Cover news reporter Li Yuxin
"Hardcore and romance, the plot pokes people's hearts, the red-hot construction site life is more joyful, and it will laugh when you see it, and you will have tears in your eyes." The poetic romance and hard struggle of that era left a deep imprint on my heart. ”
Open Douban and search for the popular film and television drama "Red Years", you can see such a message in the comment area. In addition, brushing Weibo, you can also see netizens casually recording the classic lines in the play, such as the sentence of the character Huo Maosen in the play - "When the country needs you, you should fulfill your due responsibility", which was intercepted by more than one audience and posted on social platforms.
Recently, the large-scale industrial epic TV series "Fiery Red Years" was broadcast on a set of prime time slots on CCTV, the drama takes the national "three-line construction" as the background, takes the famous third-line industrial enterprises in Sichuan such as Nineteen Ye, Pangang and Panmei as the story prototype, and Panzhihua City as the main filming location, showing the story of a large number of spirited builders who built a barren land into a new industrial city in a panoramic manner, interpreting the "three-line spirit" of ordinary heroes.
"The 'three-line spirit' we are talking about is actually a spirit of dedication in my opinion, but also a kind of responsibility, and also a kind of family and country feelings." This spirit must be helpful to today's young people. Wang Wenjie, director of "The Fiery Red Years", said so.
"The spirit of the third line is actually the spirit of dedication"
In the history of China's industrial development in the 20th century, the construction of the third line that took place from the 1960s to the 1970s was definitely a strong stroke. Under the call of the times of "preparing for war and preparing for famine for the people, and good people and good people on the third line," millions of builders have come to the deep mountains and valleys of the interior and the desert wilderness to participate in the construction. In Panzhihua, they built a barren land into a new industrial city, burning their own fiery red years. And after decades have passed, when this memory is frozen in museums and archives, how should we tell the dusty history to the young people of today? Thus, "The Fiery Red Years" came into being.
"It's because young people don't know much about that history now that we want to show this play to the audience and let them know more about the dedication of the people at that time." Wang Wenjie said that the motivation for filming this drama, under the current material conditions of abundance, the desire for enjoyment or luxurious life has frequently appeared in the minds of contemporary people, and it seems that the word "dedication" is no longer valued by people. However, turning back the time for decades, it is precisely because of the fearless "dedication" of the third-line construction that there is now a prosperous and vibrant Climbing Branch Flower.
"The spirit of the third line is really dedication." Wang Wenjie said that in the period less than 20 years after the founding of New China, the development of a country needed a large number of people with lofty ideals to help build, so how could this country have no dedication. And those builders who have sacrificed their youth in the construction of the third line, their no complaints and no regrets, need to be conveyed to the contemporary young people.
In the play, the male protagonist Xia Fangzhou has such a line: "Individual ideals are related to the fate of the country, and the fate of the country is linked to the fate of the individual." In Wang Wenjie's view, this is also another interpretation of the three-line spirit. "Everyone should be proud to have grown up in this country. This pride does not come from talking, but from the heart to dedicate to the motherland, in order to shape this pride of psychology. ”
Dialogue with Wang Wenjie: "The city of Panzhihua is very shocking"
Cover News: The show was filmed in Panzhihua for nearly 100 days, can you talk about your impressions of the city? Did you learn more and more about the city in the process of filming?
Wang Wenjie: Panzhihua is still relatively shocking to me. Because I sat in the car and walked in the city of Panzhihua, I saw that it was all mountain roads, and the houses were built on the slopes of the mountain, and I could feel that the city was out of thin air, and in a place full of mountains everywhere, not only built mines, built factories, but also built a new city, which was really very, very difficult. Panzhihua has developed to such a degree today, which I think is very good. By the time the last episode of the TV series was filmed, Panzhihua was already a health center, a very suitable place to live,
For a while, I wanted to buy a house in Panzhihua, hahaha, because the impression is very good. Panzhihua people are also quite realistic, Panzhihua personnel composition is more diverse, there are Sichuan, northeast, Shandong, just like an immigrant city, so all kinds of cultures are displayed in the city. I went to contact some people and talked about it. The impression of a city, first of all, the impression of people is the most important, I think Panzhihua people, are some cultured people, are university, graduate school graduates come here.
Cover News: The scene of the "three-line construction" can still be seen in the museum of Panzhihua, when you do preliminary research or prepare before shooting, are there any impressive pictures or stories that touched you?
Wang Wenjie: One of them was very impressive, that is, I shot the picture of the characters "Four King Kongs" in the play, several of them supported an iron pot, and when they were cooking, they had a vision and discussion about the future career, mining and construction, and I saw the pot. A few wood to support the pot that boiled water, it was really poor and white, from scratch, ah, this is still a deep feeling.
In the museum of Panzhihua, I saw many statues, sculptures, and reliefs, which was very shocking, and an enterprise developed from scratch, and the process was very brilliant. There is also that generation, that spirit of struggle, how can it be under such difficult conditions, step by step to the present glory. Seeing it was an overall excitement, and it wasn't just one thing that touched me.
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