Stills from the movie "Soul Hunt". Courtesy of respondents
Although Sun Anke, a young actor born in 1998, has not been in the industry for a long time, she has let the audience remember her with "Four Li Yan", and she has a persistent insistence on acting with an indifferent personality, and at the same time, acting always affects her life: "People around me always feel that every time I receive a role, it is suddenly like a changed person, Li Yan is good, Chen Qingsu is good, I will also have some character behavior and temperament in my daily life from time to time. I think it's a good thing and I enjoy it. ”
Sun Anke. Courtesy of respondents
In addition to being obsessed with performance, in ordinary life, Sun Anke also likes photography, travel, likes to observe the things around her, watches a beam of light sprinkled in a place and wants to record at any time, she puts her artistic photography works on a label called "breathing fireworks". She told the Beijing News reporter the meaning of this label, "People can feel life every day, and I hope that everyone can find more beauty around them, do what they like, live every day, and breathe fireworks every day." ”
Poke the video to see Sun Ankeduo's character performance. The Beijing News moved the news production
Sun Anke
Birth date: February 2, 1998
Law School: Beijing Film Academy
Film and television dramas:
Movie "Soul Hunting"
TV series "Yitian Slaughtering Dragon", "Kill the Wolf", "Children of the Qiao Family", "Flower Good Moon and Round"
The way to play the four corners of one person is to observe all the actors
Director Cheng Weihao believes that Li Yan's body is like a "container", storing four completely different souls. Sun An can achieve four identities to exchange each other in a short period of time, which is not easy for a newcomer, and director Chen Sicheng did not hesitate to express his affirmation of the newcomer's performance after watching the film, saying that Sun Anke may become an excellent genre actor in the future.
Sun Anke considers herself lucky to be able to hand over the experience of her first big-screen work to "Soul Hunting", and she has always been a fan of director Cheng Weihao, whether it is "The Little Girl in Red" or "The Pursuit of Witnesses". Last year, when I learned that Cheng Weihao was casting for "Soul Hunting", Sun Anke, who did not want to miss this rare opportunity, plucked up the courage to "try": "At that time, I had not seen the full script, and the director gave me some different audition clips, which required me to present different states. I assumed a character setting for each scene according to my own ideas, and when the video was sent to the director and was told that I could read the entire script, I suddenly realized that the role of Li Yan originally needed to play the state of four people - Li Yan herself, Tang Suzhen (Zhang Baijia's role), and two other important roles in the film (involving spoilers). ”
The word "difficult" is everyone's evaluation of this complex role of multiple personalities, and in the interview, Sun Anke also kept mentioning it. Li Yan's four different identities span from 20 to more than 60 years old, and gender is constantly switching and jumping, so Sun Anke needs to make different preparations and carefully observe the words and deeds of other actors: "Li Yan herself can play myself, but the other three roles are in the movie, and each role has its own actor." When they were filming, I needed to go to the scene to observe their state and habits when acting, so as to reproduce their personal characteristics to my role. I am a more sensitive, like to observe the details of the person, this may have advantages and disadvantages, sometimes sensitive to the heart is more tired, but sensitivity can make my perception of the role different from others, when this perception is used in acting, it is very helpful for character shaping. ”
For the performance of the real forced themselves not to sleep, real needles
Sun Anke is a standard Aquarius girl, cheerful and outgoing, born optimistic. When she was in junior high school, she was also a girl who loved to chase dramas, and whenever she saw the heroine in the TV series, she would fantasize about how good it would be to act one day, at that time, Sun Anke secretly made up her mind to be an actor, and this dream was a firm "seed" in her heart, which had never changed. Later, she studied acting and also embarked on the path of an actor, although she entered the industry smoothly, she also encountered many difficulties in the early stage of filming.
Before filming "The Tale of the Dragon Slayer", she had no scenes to shoot for more than a year, and this time became her most unconfident and confused moment: "At that time, many things were not understood, full of uncertainty. I walk in Beijing every day in confusion, and I even feel that there is no hope in life, and many times I don't know what I am doing. Later, occasionally there was a job on a person into the group, and every day a person carried a chair to start and finish work. Fortunately, I met a lot of good people and good works, and they helped me to grope little by little, and I got to this day one by one. ”
In "Yitian Slaughtering Dragon", Yang is not sorry.
Recalling the first time filming, Sun An said with a smile that he couldn't even walk in a position, "At that time, I was told by the photographer at the scene, why do you block my light!" I don't know how to perform in front of the camera, I will be nervous on the scene, I will be nervous when I audition, and my hands are shaking when I play. "Tension is a problem that fledgling newcomer actors will face, although she is still young, Sun Anke has slowly received many roles, from Miss Qianjin Minghui in "Dream Back" to Yang Unrepentant in "The Dragon Slayer in the Heavens", these different types of roles have added to her confidence.
In each role, there is also Sun Anke's self-requirement for performance - "must be real". For example, in "Soul Hunting", Li Yan's emotional explosion scene with Liang Wenchao and Wang Tianyou in the interrogation room, more than ten hours before the start of filming, Sun Anke came to the scene and sat in his position to adapt to the environment: "That day I sat in the shooting venue without a word, the production staff behind the scene has been setting up, I sat until their scene was arranged, the other actors were in place and still did not speak, until I heard the director say '321 start shooting'. This is the way I am used to performing, I like to let myself in first, in that state the whole person is happy, can let go of everything, do not have to think about anything, this habit not only gives me spiritual pleasure, but also makes things move people. ”
Stills from Soul Hunt.
Another example is the interrogation room scene in "Soul Hunting", which has been filmed continuously for a long time. Li Yan's role is set as a person who has been suppressed in the interrogation room for a long time, then the state of this person should be very haggard, lack of sleep, and psychological torture. Director Cheng Weihao hopes that Li Yan's state is also extremely tired, haggard, and the dark circles are very heavy, but Sun Anke thinks that this state cannot be played, so she decided that she could not sleep during that time, and she only slept for two to three hours a day during the filming process, and forced an alarm clock to keep herself awake: "I found that a person is really sleepy and the sleepiness that comes out is not the same, if a person does not sleep for a long time, it will make all my eyes in the play empty." For example, there is a scene in the film where Wan Yufan (Li Mingshun's role) gives Li Yan a needle, even if the director proposes to borrow a place to shoot, but Sun Anke must also insist on real shooting, because the emotional concentration experienced by himself is not the same: "That scene is a very critical emotional node, if it is only borrowed, the impact on the audience is not enough, so it is necessary to really prick the needle and have a blood-returning reaction." ”
I would most like to hold a painting exhibition in a city facing the sea
On the day of the "Soul Hunting", Sun Anke said that he "cried miserably", first, because he had not acted enough, and he was really reluctant to be a friend of the crew, "When shooting, everyone got along very well, especially the director, he gave the actors a lot of space, so that I was very relaxed when acting." In addition to the script, we also talk about props and furnishings, the concept of aesthetics, just like I have always had paintings, and the director has also implanted several of my works in "Soul Hunting". Last year, she also made a work directed by Cao Baoping, she immersed herself in the set, without scruples to open her own role, but also experienced the luck of being an actor.
A painting for Soul Hunt. Courtesy of respondents
In addition to performance, painting is also a very important part of Sun Anke's life. Her inspiration almost always jumped out of nowhere, sometimes at 12 o'clock in the middle of the night suddenly itching, wanting to draw something, Sun Anke would pick up the drawing board and paint until dawn. She said that she still has a small dream, because she likes the sea, she hopes that she can do a painting exhibition and photography exhibition in a city facing the sea, hoping to achieve this wish in about two or three years, "What I paint and what I shoot are what I think is beautiful and has a story, and I hope that every painting and every photo has a sense of story and content behind it." Sun Anke said that he is in the stage of accumulating works, waiting for the day when the dream can be realized: "If you are interested, you can come to see it in a few years, this is a very meaningful thing in my life, and I must work hard to achieve it." ”
Special materials for the work. Courtesy of respondents
Beijing News reporter Zhou Huixiaowan
Edited by Tian Kaini Proofread by Chen Diyan
Source: Beijing News