No. 20, Xieyanchi Street, Lanshan District, Linyi City, the former residence of Wang Xizhi, is the place where Wang Xizhi was born and where the teenager lived and practiced calligraphy. According to historical records, Wang Xizhi (303-361, Yizuo 321-379), a Han Chinese calligrapher of the Eastern Jin Dynasty, was known as the "Sage of Books". Originally from Langya, present-day Linyi City, Shandong), he later moved to Wuxi, and in his later years lived in seclusion in Jinting County (now part of Zhejiang).
In 353 (the ninth year of the reign of Emperor Yonghe of the Jin Dynasty), on the third day of the third lunar month, Wang Xizhi held an elegant gathering with the celebrities Gao Shi Xie An and Sun Qi and forty-one others at the Lanting Pavilion in HuijiShanyin. The participants drank and wrote poems, each lyrically embraced, and afterwards all the poetry works were collected and collected, and everyone pushed Wang Xizhi, the convener of the gathering, to write a preface to record this elegant collection, that is, the "Orchid Pavilion Collection Sequence".
"Orchid Pavilion Preface" Wei Jin Wang Xizhi
In the ninth year of Yonghe, at the beginning of the late spring, he would be in the Orchid Pavilion of Huiji Shanyin and repair the Zen Shiya. The group of talents is complete, and the little is salty. Here there are lofty mountains and mountains, lush forests and bamboo; and there are clear streams of turbulence, reflecting the left and right, leading to the flow of curved water, sitting second. Although there is no grandeur of the silk bamboo orchestra, a glance and a chant are enough to tell the story.
It is also a day, the sky is clear, the wind is gentle, looking up at the size of the universe, looking down on the grandeur of the category, so the wandering eyes are full of nostalgia, enough to be extremely audiovisual entertainment, and the letter Coke is also.
The lady's phase is with, bowing down to the first life, or taking the arms of all, enlightened within a room, or because of the entrustment, outside the wandering skeleton. Although it is interesting to give up a thousand differences, quiet and restless, when it is happy to meet, it is temporarily self-sufficient, and it does not know that old age is coming. And what they are tired of, emotions move with things, and emotions are related. Between the joy of what is admired and the pitching, it is already a vestige, and it is still impossible not to rejoice. The condition is shortened and the end is exhausted. The ancients said: "Death and life are also great." "Wouldn't it hurt!
Every time you look at the reasons for the people's interest in the past, if they are united, they are not without mourning, and they cannot be described in their hearts. Gu Zhiyi is a false birth after death, and Qi Peng is a vain act. The future looks at the present, and the present looks at the past. Woe to you! Therefore, when the people of the time are listed, they record what they say, although the world is different, so they are happy, and their unity is also one. Later viewers will also feel Sven.
The full text of Wang Xizhi's preface is 28 lines and 324 words. The whole passage is charming and ethereal, and the words are exquisite. The author is sometimes happy and sad, and the article also sighs with the changes in his feelings, sometimes calm and sometimes agitated, and then from agitation and calm, with the ultimate ups and downs, showing the beauty of depression and frustration. Therefore, it has been regarded as the best in the book circles of successive generations and has become a famous masterpiece.
Translation from the Internet: In the ninth year of Yonghe, in the year of the ugly, in early March, we would gather at the Lanting Pavilion in San'in Castle, Huiji County, in order to do the ritual. Many magi and able people gathered here, the elderly and the young gathered here. Lanting this place has high peaks, lush and dense woods and bamboo bushes; there are clear and turbulent water currents, surrounded by the left and right reflections of the pavilion, we bring the water as a circular canal water that floats the wine glass, and sits next to the curved water, although there is no orchestral grandeur, but drinking wine and writing poetry is enough to express the deep and hidden feelings freely.
On this day, the weather is clear and the wind is accustomed, looking up at the vast sky, looking down at the many things on the earth, used to stretch your eyes, broaden your mind, enough to maximize the audiovisual entertainment, it is really happy.
People interact with each other and quickly pass through life. Some people talk about their ambitions indoors; they pin their feelings on the things they love, and live an unrestrained and uninhibited life. Although they have their own hobbies, quietness and restlessness, when they are happy about the things they are in contact with, they feel self-satisfied, happy and satisfied, and they do not know that aging is coming. When you get tired of what you love and your mood changes with your current situation, emotions arise. What you like in the past, in the blink of an eye, has become an old thing, and it cannot but because it arouses the feelings in the heart, and the length of life, depending on the creation, is finally due to extinction. The ancients said, "After all, death and life are a big thing." "How can it not be sad?
Whenever I see the reasons for the exclamations of my predecessors, they are in line with what I have sighed as if they were in accordance with the contract, and there is no one who does not sigh and sigh sentimentality in the face of their articles, and I cannot clearly explain it in my heart. It was known that the equivalence of life and death was untrue, and that the equivalence of longevity and short life was false. Future generations look at the present people as the present people look at the predecessors. Pathetic! So one by one, i record the people who were there, and record the poems they wrote. Even though times have changed and things have changed, the reasons that trigger people's feelings are the same. Readers of later generations have some feelings in the poetry of the assembly.
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