People use the term "abstract art" to describe paintings and sculptures that have no intention of expressing tangible subjects, and in the eyes of abstract artists, imitation or monetization is a failure.
Their goal is to create a magnificent work that comes entirely from imagination, from which we cannot discern anything that is attributed to the known world. Sometimes, it is also referred to as "non-figurative art".
Looking back at history, the removal and withdrawal of visualizations will eventually inevitably lead to the disappearance of all the details and the advent of abstract art.
These post-photographic artists were social observers, philosophers, and prophets. Cameras liberate them from the day-to-day work of producing replicas. Allow them to explore new forms of expression that may inspire previously untouched thoughts and feelings.
The colorful smears are not meant to fool the public by dressing up ornaments as works of art, they are comparing themselves to musicians and using their own works as sheet music.
The illustrious 19th-century Romantic composer Richard Wagner saw the possibility of combining music and art more than half a century ago. His vision is to create a "total work of art". Kandinsky found himself thinking the same way while watching his opera Ron Green at the Bolshoi Theatre.
He "sees" something in the opera and summons a spiritual picture by imagining it. "In front of my eyes... Appeared... color. Unbridled, almost crazy lines stretch out automatically in front of me."
In 1911, Kandinsky traveled to Munich and was greatly affected by the atonal music of Arnold Schoenberg. Two days later, [Impression 3 (Concert)] was completed.
At this point, he was getting closer and closer to the absolute abstraction. He exchanged letters with Schoenberg, discussing some of the "anti-logical ways" of discovering advanced concepts such as "modern harmony."
In 1911, Kandinsky created the groundbreaking Square Circle. It was also because of his abstractionist tendencies that he broke with his colleagues in the Munich avant-garde art scene who questioned him.
He founded a new club "Young Knights" and invited Robert DeLaunay and Arnold Schoenberg, Franz Mark and Auguste Mack.
Kandinsky flatly refuses to provide any hints that point to what is known, thwarting the natural tendency to try to interpret images.
With the reverberation of the music, Kupka, Delaunay, and Kandinsky marched toward abstraction. The works they create cut off contact with the known world, awaken the senses and soul of the audience, and break through the cage of reality.
To this end they used color and music as the themes of their art. Obviously, this is the end of abstract art.
PS: Sonia Delaunay (14 November 1885 – 5 December 1979) was a French artist who worked on painting and design. Born in Tsarist Russia, she went to Paris in 1905 to study fine arts. The Orphean movement was initiated in the early 1910s with Robert Delaunay. In 1964, she became the first living female artist to hold a retrospective at the Louvre.