Sanxingdui Museum
According to the Sichuan News Network reported on May 18, 2015, Professor Zhang Shiyuan, a famous scholar, calligrapher and painter, deputy director of the Central Cultural Committee of the China Democratic National Construction Association and vice president of the Central Academy of Painting of the China Democratic National Construction Association, was invited to discuss and study the ancient civilization and culture of Sichuan at the College of Culture and Bo of sichuan cultural industry vocational college in early May 2015. On May 11 of the same year, Zhang Shiyuan and other experts and scholars went to the Sanxingdui site to investigate and investigate, unveiling the mystery of the "Ninth Wonder of the World - Bronze Giant", and examining and claiming that the god of sensational eyes (vertical eye god) was the god of reproductive worship of ancient humans 5,000-3,000 thousand years ago.
Zhang Shiyuan Sanxingdui Museum inspection photo
Zhang Shiyuan introduced that he went to Fengxiang in Shaanxi Province in the mid-1980s and found a tiger-eyed (longitudinal) totem mask. The mask is painted with totem symbols of the cosmic stars, primitive philosophy, and yin and yang concepts of the ancient humans of the Yellow River. On the towering (vertical eye), the ancestral god motif symbolizing male yang is also displayed.
It is understood that all the shapes and patterns of the excavated cultural relics such as stone tools, jade and bronze objects were clearly interpreted at the Sanxingdui Site Museum. Zhang Shiyuan introduced that the cultural concepts of these symbols and patterns are all centered around the bronze god of the towering eye (vertical eye god) and the Chinese sacred tree to show the original cultural philosophy concept of the Yangtze River Basin. Most of the bronze pedestals are the "spiral pattern" of the endless concept, which is the core concept of the Chinese nation's primitive philosophical civilization and cultural cosmology formed by the ancient chinese people looking up at the stars, worshiping the sun, worshiping the stars, worshiping the sky, and the unity of heaven and man. The "spiral pattern" of this core concept is also the main ornament of the Anyang bronze in Henan and the Zenghou Yi chime bell known as the "Eighth Wonder of the World", which is the same as the "spiral pattern" formed by hundreds of billions of galaxies observed by the modern high-tech Hubble telescope, which reflects the primitive cosmology of the unity of ancient humans and man.
In the cultural relics of Sanxingdui culture, the Chinese sacred tree, the sun bird, the ancestor god, the white tiger star, the intersection of the two snakes, the Fuxi Nuwa, the dragon pattern, the tiger pattern, the fish pattern, the frog pattern, the cicada pattern, the turtle pattern, etc., are the brilliant achievements of Sichuan's human civilization and culture. In particular, in the cultural relics excavated from the Sanxingdui site, shells from the Silk Road symbolizing the mother totem of national culture were found, and the shells were also made into exquisite jade sacrifices in the Jinsha site. This shell already had a primitive totem concept of fertility worship in the culture of the Cave people on the mountaintop in Zhoukoudian, Beijing, 30,000 years ago. In the Yellow River Basin 6,000 years ago, the shell pattern in the painted pottery of yangshao culture is a symbol of the female yin mother, and the dragon and tiger totems of the 6500-year-old astrological culture concept excavated from the Dragon and Tiger Pit in Puyang, Henan Province, are also composed of shells symbolizing the maternal culture.
The mayan culture of the Americas, "The Language of Beauty," exhibited at the China Museum of History, also showcases artifacts in which shells symbolize the source of life. In January 2015, Professor Zhang Shiyuan clearly interpreted all the original cultural concepts such as cultural relics and symbols in the exhibition, further demonstrating that the Mayan culture originated in China and also has a relationship with the Sanxingdui culture. The Mayan culture jade ancestor god is related to the concept of the towering (vertical eye) god, especially the totem symbol of the jade ancestor god's head, the concept of tongtian, is the same as the Sanxingdui bronze ancestor god symbol, but the time is far later than the Sanxingdui culture. Zhang Shiyuan introduced, this proves that the long river of history has transmitted the glory of mankind, our ancestral tribes have stepped out of the Yellow River Yangtze River, and come to the Two Rivers Valley, the Nile River Basin and the ancient Roman civilization, ancient Greek civilization, Indian civilization, etc. Have been blended, "Our cultural spread is not only silk, porcelain, tea, etc., but also the spread of oriental civilization and the cultural spirit of the Chinese nation." ”
Zhang Shiyuan Qiankun Bay took a photo
In addition, the expert and scholar investigation team found in the investigation of the Sanxingdui site and the Jinsha site that the Duck River on the edge of the ancient city of Sanxingdui flows from northwest to southeast, and the Mamu River in the ancient city flows from the northwest of the ancient city to the southeast. Similarly, the Jinsha Site Touching River also flows in the northwest and southeast direction, and the northwest is the direction of the worship of the Chinese sacred tree and the towering deity, and it is also the direction of the head of the ancient human tomb at the Jinsha site, and the Sanxingdui Rensheng Cemetery is also in the northwest of the ancient city. After investigation and verification, most of the cultural relics and sacrifices of the Sanxingdui site and the Jinsha site contain the cultural concept of the Seven Stars of the Big Dipper in the northwest direction. This is the same as Professor Zhang Shiyuan's 2010 investigation and cracking of the cultural concept of the Yin Shang Dynasty in the present-day Capital of Anyang. In the middle and upper reaches of the Yangtze River, it is the white tiger astrological sign of the astrological culture Big Dipper Seven Stars and Twenty-Eight Houses of the Four Square Gods, so in the Bashu culture, white tiger totems abound, Professor Zhang Shiyuan in September 2014 examined the Wushan White Emperor City (the lonely land of the Three Kingdoms Liu Beituo) as an ancient human white tiger astrologer sacrifice altar. In the middle and lower reaches of the Yangtze River, Hubei and Hunan are the Suzaku astrological culture of the Seven Stars and Twenty-Eight Houses of the Big Dipper, so the Suzaku bird is everywhere in the Chu culture.
Zhang Shiyuan, Qiankun Bay Culture
In 2011, Professor Zhang Shiyuan identified at the Chinese Academy of Sciences that the crowns of the two sacred trees on the 25,000-year-old sacrificial bone fragments excavated from the Wangfujing Ancient Human Site in Beijing were in the northwest direction. In the literary and historical classic "Classic of Mountains and Seas", it is recorded that the northwestern direction of the ancient people's pilgrimage is Kunlun Mountain, and the kunlun mountain grows the sacred tree of Fusang Ruomu, and there are sun birds symbolizing sunrise and sunset on the sacred tree. In the northwest is the astrological culture of the Big Dipper seven stars formed by the ancient humans of the Chinese nation, the seven stars of the Big Dipper rotate around the North Star, each turn of 15 ° is a solar term, and the rotation of one week is the twenty-four solar terms of the four seasons of the year. The gold leaf of the sun bird unearthed at the Jinsha site is an expression of this astrological culture. The inheritance of Nuwa is the sub-god, the cosmic civilization of Fuxi, looking up at the seven stars of the Big Dipper, and the cycle continues to be endless. The "Hua" of the Chinese nation stands in the universe and is full of flowers, symbolizing the "Chinese Sacred Tree" that prospers all year round. Our towering ancestor gods created the civilization and cultural system of the Chinese nation, namely the astrological culture, the Book of Hetuluo, the I Ching, the Yellow Emperor's Inner Classic, Lao Tzu, Confucius and other sons and hundreds of schools and the Confucian Tao, which are displayed in all aspects of Chinese cultural life. This harmonious concept of culture has today contributed to the "Chinese Dream" of the world from the Sanxingdui civilization in Sichuan in the Yangtze River Basin along the "Belt and Road" and Western civilization. (Edited by Photo Discovery Channel Column/Minglang )