
The "Zhi Sui Ji", which had already been scattered during the Song Dynasty, was compiled in the Ming Dynasty. The Mingren edition was circulated in the form of banknotes or periodicals, and two systems were formed: one was the two-volume "Zhiyuan Collection", with the Dumu Zangming Banknotes as early, and later there were Yang Yi's Seven Juniper Mountain Fang Jiajing Yiwei Banknotes, and the Yang Banknotes were the ancestral copies of the later Ming Dynasty Banknotes and the Qing Dynasty Inscriptions; the second was the one-volume "Branch Daolin Collection", which was published in the nineteenth year of Jiajing, and wu Jiahu in the late Ming Dynasty jointly engraved the Emperor Fu's "Branch Daolin Collection" with shi Xuan's "Branch Dao Lin Collection".
The Biography of the High Monk, Vol. 4, "Yi Xie Yi Zhi Shu", Yun: "Ten volumes of the Wenhan Collection written by Fan Shu are prevalent in the world. (1) Book of Sui, vol. 35, Jingshu IV, Yun: "Jin Shamen's Zhiyuan Collection, eight volumes. "Note the clouds:" Liang Thirteen Volumes." (2) According to this, the number of volumes of the Liang Shi of the Zhi Shu Ji has been varied, and only eight volumes have survived in sui. Both the Old Book of Tang and the New Book of Tang and yiwenzhi are composed in ten volumes. The History of Song yiwen zhi is not recorded, or it is already in its time. In the Ming Dynasty, there were many collections of poems. Jiajing had Yang Yi's Seven Juniper Mountain House banknotes. Yang Yi, Zi Mengyu, Wuchuan, Changshu Ren, Jiajing Five Years (1526) Jinshi. The Seven Hinoki Mountain House is its library building. Shen Jin's "Book City Rucui Record" Yun:
The second volume of the Zhi Shu Ji (支遁集), written by The Jin Shi Zhi Shu (晋解支遁). Ming Jiajing Yang's Seven Juniper Mountain House Codex. Half page nine lines and eighteen characters, black mouth, engraved on the mouth of the book is "Jiajing Yiwei Seven Juniper Mountain House". One volume. Titled "Eastern Jin Dynasty Wozhou Mountain Shamen Branch Road Forest". Republic of China Mo Tang Bao. Shanghai Library. ...... The collection is divided into two volumes, the volume is composed of poems, counting eighteen poems, including five poems of Yong Huai, two poems of Shu Huai, three poems of tushan Hui, one poem of Yongli Chengshan Ju, one poem of Yong Zen Si Daoren, one poem of praise for the Buddha on April 8, three poems of Yong Ba, one poem of Long Zhai in May, and one poem of Yong Dade. The lower volume is a text, counting five, for the emperor's book, motto, Shakyamuni Buddha statue praise, Amitabha Buddha statue praise, bodhisattva praise... The plutonium is printed with "Yang Mengyu", "Huayin Shijia", "You Xuanzi", "Wuchuan Jushi", "Libu Wailang Wujun Yang Yi School", and Wang Shizhong "Zengzang Wang Langyuan Family", Pan Jiezhi "Pan Shupo Book Seal", "Pan Tongxi Book House Seal", Mo Tang "Dushan Mo's Collection of Scriptures", "Mo's Secret Book", "Mo Tang Chu's Father's Seal" and so on. ③
Jiajing Yiwei is the fourteenth year of Jiajing (1535). Yang YiQi Junshan Fang banknote is called "Yang Banknote", which is the same as "Qin Banknote" (Qin Silin Zhishuangge Banknote), "Mao Banknote" (Mao Jin, Mao Ji Guge Banknote), "Feng Banknote" (Feng Shu, Feng Ban, Feng ZhiShi Brothers Banknote), "Qian Banknote" (Qian Qian Yi Daiyun Lou Banknote, Qian Zengshu Gutang Banknote, Qian Qianzhen Zhu Shentang Banknote). Mo Youzhi's "Bibliography of the Biography of The Knowledge of The Pavilion" Volume 12 of the "Collection of The Second Shang, BeiJi Class One, Han to Sheng Tang, Zhi Sui Ji Volume II" Fu Zengxiang Supplementary Cloud: "The monk Han Stone Carving Is according to the Ming Jiajing ZhongliBu Lang Yang Yi Banknote. The banknote belongs to Mo's. "Ming Jiajing's fourteenth year Yang Yi's Seven Juniper Mountain House Writings, Ten Lines and Eighteen Characters, Yu Zeng Recorded a Book." (4) Fu Shi once recorded Yang Qianben's "Zhi Shu Ji", which said that its ten lines and eighteen characters were different from Shen's so-called "half-leaf nine lines and eighteen characters". Chen Xian's "Opening the Door of the Golden Stone Chamber: Ancient Books and Rare Books" contains Yang Qianben's "Five Poems of Poetry and Poetry of Lin Yong of the Eastern Jin Dynasty's Wozhou Mountain Shamen Branch... The second "shadow of the page." (5) According to this book, Yang Qianben's "ZhiYue Collection" is indeed half a page, ten lines and eighteen characters.
The Chongzhenjian Ye Yi uncle once recorded the Yang banknote "Zhi Shu Ji" for his banknotes. During the Guangxu Dynasty, Xu Yu's "First Engraving of the Shaowu Xu Series" printed its publication in the world, and attached Jiang Qingyi's "Supplement to the Zhixuan Collection". This copy of the "Series of Books" is photocopied (see the first two volumes of the New Wenfeng Publishing Company, and the 98th volume of the Shanghai Bookstore). At the end of the next volume of Shaowu Xu's series of books, the ZhiXuan Collection, has the inscription of Zhen Ze Yeyi: "Chongzhen Himself is collected in Cao Sheng, and his uncle is Yu Lu, and on the evening of August 2, Li Hanchong and Yu yu have a survey." Originally, it was jiajing yi wei seven juniper mountain house banknotes, which were the old books of the master of Jingyang, and the Wuchuan resident school, each with its own imprint. (6) In the second year of Chongzhen (1629), Ye Yi obtained the "Zhi Shu Ji" in Cao Sheng, and his uncle recorded it. On the evening of August 2, Ye Yi and Li Hanchong confronted each other. Qin Silin, the word Jingyang. Wuchuan resident is Yang Yi. The base of the leaf banknote is the Qin Silin Old Collection seven juniper mountain house banknote. Ye Yi, or Ye Yi. Wu Dingzhang's "Collection of Seventy-Two Peaks and Feet" Volume 64 "Ye Yi" Yun: "Yizi Lin Zong, eager to learn many books, name and Shi Jun up and down." ”⑦
In present-day Wujiang District, Suzhou, there is Zhenze Town. Xu Yu recognized The Cloud after Ye Yi's inscription: "The Gui'an Lu clan has a Chongzhenjian banknote, which can be written because of the tossing and turning. Yu Wei's ancient books are fading day by day, the situation is highly skilled, and the celebrities are pushing, and his articles are sincere and valuable, and they plan to raise pear dates. Jiang Junjingchen of Shiwu County, tongguan Zheyuan, saw a volume of addendums compiled by Xie Xie, all of which were collected in foreign languages, and then put them into zi. (8) Gui'an is now Huzhou, Zhejiang, and Lu is Lu Xinyuan. Lu Xinyuan was cunzai, and once hid the Chongzhen Jian Ye Yi banknote "Zhi Sui Ji". Fu Yili's "Hua Yannian Room Inscription" volume of the "Zhidao Lin Ji" Yun:
Its scattered origins are old. In the Ming Jiajing, the suzhou emperor's compilation was published in two volumes. The Ming Dynasty often contains no provenance. For a moment, they became secrets and passed them on to each other. Qian's "Bibliography of Shugutang", "Reading Minqiu", and Nguyen's yi ji gu ge old collection recorded into the presenter, are all emperor fu ben ye ... This is an old banknote of the Ming Dynasty, and at the end of it there is a hand knowledge of the Zhenze Ye clan of Chongzhen Gengwu (1630). Once collected by the Taixing Ji clan, the beginning of the volume has "Ji ZhenyiYin" and "Cangwei" two Zhu Records. Tongzhi Nongshen (1872) Winter was purchased from the Chen clan of Fuzhou. Lu Cunzhai observed and loved it, because he quit giving it away. ⑨
Before Jiajing, there was already a collection of poems. Fu's so-called "Qian's "Bibliography of Shugutang", "Reading MinqiuJi", and Nguyen's yi ji gu ge old collection recorded and presented, are also emperor fu benye" is also wrong. Detailed. Li Shengduo's "Mu Xixuan Collection of Inscriptions and Records" Yun: "[Zhi Sui Collection] Two Volumes [Jin Shi Zhi Shu] Manuscript [Qing Guangxu Thirty-one Years (1905) Mu Xi Xuan Chuan Ming Chongzhen Three Years (1630) Manuscript] At the end of the record, Xie An's "Book of Hezhi Shuo", postscripted 'Chongzhen Gengwu [Three Years , 1630] March One Character Master'. Cover transcription from Ming. (10) It is an addition to the text in the book for the collator, and this addition is inappropriate for the "Ming Chongzhen Three-Year (1630) Manuscript". As mentioned earlier, xu Rong's "Zhi Shu Ji" does have the zhen ze Ye Yi inscription at the end of the volume, but there is no title recognition of the time, and there is no Xie An's "Book of The Book of Zhi Sui" and "Chongzhen Geng's March In March Character Master's Record" inscription. Ye Shiming said that the transcription time of this "Zhiyu Collection" was chongzhen in the second year (己巳), so the so-called Chongzhen three-year (庚午) manuscript is incorrect. "Chongzhen Gengwu March One Character Master's Record" was inscribed after the master of the word copied Xie An's "Book of And Zhi Shu", because it was not a Zhi Shu text, so Xu Yu deleted this inscription together with Xie An's "Book of Zhi Shu" when it was engraved. Li Shengduo's biography of the Zhi Shu Ji is now in the library of Peking University.
Lu's Leaf Banknote "Zhi Sui Collection" was purchased by Fu Shi, who purchased it from FuZhou Chen. Lu Xinyuan's "Collected Books of the Song Dynasty Lou" Volume 67 "Jibu Beiji Class I Zhi Shu Ji Volume II" Yun: "Old Manuscript, Ji Cangwei Old Collection. (11) Ji Zhenyi, the word is witty, the number of the reed. His "Bibliography of The Collection of Ji Cangwei Collections, Song and Yuan Miscellaneous Plates, and Collections of Essays" Yun: "Branch Daolin, Shi Chong, and Qing Xuan subset." "Note the clouds: "One book". (vol. 920, p. 620)
Ye Shijun also wrote the "Zhi Sui Collection". Former unveiling of Shen Jin's "Book City Ru CuiLu" Cloud:
It is Ben Mo Tang Paiyun: "This Ming Jiajing Zhongwu County Yang Yi manuscript, Guangxu Xinhai obtained in Suzhou, and was also awarded the Jiaqing Ten Years Pan Yijun Preface Zhilu mountain monk Han stone carving, Gai is the transliteration of this book." Nguyen's entry into the book is based on the old banknotes of Ji, the articles are the same, and there are those who have hidden the manuscript of The Stone King of the Hidden Leaf, and they have also been proofread according to this, but this is the oldest and most written banknote under wuxia. Unintentional encounter, appreciate the already. After the trek, fu Zengxiang wrote: "After the second volume of the Yingchen August Shadow Banknote, Jiang An Fu Zengxiang Is sincere." ”(12)
There was no Xinhai year during the Guangxu years, and Guangxu Xinhai was mistaken. Ye Shijun ,also known as Ye Shulian (叶树廉), is its character, a bibliophile in the early Qing Dynasty. Sun Congtian's "Collection of Secretaries" (藏記要) the third "Banknote Record" Cloud: "Yu saw Ye Shijun's banknotes, which were rigorously proofread and could be called beautiful." The fourth "School Chicken" also said: "There are many people who collect books in ancient and modern times, and there are many people who do not school, and there are very few school students." However, the books in Ye Shijun's collection are all hand-written corrections, and the Song Ben and the Shadow Song Banknotes are all corrected by borrowing rare books, and they are good at learning, which is called the first. The book of Ye's is still a treasure, and it is appreciated by those who are good at ancient times. ”(13)
Shortly after obtaining the Yang banknote, Mo Shi was awarded the Jiaqing Decade (1805) Pan Yijun Order Monk HanShi Engraving "Zhi Sui Collection". Yi Jun's old man Sansong in his later years, his "Three Song Tang Collection" Volume I "Zhi Shu Ji Sequence" Yun: "These two volumes are the Ming Jiajing Zhongli Member Wai Lang Wu Jun Yang Yi Collection, Zhi Gang Shan Lu Wu and the nun monk Han Shi Qian Fu, please order Yu Yu. (vol. 1461, p. 66) Mo's so-called Hanshi inscription "covers are transcribed from this book" is correct. Before revealing the "Bibliography of the Zhijian Biography of The Pavilion", Yun: "Jiaqing Yi Ugly Monk Cold Stone Carving." ○ Akishi Zanmoto, yes. ○ Path light in the Pansyn engraving, good. (14) Ding Richang's "Bibliography of Holding Jingzhai IV. Jibu II. Beiji Class I. Zhidaolin Collection II" is a trail cloud "Jiaqing Yi Ugly Monk Hanshi Publishes Zhiqi Shan Ben, with Gu Yuan Xiangzhou Seal". (15) The background of the Hanshi carving is the Yang Banknote Ben, and it is suspected that the "Ming" character of the "Jiaqing Yi Ugly Monk Han Stone Carving" ○ Ming Zhi Shan Ben, zhi Qi Shan Ben is the Zhi Di Shan Lu Wu and the Han Shi Publication of the Nun Monk. Ding's so-called Ming Zhi Shan Ben is really a fiction. The Hanshi engraving of the "Zhiyue Collection" was engraved by Xia Pei. Li Guoqing compiled the "Records of the Qing Edition Engravers ( continued)" Yun: "The Second Volume of the Zhiyuan Collection, the Jiaqing Ten-Year Engraving, and the Summer Training Journal. (16) The library of East China Normal University now contains the Hanshi periodical "Zhi Sui Collection". "Supplementing the Concise Catalogue of the Four Libraries" Volume 15 "Collection Department II, Bei Ji Class I Zhi Shu Ji Volume II" Yun: "Daoguang Zhongpan Xi'en published Ben Jia, Shao Wu Xu's series of books have addenda. (17) Pan Xi'en published Yang Banknotes for the collector's praise. At the end of the volume of Shaowu Xu's series of books " Supplements to the Zhi Shuo Collection " , there is an inscription by Jiang Qingyi , Yun: " The Yu family collects Ming banknotes, and at the end there is the Zhu seal of "Du mu Zang Book", only two volumes, thirty-two poems, and it seems to have a series of banknotes from later generations. Reading the "Outline of the Uncollected Bibliography of the Four Libraries" of the Scripture Room, and also proofreading the publication of the Zhishan Temple in Wu County, its volumes are consistent with the family collection, and the only survivor of the Zhizhi Gongji is this one. (Vol. 122, p. 351)
Du Mu, zi Xuan Jing, epigrapher, bibliophile. The catalogue of Du Muzang's Zhi shu ji is consistent with the ZhiLushan Temple, that is, with the Yang Banknote. On the basis of his predecessors' compilations, Jiang Qingyi compiled the "Twenty-three Praises of the Great Sage Manjushri in Ancient and Modern Times" according to the Northern Song Dynasty's Shamen Yanyi's re-compilation of the "Guangqingliang Biography" volume "The Twenty-three Praises of the Great Sage Manjushri and ancient and modern praises", (18) According to the "Anthology of The Anthology of Tiantai Mountain" Li Shan's annotations "Tiantai Mountain Inscription Sequence" "Yu Lan "Neijing Shan Ji" There is Tiantai Mountain in the southeast of Yuncheng County" and "Toward Tiantai Mountain when the Road Path from Chicheng Mountain" is compiled" two sentences, according to the "World Speaking New Language and Literature Chapter" Liu Xiao annotated the compilation of "The Theory of Color and Miaoguan Zhang", according to the Ming Dynasty Wang Jun's "Gu Su Zhi" Volume VIII "On the Mountain"" compiled" The stone chamber can be covered, and the cold spring is warm to the hands" two residual poems.
Ruan Yuan once recorded the old banknote "Zhi Sui Collection" of Mao Ji Ji Gu Ge. His "Shujing Outdoor Collection" Volume II "Zhi Shu Ji Two Volumes Summary" Yun: "Reading Minqiu Ji and Shugutang Bibliography are two volumes, and there are many deficiencies and deficiencies. It is a compilation of old banknotes of Mao Ji Ji Gu Ge. The first volume is eighteen, and the second volume is inscribed and fifteen are praised. (19) The Zhizhi Ji contained in the Bibliography of Shugutang shall be one volume. Ruan Yuan's transcription of the Zhi Shu Ji was included in the Wanwei Beizang.
In the Ming Dynasty, the "Zhi Sui Collection" also had the "Feng Banknote" version. Wang Chongmin's "Outline of Chinese Good Books, Collections, Collections, And Branches of The Second Volume" Cloud:
A volume (Siku Uncollected Bibliography, vol. 3) (North Map) Ming Banknote [Nine Lines and Two Crosses (16.6×12.4)] written by jin Shi Zhi, contains: "Feng's Collection", "Da Feng Jun", "Zhi Shi Yin", "Feng Yanyuan Reading Secretary", "Fan Yin Chengmo", "Qianmutang Collection Secretary", "Hanyang Ye Ming Li Runchen Fu Seal", "Ye Clan Treasure Secret", "Ye Yin Zhi Jie", "Ju Han Zhi Yang", "DongJun Yang Shao and Zi Yan He Collection of Books" and other seals. According to Feng Zhi Cross Yan yuan, Chang Shu Ren, Fu Jing Ji Zi also. It is the compilation of eighteen poems in the upper volume, and fifteen poems in the second volume, which are the same as the Nguyen Yuanjin presented. The Nguyen clan records according to the Ji Gu Ge Ben, and Feng and Mao have the union of marriage and Ya, and the two books or the same source are also. (20)
Wang Wenjin's "Wenlutang Visiting Secretary" volume IV also contains this book, which is said to be its nine lines and eighteen characters: "Two volumes of zhi sui collection, written by the Eastern Jin Dynasty Shi Zhi. Ming Feng Ji Cang banknote book. Half a leaf nine lines, eighteen lines. Haig. The left column publishes the four words 'Feng Family Collection'. (21) Ji Cang is Feng Shu, the eldest son of Fujing. The book is now in the National Library of Taipei. Yang Shaohe "Song Cun Library Song Yuan Secretary Bibliography , Collection Department , Banknote Book" Yun: "The old banknote branch is a collection of one volume. (vol. 927, p. 156) Yang's collection is the Feng Banknote Collection. Wei Li's "Batch School Edition" has a copy of Feng Qianben's "Zhi Shu Ji" book shadow, with the title Yun: "The two volumes of the Zhi Shu Ji, written by the Jin Shi Zhi Shu, the Feng Manuscript of Suzhou in the late Ming Dynasty, and the Feng Wu Hand School in the fourth year of Qing Shunzhi. (22) The book shadow on the Feng Wu inscription can be recognized, Yun: "Tai Nian Ding Hai Shu Yue Yue Wang Night To take the school to draw the ancient ge ben, the same as this book." Testament of the Ming Dynasty Martyr Yanyuan Feng Gong, eldest son Musashi. "The fourth year of Shunzhi, that is, 1647, Ding Hai. This can be the basis for Wang's "two books from the same source".
The author compares the poems on the volumes of Ruan Yuanben and Xu Rongben's Zhixuan Collection, "隣鄫", "峕時", "脩修", "間閒", "模朴", "畼暢", "戯戯銜", "銠銠", "瀬瀬", "詠咏", "Xian Xie", "Sprinkling", "miserable", "綿綿", "綿綿", "揔德" and other variants, as well as "Xuan", "Qiu", "String", "弘" and other words caused by different ways of avoiding different texts, counting forty-eight different texts. Eighteen of them are caused by common characters such as "ChongChao" (appearing eight times), "shuddering", "fearing" (appearing twice), "Shen Shen" (appearing twice), "trance" (appearing twice), "Cai Tan", "Chenchen", "祇祗", etc.; eleven are caused by similarity and error, such as Wanwei Beibei Tibetan book mistaken "筌" as "筌" (appearing three times), "偃" as "伛", "Yan" as "伛", "two" as "one", "Wu" as "棓", "Su" as "Xiao", "Yong" as "water", and "冏" as "Tong", Xu Yuben mistakenly "anti" for "and", mistakenly "mo" as "hey"; five places are caused by the mistake of sound proximity and error, such as Wanwei Beizangben mistakenly "Dun" as "Deng", "Ling" mistakenly "Ling", and "Zhen" mistakenly as "Zhen"; Xu Yuben mistakenly "棲" as "趨" and "Word" as "Word"; three places are caused by Xu Yuben changing "Zhen" to "Zhen"; the second is caused by Wanwei Beizang's change of "Furu" to "Furong" and "Qingxun" mistakenly as "Xunqing"; nine places are "廻", "謦響", "Qiqi", "Pipo", "Choke", "Promotion", "Label", "Worm", "Drag" are almost different. Almost all of these texts were the result of transcription. At the same time, there are some different texts in the volumes of xu shuben, Ruan Yuanben, Wu Jiaqi ben, and the Guanghong Ming Collection of the Great Tibetan Classics of China, such as "From the shoulder to the south" ("Shuhuai Poems II" and one of them "Xiangluan Ming Kunji"), "Xuan Xuan Chi Nakata" ("Three Poems of Tushan Hui" or "Three Poems of Eight Guanzhai" and "Three Poems of The Three Confessions of the Former Dynasty"), "Calm and Tranquil" ("Three Poems of tushan Hui" or "Three Poems of The Eight Guanzhai Poems" and the third "Jing Yi Qian Penglu"), "Scrolls and Pens Hidden in Fog" ("Yongli Chengshanju" or the name " Wing Shan Ju"), "Chengxue Tired Danger Nine" ("Yong Zen Si Dao Ren"), "Empty Wave Seven Residences" ("Yong Zen Si Dao Ren"), "Xuan Gen Ling Ling" ("April 8 Praise Buddha Poems"), "Cover Han Miao Xuan" ("May Long Zhai Poem") and other sentences with heavy marks, Xu Chaoben and Ruan Yuanben are the same mistake, the relationship can be more seen. Therefore, we can completely conclude that the Yang banknote, the Mao banknote, the Feng banknote, and the Dumu Tibetan are all in the same system. We call this the two-volume system.
In the early Qing Dynasty, Qian zeng also had the "Zhi Sui Collection". Book IV of the Book of Reading And Seeking Memories on the "Collection" Cloud: "Two volumes of the Zhiyuan Collection." Zhang Yu's case cloud: "Shu Gu Ben is now into Qu Mu." There is a separate copy of the HiratsuKan, the upper and lower volumes, and the number of poems is the same. (23) Sun Xingyan's "Pingjinguan Collection Books, Supplements, and Writings" Yun: "The Zhiyuan Collection is two volumes, entitled 'Shan Shamen Zhixuan of Wozhou in the Eastern Jin Dynasty'. Back and forth. Eighteen poems in the first volume, and fifteen poems in the second volume, inscriptions, and praises. Qian Zeng has this book in "Reading Sensitive Notes". (24) Zhang's so-called "Pingjinkan has a copy" is this one, which is the same as that contained in the "Reading Of The Book of Minqiu". Both are two-volume systems.
Qian Zeng's "Catalogue of Shugutang Collections" Volume VII "Anthology" Yun: "Zhi Shu Ji one volume at a time. Note the clouds: "Copy." (vol. 920, p. 493) Qu Yong's Catalogue of books in the Tieqin Bronze Sword Building, vol. 19, Jibu I. Beiji Class, ZhiDaolin Collection, Yun: "Jin Shi Zhi Zhi Zhi Zhi Eighteen poems and sixteen essays were compiled and published in a preface by Emperor Fu of Jiajingjian County. Zhu Yun: "At the beginning of the volume there are 'Seal of Qian Zeng' and 'Zun Wang Pu Xuezhai' Zhu Zhu Ji. (vol. 926, p. 306) This is the "ShuGu Ben" of what Zhang Shi called "Present Entry into QuMu", that is, the Emperor Fu Shuo Series.
Huang Pilie's "Shi Li Ju Collection Inscription" Volume IV "Kaiyuan Tianbao Testament Two Volumes Of Ming Inscribed Edition" Yun: "At the beginning, the book friends showed Yu yu in the book and the Emperor Fu Shuo's compilation of the "Zhi Shu Collection", and Suo Zhi was very ang, and there were also famous masters. Yu Xu carved a book with his family and made it easy for a thousand dollars, but it was unsuccessful. Take it with you. Tomorrow, ask, Cloud: 'Three loaves of gold are needed.' 'The day after the visit of the family, its branches are easy for others to go to for a thousand dollars. (vol. 923, p. 772) It can be seen that The Emperor Fu's compilation of the Zhi Shu Collection is one of the most important spots for collectors.
Huang Fuhuan, Zi'an, Shaoxuan, Suzhou, Jiajing Shiji "Branch Daolin Collection Volume One Volume" and engraved. "Beijing Library Ancient Books And Books Bibliography · Jibu , Han Wei Six Dynasties Collection Class • Zhi Daolin Collection Volume 1 Yun" Yun: "Jin Shi Zhi Shuo, Ming Jiajing Nineteen Years Emperor Fu Huang Jiao, one volume, nine lines and sixteen characters, white mouth, four sides." (25) Shi Xuan's re-compilation of the "Outer Collection" volume, recording the "good things in the language". Among them, only the "Theory of Escape" belongs to the branch text. Wu Jiaqi wrote in two series of engravings. The "Continuation of the Four Libraries Of Complete Books, Collections, and Collections" is a photocopy of the Wu Jiaqi engraving in the Nanjing Library. It is preceded by Emperor Fu's "Zhi DaoLin Collection Sequence" Yun: "In the past years, I received the Zhi Zhi Chapter, when I revived the chant, I was self-absorbed, and I picked up the testament, attached it to an episode, published it as a good, sent reverie, especially to spy on the author's intentions." (Vol. 1304, p. 43)
Compared with the two-volume Zhixuan Collection, the Huangfu Shu edition produced one more article, "Famous Books of Shamen with Huan Xuan on the Prefecture". It is from volume 12 of the Hongming Collection, which begins with the "5th of April of the 3rd Year of Long'an", that is, the 25th of May 399 AD, which corresponds to the death of Zhi Xuan on the 4th day of the leap month of the first year of Taihe (26), that is, on May 29, 366 AD, as recorded in the Biography of the High Monk. The two-volume edition is not without a cause for not being included in the collection.
There is a collector inscription before the Wu Jia Gong Huang Fu Shu Preface, Yun: "This Ben Ming Emperor Fu Shu compiled a preface poem, the number is combined with the Ji Gu, and later there is Shi Wei Weng with the Daoist Junyu Jia Ji Ji As the outer collection, self as the order, and xin'an Wu Jia Qi as the hou. Is it the so-called Yombo benjah? (vol. 1304, p. 61) Weak Weng is Shi Xuanzi. Ding Bing's "Records of the Collection of Books in the Book Room of The Good Books" Volume 23 "Jibu II Bei Ji Class I Zhi Daolin Collection One Volume Outer Collection One Volume" also has the same language (vol. 927, p. 431), then this inscription should be Ding's title. The qianyun zhiqi script is a Yang banknote ben, which is not the same system as the Huangfu Shuo ji ben. Just by comparing the titles and orders of the poems, it can be seen that there is a big difference between the two. For example, the beginning of the Huangfu Shuo edition is "Four Poems of april 8th", while Yang Qianben is ranked third from the bottom in the volume, and these four poems are divided into "Praise of the Buddha on April 8" and "Three Poems of Yong Eight Days"; and then such as The Emperor Fu Shuo's "Three Poems of Eight Passes" and "Yongshan Residence", Yang Qianben is respectively titled "Three Poems of Tushan Huiji" and "Yongli City Mountain Residence". As for the two different texts, in addition to the above table, the rest are also in existence, and I will not repeat them. We refer to the Huangfu Shuo compilation of the "Branch Daolin Collection Volume One Volume" and the Shi Xuan Compilation "Branch Dao Lin Wai Collection Volume One Volume" as the one-volume system.
In short, the "Zhi Sui Collection", which had already been dispersed during the Song Dynasty, was compiled in the Form of banknotes or periodicals in the Ming Dynasty, and formed two systems: one was a two-volume "Zhi Sui Collection", with the Du mu Zang Ming banknotes as early, and later there were Yang Yi Qijun Shan Fang Jiajing Yi Wei banknotes, Ye Yi banknotes, Ye Shijun banknotes, Feng Jicang banknotes, and Mao Ji Ji Guge banknotes. During the Qing Jiaqing Period, Zhi Shan Wu and the monk Han Shi and Daoguang Shi Pan Xi'en engraved Yang banknotes, Ruan Yuan recorded Mao Yi Ji Gu Ge banknotes and included them in the "Wanwei Beizang", and Xu Yu included ye Yi banknotes and Jiang Qingyi's "ZhiYuan Collection Supplements" in the "Shaowu Xu Series Preliminary Engraving". The second is a one-volume "Zhidaolin Collection", which was published by Emperor Fu in the nineteenth year of Jiajing, and at the end of the Ming Dynasty, Wu Jiajun co-engraved the Huangfu Shuo's "Zhidaolin Collection" with Shi Xuan's "Zhidaolin Waiji". The Bibliography of the Chao Clan Baowen Tang scrolled up to the clouds: "Branch Dao Lin Collection." "Bibliography of the Shushengtang Collection, Collection Department, And Other Collections" is also yun: "Branch Daolin Collection." Zhu Yun: "One volume at a time." (vol. 919, pp. 45, 712) This Zhidaolin Collection should be the Emperor Fu Shu Ben.
In addition, the Ming Dynasty Huang Province also compiled the Zhi Shu Wen. His "Collection of Wuyue Mountain People" Volume 24 "Preface to the Collection of Zhidaolin Literature" Yun: "Servant is the Inner Classic of Liuguan, compiling Gaowen. Tomuche and the pieces are all satisfied; the taste is harmonious and the words are like a meeting. For example, if you look at the treasure of Shaoyu doubting the flowers of kunpu, and the spoon of the hoof is like a full momentum, then the four notes of peace, the lacquer will of a thousand words, can be wonderful in this collection. Order and hide, to pass on the good. (27) This edition has not been circulated in later generations.
At the same time, some general collections of the Ming and Qing dynasties also contain poems equivalent to the compilations. Feng Weine's "Records of Ancient Poetry" volume 47 "Jin Seventeenth" contains eighteen poems, the same as the banknotes and periodicals. In addition to including all eighteen poems in volume 1 of Shi Zhengmian's Ancient and Modern ZenZag Collection, he re-collected the Manjushri Izān, Maitreya Zan, Vimalaya Zan, Zensi Bodhisattva Zang, and Moonlight Boy Zan, counting 23 songs. Compared with the compilation of the Zhi Shu Ji or the Zhi Dao Lin Ji, Mei Dingzuo's "Interpretation of the Wen Ji" Volume VII "Jin Wu" reproduced from the "Biography of the High Monk" "On the Deep Book of Zhu Fa with gao li Daoists", "Zhu Fa Protector Statue Zan", "Yu Fa Lan Zan", "Yu Dao Yi Xiang Zan", and from the "Exodus Three Collections" Volume VIII "Preface", compiled "Comparison of Large and Small Products to Copy the Order". It can be said that Yu Zhiwen jiyi, Mei's contribution is very great. (Zhang Fuchun)
exegesis:
(1) Written by Hui Jiao, Annotated by Tang Yongtong, and compiled by Tang Yijie: Biography of a Senior Monk, Beijing: Zhonghua Bookstore, 1992, p. 164.
(2) Wei Zheng et al.: Book of Sui, Beijing: Zhonghua Bookstore, 1973, p. 1067.
(3) Shen Jin: "The Record of the Book City", Shanghai: Shanghai Academy of Social Sciences Press, 1996, pp. 158-159.
(4) Written by Mo Youzhi, Supplemented by Fu Zengxiang, and Compiled by Fu Xinian: Bibliography of the Zhijian Biography of the Tibetan Garden, Beijing: Zhonghua Bookstore, 1993, p. 25.
(5) Chen Xianxian, "Opening the Door of the Golden Stone Room: Ancient Books and Rare Books", Shanghai: Shanghai Literature and Art Publishing House, 2003, p. 223.
(6) (8) "Series of Integrated Continuations", vol. 122, Taipei: New Wenfeng Publishing Co., Ltd., 1988, pp. 343, 344.
(7) Supplement to the Siku Quanshu Bibliography Series, Jinan: Qilu Book Society, vol. 44, p. 6.
(9) National Library of China, ed., Title Series of Ancient Books collected by the National Library of China, vol. 15, Beijing: Beijing Library Press, 2002, p. 638.
(10) Li Shengduo and Zhang Yufan, "Inscriptions and Bibliographies of the Muxixuan Collection", Beijing: Peking University Press, 1985, p. 253.
(11) The Complete Book of the Four Libraries of Renewal, vol. 929, Shanghai: Shanghai Ancient Books Publishing House, p. 75. The following is a reference to this book, with the number of volumes and page numbers noted in the text.
(12) Shen Jin: Records of the Book City, p. 159.
(13) Xu Zengji: "Ten Kinds of Engravings in the Entertainment Garden", Guangxu Fifteenth Year (1889) Engraving.
(14) Written by Mo Youzhi, supplemented by Fu Zengxiang, and compiled by Fu Xinian: Bibliography of the Zhijian Biography of the Tibetan Garden, Vol. 3, p. 25.
(15) Zhao Chunchen, ed., Ding RichangJi, Shanghai: Shanghai Ancient Books Publishing House, 2010, p. 1506.
(16) Institute of Historical Documents, Shanghai Library, ed., Historical Documents, Vol. V, Shanghai: Shanghai Science and Technology Press, 2001, p. 133.
(17) Shao Yichen, Shao Zhang, Continued: "Supplementing the Concise Catalogue annotation of the Four Libraries", Shanghai: Shanghai Ancient Books Publishing House, 1979, p. 638.
(18) This article can also be found in the Guanghong Ming Collection, vol. 15, "The Beginning of the Third Chapter of the Buddha", untitled, and its position is before Xie Lingyun's "Buddha Shadow Inscription and Preface" after Yin Jin'an's "Wenshu Statue Praise". According to the example of this volume of the book, it is undoubtedly Yin Jin'an. Moreover, Yin Jin'an was preceded by Hui Yuan's "Buddha Shadow Inscription" and "Jin Xiangyang Zhang's Six Golden Statues Praise Sequence Because of interpretation and Shangli Zhang's Six Statues", and before the second text, there were thirteen articles of "Praise of Buddha and Bodhisattva Statues", so Dao Xuan did not use "Manjushri Statue Praise and Order" as a branch of the text.
(19) Deng JingyuanDian School: Collection of Scripture Rooms, Beijing: Zhonghua Bookstore, 1993, p. 1215.
(20) Wang Chongmin: Compendium of Chinese Good Books, Shanghai: Shanghai Ancient Books Publishing House, 1983, p. 493.
(21) Wang Wenjin: The Visiting Secretary of Wenlutang, Shanghai: Shanghai Ancient Books Publishing House, 2006, p. 245.
(22) Wei Li: "Batch SchoolBook", Nanjing: Jiangsu Ancient Books Publishing House, 2003, p. 13.
(23) Qian Zeng, Guan Tingfen and Zhang Yu Proof: "Qian ZunWang Reading Min Qiu Zhi Proof", Beijing: Zhonghua Bookstore, 1990, p. 183.
(24) Written by Sun Xingyan, Jiao Guimei and Sha Sha Punctuation: Books from the Collection of Pingjin Museum, Shanghai: Shanghai Ancient Books Publishing House, 2008, p. 144.
(25) Bibliography of Ancient Books and Books of Beijing Library, Beijing: Bibliographic Literature Publishing House, 1987, p. 1997.
(26) Written by Hui Jiao, Annotated by Tang Yongtong, and compiled by Tang Yijie: Biography of a High Monk, p. 163.
(27) Siku Quanshu Bibliography Series, Volume 94, Jinan: Qilu Book Society, 1997, pp. 724-725.
Source: Journal of Tsinghua University: Philosophy and Social Sciences Edition, No. 20144, 2014