Ah Xin (Chen You) is a sad man.
He once had two wives, but both of them left him.
Ah Xin's first wife, Huikang (Xia Wenxi), after leaving him, married his good friend Ah Hua (Zhong Zhentao). The embarrassment of a wife becoming a friend is a shame for a man.
Ah Hua mortgaged his house to support the operation of the drama club.
He is an artist with a desire to bring Western culture into Hong Kong. It's just that this society is realistic, and the ideal is often on paper.
Ah Xin and his second wife, Bai Jia (Mei Yanfang), performed in the village, but they were boycotted by the villagers, and finally fled into the wilderness.
When I returned home, I found that I had been sealed because I owed rent, and there was no electricity or water in my home at this time.
Baijia finally couldn't bear the torture and chose to leave.
With nowhere to live, Ashin had to choose to go to the home of his good friend Ah Hua, and just happened to meet his ex-wife Huikang who also wanted to leave Ah Hua.
It turned out that Ah Hua had been busy with work and neglected to communicate with Wellcome, which finally made Wellcome leave home because of loneliness.
The two men who were sick and pitied had to sit on the iron railing in front of the window to relieve their feelings, but they both fell down because of excitement.
After the fracture, the two can only help each other to live, but also because of some habits and mutual exclusion.
Ashin saw no hope for the future, and life became decadent.
The makeup artist in the troupe, Piao Hong (Zhong Chuhong), sends flowers to Ah Xin and encourages him to get out of the haze.
The lively and beautiful fluttering red exuded goodwill, which made Ah Xin see hope.
He decided to reorganize the drama club and invited Piao Hong to play Juliet.
After getting drunk one night, the two had a one-night stand, and Piaohong also told Ah Xin the password for the door lock of the villa in his home.
Ashin became more determined in his love for Fluttering Red.
On the way to drive, PiaoHong met Ah Hua, who was empty in his heart, and the two turned out to be classmates.
A long goodbye reunion is the most beautiful feeling.
The two talked happily and gradually revealed their good feelings for each other.
After learning that Ah Hua reunited with his old classmate, he did not know that it was Fluttering Red.
Ah Xin, who believes that he has gained love, encourages him to take the initiative and tells him the password of the Red Villa.
When Ah Hua came to the villa with Fluttering Red, he caused a series of embarrassing things.
Fortunately, Piaohong did not mind, and after playing a game with Ah Hua overnight, the relationship between the two was consolidated.
Ah Xin was puzzled by Ah Hua's description, so he found out at the end that Ah Hua's classmate was actually a red flower.
So Ah Xin began to obstruct from it, and persuaded Ah Xin to throw himself into a busy life to separate the two.
But Piaohong tells Ah Xin that she still likes Ah Hua.
After that, PiaoHong came to Ah Hua's house, put on a pig head mask in order to disguise her identity, and followed Ah Hua and Piao Hong to Macau to play.
In Macau, Ashin, as the most aware of the three, continues to secretly provoke the feelings of Piaohong and Ah Hua, and he takes the initiative to pursue.
Finally, Ah Hua discovers Ah Xin's plot, and the three confess to each other.
Piaohong finally chose Ah Hua, and Ah Xin chose to quit.
In the darkness, Ah Hua left alone with his luggage.
This film is "One Wife, Two Husbands" filmed by director Chen You in 1988, which is a sequel to "One House, Two Wives".
This is the golden age of Hong Kong cinema, and it is also the peak of Zhong Zhentao, Chen You, and Zhong Chuhong.
Zhong Zhentao and Chen You once belonged to the same Wenna band, and this band also included the famous Tam Wing Lin.
This film can only be regarded as an ordinary urban comedy romance film, and after various film and television works have raised the audience's aesthetics and interests today, this film has no much appeal.
Time sweeps the sand, and in the end, only individual works will last forever. However, the emergence of classic works is also because there are many works that have advanced and evolved.
Recall the old film, which allows you to see the efforts of the filmmakers who used to be filmmakers.