Yue, Xie, Ruan, Geng, Bao and others. You are also a very intelligent and clever person, and you don't need a year's work, don't worry about not being a poet!
Ouyang Xiu once said: "Jin has no article, only Tao Yuanming's "Return to Xi Ci"; Su Dongpo also said: "Yuanming's poems are scattered at first, and they are familiar with strange sentences." 】
Where is Tao Gong's poetry brilliant? As he said:
[Wood flourishes and prospers, and the spring trickles and begins to flow.] When the goodness of all things is obtained, the journey of my life is rested
……
Huai Liangchen is lonely, or planting a staff. Dengdonggao wrote poetry with Shu Xiao and Qing Liu. Talk about multiplication to the end, Lefu Destiny is doubtful! 】
The so-called strange sentences, can not be created, you must first have a high level of spirit, and then go deep and simple, reasonable, and slowly spit out. The secret of this is hidden in the blooming chrysanthemums of this autumn with the Tao Gong Shen Yun, waiting for you to appreciate and taste...
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The image comes from the internet
Text: Guan Fu Cai Qin Ren
Producer: GuanFu Culture