Speaking of last week's old fan recommendation link, Xiaobian made a slight amway for the real robot work "Mobile Police" that was once popular. And what makes me happy is that the article actually exploded a lot of fans, seriously said that before this Xiaobian really never felt that there would be so many readers who would like this work as much as Xiaobian I liked, so that the article can get everyone's support Xiaobian can really be said to be very happy.
Unfortunately, due to the theme and space limitations, in the previous article, Xiaobian only mentioned the robot part of this work, but in fact, the highlight of this work that can attract fans is definitely not only the portrayal of the mechanical aspect, but also the meticulous description of the characters in that era in this work. And this point was also mentioned by the reader in the comment area of the previous article. So today, taking advantage of the timing of our "Friday Character History" officially renamed "Anime Character Record", Xiaobian will slightly express his opinion on the "life situation" of the special car second lesson in "Mobile Police".
Although in fact, the male protagonist of "Mobile Police" should be Yuma Shinohara, but throughout the text, many viewers will definitely think that this is a story about a strong tomboy and a huge robot love. However, if you say that this is also understandable, after all, from the plot point of view, the role of our comrade Youma may not really have more "Alphonse" of Quanye. As for Quan Ye himself, he basically covered more than 70% of the handsome scenes in the whole play.
From the editor's point of view, if the love for Ingram is second, then no one dares to go first. In his daily life, Quan Ye, who was originally a driver, would often change into the costume of the preparation class to polish his love machine and take care of it as his pet, and thus won the affirmation of kiyotaro, the old class leader of the second lesson "behind the scenes". In the mission, Quan Ye, who is very protective of Ingram, is basically in a state of "afraid of rain and wet shoes" throughout the whole process. It's just that although it is always cautious in the absence of a fight, in case the body is damaged and bruised or even dirty, then most of the criminals who are the initiators will be beaten by Quan Ye to produce a lifelong psychological shadow and never dare to create a second time. Although this kind of persona is somewhat contradictory, we can clearly see that this "false boy" is based on reality, and even there will be such a girl around us, so how can this real and cute character not be liked by the audience?
However, due to the increased censorship of animation in Japan at the end of the 1970s, the protagonists in the works are often forced to meet many positive requirements, and this situation has caused the protagonists to always give people a feeling of "false emptiness" in some animations. But because of this, during that time, some supporting roles or villains who need to play different positions from the protagonist will get higher popularity, such as the red comet XiaYa we know as a typical example, and in the work "Mobile Cop", this is actually a clear reflection of this.
For example, one of the most classic supporting characters in the whole drama, the most powerful and powder keg Comrade Ota in the second lesson, this guy was basically shaped into a biceps growing into a stunned head in the head in the first part of the plot, and in the mission, he basically went up to the beginning of the game to send away countless valuable facilities. Therefore, in the early stage of the work, the audience's impression of Ota Gong is basically a "repentance book manufacturing machine" and a "grievance promotion machine", and even think that this guy has not been hyped up until now, maybe because there is some dirty deal with the guy above.
However, a story in the middle of the plot basically completely reversed everyone's impression of Ota - in that plot, Izumi's practice design was repeatedly frustrated, so he was very hard in the case of not being able to use the fighting he was good at. In one of Izumi's embarrassing missions, it was Ota, the robot who shot the criminal, who successfully avoided the expansion of losses. At this time, the commander of the maharaja said lightly, "In fact, the reason why Ota often fights is that he always aims at the ankles, limbs and other high-speed movements have small parts, if he aims at the immovable torso or cockpit, he will not be deflected at all." ”
In another episode, Ota suffers a brief amnesia due to a head injury. That's why he thought he was a murderer at that time and fled. But even in this state, when someone was trapped in a construction fire accident on the road, Ota instinctively jumped on a construction robot and rushed in without hesitation.
In the editor's opinion, through these two things, we can fully understand the essence of Ota buried under the appearance of "muscle and flesh" - from the "shooting incident" we can understand that although Ota does not leave "take you to life" in three sentences, he is indeed a very responsible policeman, his resort to force can actually be regarded as a rough gentleness, and his habit of pulling out a gun when he is fine is not to vent his anger but to practice his shooting skills to the extent of retracting freely.
In the subsequent fire incident, although Ota himself said that he did not know the principle of his actions, we as the audience did know very well - because he was a policeman, the consciousness of protecting others had long been engraved into his soul. Therefore, under such a description, the inner personality of the character in the story is highly integrated with his external actions, so that the audience feels that the character is lifelike rather than a screenwriter's puppet. In the end, under this exquisite description, every action of the character can be interpreted by his character, and every characteristic of his personality can be reflected in the action. So, in this little thing after another, one character after another with a soul entered the audience's heart.
Of course, there are many great characters like Ota in Mobile Cop, as if one episode depicts an underworld who originally went to the Metropolitan Police Department to learn traffic safety propaganda in order to move more in the gray area, but became interested in the huge robot mentioned in the propaganda and began to learn from Izumi to drive civilian robots and eventually drove a robot to punish crimes. And after the other group of underworld heard it, it was also a kind of learning to drive a robot out of COS justice partners and eventually developed into a two-sided monster robbery and even fire, and finally Quan Ye couldn't look at them and beat them to doubt life.
From the perspective of visual experience, this story can be said to be full of comedic elements and even make the audience laugh forward and backward, but in fact, on closer inspection, we can find that only through and the author almost perfectly shaped the single cell and disconnection of Japanese black society. Therefore, in the editor's opinion, this extremely excellent character portrayal is really the real reason why the work of "Mobile Police" has been loved by everyone so far.