In 2021, Huang Pinyuan is back. The new song "I Spent Winter in Beijing" was officially released on June 6, and the last time he released a new album was 6 years ago.
That year, a song "How Do You Give Me Up To Be Sad" made Huang Pinyuan popular in the song world, and the first classics of songs such as "So Love You Why" and "Xiao Wei" have been sung to this day.
In recent years, Huang Pinyuan has been electrocuted and cross-border hosting, and in 2015, Huang Pinyuan released his personal album "Lonely Melody", and this time launched a new song "I Spent Winter in Beijing", which has been 6 years since the last new work.
"I Spent Winter in Beijing" is still a familiar "source" love song for fans.
The song describes a relationship that is complete but mutilated, like a rose that is beautiful but has thorns under the flowers, and after bravely picking it, it also has to bear the stinging consequences to bless this regrettable ending. "Everyone has their own rebellion and choice, when the warmth can not be equal, the balance in the heart is out of balance, do not know where to go, so we quarrel, we cry, we regret, we miss, in the end of helplessness only burned ashes and cold promises." 」
For the highest quality of each note, Huang Pinyuan boldly innovated in the arrangement, cooperating for the first time with the Beijing Principal Philharmonic Orchestra, drummer Jiang Yongzheng of the old friend Jin Lihai Band, who is familiar to everyone, and pop music and classical strings collided with different sparks.
Some people use their mobile phones to record the hurried years, and some people write down their flowing lives in the diary. Creator Huang Pinyuan embellished his life with surrounded notes, and for the first time tried 5G air-to-air cooperative recording, recording time with music. This time, Huang Pinyuan also participated in the filming of the MV, and showed his acting skills, and performed a love affair with the heroine through the four seasons of Yongdingmen.
Text/Beijing Youth Daily reporter Shou Penghuan
Editor/Ying Qiao