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Qianshan people do not have trembling legs Qianshan people do not have trembling legs| talk about Jiangmen "I finally know the reason why Qianshan people go to Tongcheng with trembling legs"

<h1 class= "pgc-h-arrow-right" > Qianshan people did not have trembling legs| Talking about Jiangmen, "I finally know the reason why Qianshan people are trembling in tongcheng."</h1>

Qianshan people do not have trembling legs Qianshan people do not have trembling legs| talk about Jiangmen "I finally know the reason why Qianshan people go to Tongcheng with trembling legs"

On October 8, the "XX Culture" public account published the author Jiangmen's original title: "I finally know the reason why the Qianshan people went to Tongcheng to tremble their legs", I felt quite inappropriate after reading it, the following photocopied part is the original text, the rest is my point of view.

Original Jiangmen

Qianshan and Tongcheng are both small counties under the jurisdiction of Anqing (now they have both become "cities"), but when a Qianshan man comes to Tongcheng, his legs will definitely tremble! This is by no means bragging for the people of Tongcheng, this is well documented.

The text begins with "The legs of the Qianshan people are trembling". The wording is inappropriate, which obviously insults the personality of the whole Qianshan people!

First, the Qianshan people have always been proud of Tianzhu Mountain, but Tianzhu Mountain was naturally formed, forming the ancient Anhui Kingdom here, and a Tongcheng person claimed to be a Wendu person, and the Tongcheng Sect was well-known and made by people. People want to have books (Tongcheng scribes are not calligraphers), paintings (Song Li Gonglin), poetry and poetry (Tang Caosong, and even the female poet Fang Weiyi of the late Ming Dynasty), and literature (Tongcheng School, Fang Bao, Liu Dayuan, Yao Nai; philosophers Dai Zhen, Fang Yizhi, Fang Dongmei, Zhu Guangqian). Therefore, the word "Wendu" alone is enough to crush the Qianshan people. The so-called "article A world, the crown covers the capital" (father and son university scholars Zhang Ying, Zhang Tingyu), this kind of treatment Qianshan people have not enjoyed in any way.

Why doesn't the author compare Tongcheng with the surrounding counties and cities? Why don't you compare it to Shaoshan Chong in Hunan? This contrast is neither related nor makes your legs tremble!

Qianshan and Kyoto have been associated, nothing more than the Hui class into Beijing, Cheng Changgeng that Changchun class, clearly to please the Manchu bureaucrats, to the capital to go to the north to mix rice and eat, the result was favored by the empress dowager, carried forward. But to tell the truth, the kind of drama of Peking Opera that takes official affairs as the theme is not clear to us ordinary people, and we can only watch those officials and masters make trouble with drooling eyes. We only know one acre and three points of land, wife and children hot kiln head.

History is history! The history of Tongcheng is revered by people! Similarly, the history of Qianshan is also revered! The history of other counties and cities in Anqing is also revered! There is no distinction between high and low!

Second, the Qianshan people are proud of having produced a Han Zaifen, saying that this is the core figure or symbol of the third generation of Huangmei opera, but the Tongcheng people say that Han Xiaogu is what, and our Tongcheng Xiaoliu ling (Yan Fengying's nickname) is the eldest sister and empress of the first generation of Huangmei opera after the founding of the Country! To say that these two people are in the history of the modern development of Huangmei opera are great heroes, Han Zaifen in the face of the impact of the market economy to seek their own development, restructuring and creating a theater named after himself, marketization to open up the Huangmei opera performance space, with Huizhou as the narrative, the Anqing and Huizhou marriage, talking about the narrative of modernity, playing is going abroad, to the United States, Russia and other Western countries (and for the United States National Library recording archives); if according to this rhythm, Huangmei opera can become an international drama. But all this is based on the meticulous reform, transformation and inheritance of the first generation (after the founding of the People's Republic) represented by Yan Fengying. Without the first generation, Huangmei opera can only be a local small drama; without the first generation, many of the singing voices in Huangmei opera will disappear and cannot be recalled; without the first generation, the spirit of excellence of Huangmei opera will not be interpreted. I have not mentioned here the famous Tongcheng Mountain Song, which has a certain relationship with Huangmei Opera, which was first recorded by Feng Menglong in his folk song collection. Yan Fengying was persecuted by the Cultural Revolution and died young, and is now buried in Linghu Park in Anqing City

Mr. Jiangmen: Do you know the Three Ancestral Jungles; you have not read Zhang Hexhui's 30 million words, let alone the 8 million words dedicated to the War of Resistance; you certainly don't recognize the Empress of the Top Bowl; you don't know the origin of the "Anhui Turtle"; you don't know the Warring States Tombs; you don't know the "Xuejiagang Cultural Site"; you don't know the source of the ancient Anhui pottery; you don't know where the peacock flies; you don't know where the "Rouge Well" is; you don't know the Taiping Pagoda and the Silent Awakening Pagoda; you don't know the source of Anhui; I doubt Mr. Wang's understanding of the Tongzi Kingdom It is certain that Mr. Kangxi has not read the former prefectures and counties of Kangxi...

Third, when Qianshan people are planning how to do a good job in global tourism, Tongcheng people have long found their own industrial direction,—— plastics industry - and has become a national-level new plastic innovation demonstration base; this is a major event of Genesis for the whole of Anqing, and Anqing has never had a national-level innovation demonstration base. If the people of Tongcheng do a good job in this article, it will form a wide demonstration influence in the ecological industry in the whole country and even in the world. Qianshan people have no choice but to see their own industry hollow (excluding tourism). So when Qianshan people see Tongcheng's long Longmian Avenue, the thriving industrial new city, and the expanding Tongcheng Normal School, his legs have no reason not to shake. Qianshan does not have its own colleges and universities.

The more I say it, the more the legs of the Qianshan people shake, then the author will not list other reasons. I also hope that tongcheng people will perform better and better in the later stage of China's modernization, and truly live up to the reputation of "Wendu".

Tongcheng's biggest regret was that when the Japanese invaded, they demolished their own iron walls, on the grounds that it was convenient to evacuate. It's definitely a bad idea. However, if it was not demolished at that time, it may also be demolished after the founding of the Country. Anyway, it was artificially dismantled. In the face of history, Tongcheng people, like the people of other parts of the country, have a (a) painful history. I won't go into that here.

The author Jiangmen has no idea about the origin of brushes (Tongcheng) within Anqing, nor has he been to the "capital of China's brush industry". Just sit in the well and watch the sky, spell out limited words, point fingers and feet, and talk nonsense, which makes the Qianshan people bored, and does not have the ambition of the Tongcheng people, and it does not make the Qianshan people's legs tremble!

I want to tell Jiangmen: Writing and composing, having an incorrect point of view, causing discomfort to others, is worth learning a lesson.

I have eighteen literary exchange groups in Huaining, Tongcheng, Zongyang and Qianshan, and I know very little about the humanistic history outside Qianshan, but the father and son prime minister, Yan Fengying and even modern academicians are highly respected by me, and these humanistic histories constitute an inseparable Anhui River culture and are the heritage of human civilization. It is not possible to take these to exalt or demean others. Therefore, Jiangmen uses the title "I finally know the reason why the Qianshan people went to Tongcheng with their legs trembling", which has the title of the evil of the party, and there is harm but no benefit! #Anqing Headlines ##安徽 #