Text | Ten point movie original
Hello everyone, here is for you,
He is a ten-point jun who teaches the Great Protector of the Fa and does not go out easily without going to the cinema to watch movies.
Last weekend, At ten o'clock, The Fat House went on a business trip and flew to a southern island referred to as "Arashi" -
Pingtan.
IM Cross-Strait Youth Film Festival.
Frankly speaking, when I first received the invitation to screen on the sponsor Straits Tv,
The blind ten o'clock jun is such a few old films -
"Scarecrow", released in 1987, was the first shot of the "vernacular trilogy" by the great director Wang Tong.
Banter, bottom, poignant, absurd.
Quiet and vast gray space.
1986's "Love Dust",
Hou Xiaoxian, who is not confused in his youth, still shoots the first love with complicated meanings.
"Eating Men and Women", Ang Lee's "Family Trilogy", cooked the final chapter of a table of "people's great desires".
There is also Yang Dechang's "The Story of Time":
Zhang Aijia is young and young, Li Guoxiu is not yet thirty years old, and Li Liqun is also experiencing his youthful age.
Nowadays, some of them have founded sects, some have passed away, and some have become the most cost-effective old drama bones in TV dramas...
And these old films have also been named "new, electric, and film" with the declaration of "opposing hollywood film concepts" and "seeking language space outside commercial logic".
Classic restoration movie mix cut
How can it not be lamented that time is flowing.
Unexpectedly, the surprise is still to come.
The festival is named after IM, what does it mean?
“IN MOMENTS”
From, from this moment on.
With a shimmer of light, a wave of convergence.
Needless to say, the emphasis is, of course, on the power of youth.
At ten o'clock Jun looked through the film festival manual and found:
As of August 31, 2020, a total of 1,195 young works from colleges and universities that have completed after January 1, 2018 have registered for the exhibition, and after three levels of preliminary evaluation, re-evaluation and final evaluation, the best film, the jury award, the best director, the "Shengnong" new growth plan, the "From Pingtan" competition unit and other awards have been selected, with a total prize of 3.48 million yuan.
In terms of, the shot is quite generous.
Dozens of final shortlisted short films participating in the exhibition, ten o'clock Jun also watched a lot.
The most impressive thing is a short film called "Red Summer".
The story takes place in Guangyuan, Sichuan Province, where geological disasters have caused the town to undergo a large-scale migration.
County seats are the choice of adults, while children's childhood memories do not migrate.
One day, the protagonist of the story, Xiaohong, saw a sign selling sweet potatoes in a grocery store, and the boss's typos portrayed his memories.
Red, summer.
The last summer vacation before the school was dissolved.
A group of fifth-grade elementary school students are making movies with DV.
The little boy in the suit, the beautiful transfer girl, already knows what days of the month she will have stomach pain.
Summer is passing, small towns are passing, childhood is passing.
The quiet or prosperous human choice,
It turned into a red hairpin, a red bamboo dragonfly, a red dress, and smeared that red summer vacation.
"Red Summer" is director Yang Yuhao's Nortel master's degree work, the short film intention is both childlike and old-fashioned, and the story structure also has some potential to develop into a feature film.
In a post-screening interview, he said that the feature film project has begun to prepare for venture capital.
It's so much fun.
There is also yang ming's "Beast Under the Mountain".
The director's profile is rather poetic and divine:
The Mongols believe in Tengger and believe that all things have spirits.
Tengri is the heavens, and the spirit of heaven is hidden in a flower and a tree, guarding the people.
The tribesmen called those who were full of hostility and had no reverence for nature and life as beasts, and beasts were also translated as frightened animals.
Although the Diao people were evil, they were not intended to do so, and their close relatives sent the Diao people to the mountain to meditate and wash their souls.
Tengger's spirit, on the other hand, turns into nature, guiding him in the direction at critical moments and helping him return to the path of being a human being.
therefore
Beasts down the hill, people on the mountain.
The short film is only 15 minutes long, but it is in the style of oil painting,
Focusing on the sheep in the swamp, the grasshoppers that died in the hands of bad boys, and the bees on the hands of lamas tell a complete, metaphysical growth story depicting a Chinese father.
Before the film screening, Yang Ming had been playing with local boys on the basketball court near the movie hall.
At the award ceremony, Yang Ming said that his most intuitive happiness was to get the prize money:
The next project, there is money.
Shouting Workers is a non-drama film.
The 53-year-old Yang Taifa, whose parents died and his wife died the year before, was alone with four children working odd jobs in Guiyang.
The film follows the story of the family living in a 10-yuan guest house next to the temporary labor market.
Yang Taifa's way of raising four children is to do temporary work for the demolition of the house.
Director Yang Juan said that when filming, she went to the construction site to investigate and found that every worker had water to drink, while Yang Taifa did not.
She went to buy a large bottle of water for Yang Taifa, and Yang Taifa unloaded his guard and agreed to follow up the shooting request.
Yang Taifa rented a 10 yuan guest house, cramped, crowded, dilapidated, with four children lying on a double bed who did not go to school.
They were locked in their rooms every day, waiting for cold dishes and cold meals that their father brought back in plastic bags.
It was cold, Yang Taifa spent 10 yuan to buy a thick dress, and went home to try it on, fortunately it fit.
Yang Taifa is addicted to alcohol and will settle accounts with the lady owner of the guest house.
The lady boss did not want to be insulted by her tongue, but she also repeatedly tolerated him...
These student short films may still be very immature in terms of technique;
The creative concept also reveals the bookish vitality of the student era.
50 shortlisted films were mixed
But it is precisely this immaturity that constitutes the forward movement of every young person at any cost.
At the award ceremony on Sunday evening, the organizing committee played a mixed-cut video of the work of Wang Xiaoshuai, chairman of the jury of this film festival:
Wang Xiaoshuai film works mixed cut
Seeing this, Wang Xiaoshuai's touch was:
I've made a few movies myself.
Filming age is not a problem, young has the advantage of youth, with a certain age, with a certain life experience, there is a different kind of scenery.
But what doesn't change is the love of movies that was planted in your heart when you were 18 years old, and your dreams, and even the sting and anger you felt for the first time in the world.
As long as you don't change these things, age is not a problem, you will always keep the purest heart and continue to be with the movie.
When watching old films such as "Love wind and dust", "Eating Men and Women", "Time and Yin Days" and other old films,
Wang Xiaoshuai cried.
Looking back at those images, those movies, many years later, we forget how much it made that year, how the box office was, and what we remember is another thing, which is the value of culture, the survival of tradition.
In order to record their times and this reality, filmmakers recorded frame by frame, frame by frame, frame by frame, and without the work they did back then, looking back at that history would now be blank.
I think we should do the same, at a time when Chinese cinema is so vigorous, don't forget that every frame of our picture records our history.
Later, he concluded his speech with this sentence:
Let every little wave,
Finally, a monstrous wave was stirred up.
Let the students' works break the buds and sprout in the tender soil,
Let the enthusiastic young people not be speechless because of their shallowness...
These are things that as long as there are still people doing them.
I will believe that Chinese films must have a brilliant future.
A generation of filmmakers will eventually grow old.
But there will always be someone, who is young.