Ma Jiahui, this person, is a very chicken thief. Some people call him "Liang Chaowei in the literary world" and even "Hong Kong's first talent", which is really two jokes.
In my eyes, he is a very exemplary "Hong Kong literati" + "greasy uncle", such as Jin Yong, Dong Qiao, Cao Jie, Leung Man Dao, Chen Guanzhong, Lin Xingzhi, zhong Weimin. But what is quite embarrassing is that not only is his talent far inferior to these township party colleagues, but even The appearance of Teacher Cai Lan is closer to Liang Chaowei than him. He himself did not like the title of "columnist" very much, because the threshold was too low, and he repeatedly laughed at himself as a "typical Hong Kong-style literati", which was consistent with my perception.
What is a "typical Hong Kong-style literati"? That is to say, in that place of Xiangjiang, the cultural ecology is relatively strange: the soft red incense earth flower world, and the memory at the end of the cultural atmosphere of the Republic of China, but after all, the relics of independence are hanging outside, and it is easy to be rich in foreign farms + islander mentality of writers. The general performance of these writers is that they are both talented and shrewd, both world-minded and nostalgic and conservative, talk about the taste of life and have more flashes of light, and generally multi-inhabit and multi-functional golden oil, often taking over the roles of writers, scholars, directors, hosts, gourmets, and businessmen. The article is always delicate and lubricated, and most of the people are transparent in the table.
The three Huang Ni Cai in the so-called "Four Talents of Xiangjiang" are known as "Pi Qi Literati"
I, the Guangdong people, have this clue, but these old Guangzhou immigrants have become even more intense. Ma Jiahui is a man of letters, which are generally these two characteristics, tacky and extraordinary, greasy and transparent. It is not that he worshiped Li Ao as a teacher to become such a person, but that people like him will be keen to throw themselves into Master Li's disciples, and the order of cause and effect can be reversed.
Ma Jiahui on people, not stubborn lords, not evil less, the game is dusty but fake is not serious, all hobbies seem to be playing mahjong, eating, watching movies, drinking foreign wine, writing manuscripts on TV to open the yellow cavity, is a universal glue and a non-stick pan.
Ma Jiahui, born in Hong Kong in 1963, holds a Ph.D. in sociology from the University of Wisconsin
Which "person" is "Ma Jiahui"? In terms of profession, he is a university professor, but he has occupied the page of Ming Pao for decades, and he will always be inseparable from the system; in terms of identity, he is a well-known doctor of sociology in foreign countries, but he has lived this life as a famous writer; on ambition, he is happy to be a public intellectual, but everything is so far, and he is still greasy and crooked, and the government and the public can't do anything about him, and they give him the nickname of commentator to find each wife.
On interest, Yu Hua talked to him about literature, he would pull people to the beautiful intertwined night scene, not drunk and not returning; on habits, as a greasy uncle, he did not forget to rub oil when he saw beautiful women, but he was very loyal to his wife (he said "female tiger"). Zhou Yijun and Zhu Youting did not accuse him of harassment, and still smiled like a flower to greet each other, not with a big heart, but to understand Uncle Ma's "urine nature" - there is no malice after passing the mouth addiction. He is engaged in broadcasting, he is the host, he participates in the film, he makes a cameo appearance in politics, he uses "analytical philosophical techniques to study West Malaysia" with his left hand, and his right hand at the same time "On Chow Sing Chi Kung Fu Movie", which is Ma Jiahui, and none of them are complete. A man who exports chapters but has no moral baggage, people only call him "Caizi", but Ma Jiahui is not good at defining two words.
Zhou Yijun, the most ridiculed female guest
This kind of person, talking about ideals and talking about reality, but the ideal and reality can be clearly separated, causeway bay hangovers are not muddy, but they are not hypocritical two-faced people, really spontaneous and dashing is rare to be confused. For example, he cares about society, hot sausage hanging, but he obviously cares more about whether he is poor, you ask him to be Lu Xun, he has a slight smile on his mouth, and his heart will only secretly scold the fool who comes from. If nothing else, you email him to give a lecture, and if you don't pay much at the bottom, he turns a blind eye. After changing the general writers of the mainland, it is still impossible to disenchant the "sense of mission" or "vanity", it is really going to trot all the way over, and the lunch box of 10 yuan is exempted. Aberdeen's unique "Ah Fei temperament", Ma Jiahui has also been completely stained.
The way these people stand in the world, using Ni Kuang's secret method, is to "always take a kick first, always keep a hand." Among them, Ma Jiahui is an expert. During his reign, he invited him to coffee three times, but he refused, on the grounds that "meeting three points of affection, how to criticize him in the future", this is not a high but a sense of proportion. The essence of Chinese culture is a sense of proportion.
Li Ao, the "benefactor" who had the greatest influence on Ma Jiahui
A few years ago, there was an interview in the newspaper entitled "The Soft and Hard Sides of Ma Jiahui", and I couldn't help but sigh that this author was really a simple person and had a very good point. "Liang Chaowei in the literary world" is soft, and "slut-mouthed commentator" is hard.
People are born to hate what they hate and can't get rid of it, for example, Jia Baoyu hates the jade on his chest, but even a monk can't take it off. For example, I was born in a small and remote township, and I really don't want to "return to my hometown", so I am obsessed with an international metropolis like Wuhan.
On August 27, 2015, Ma Jiahui's first photography exhibition opened in Guangzhou
Ma Jiahui is the same, he seems to be particularly fond of cynicism, the best is the leper, hooligan, scumbag, vulgar, Ximen Gongzi, no ambition, picking flowers and grass, lost betrayal, decadence and desolation, wanton revelry, Su Ri "read forbidden books on the plane", "addicted to travel", "running naked on the grassland", "setting off fireworks in the toilet", at least the kind of flirting with the familiar girl sister at any time on the street. This kind of affection, he did not hesitate to write into "Mandarin Duck 674", "Love a few scum" and other works, becoming a lifelong obscenity. The three things he likes to brag about the most, in addition to having a baby daughter, Mei Sai Liu Yifei, who was bent on mixing gangs in middle school, and "was a morbid gambler who could gamble for 3 days without sleep." Can you imagine that Lu Xun Mo Yan Lin Yu Tang Jia Ping Concave is an ancient puzzle boy wearing a floral tattoo and a cigarette holding a steel pipe? Before Ma Jiahui stepped onto the literary scene, he was a "quasi-ancient puzzle boy".
Ma Jiahui, who was 18 years old, "It's a pity that there is no way out of the ancient puzzle boy"
But after all, he came from a family of high-ranking intellectuals, and mr. Ma Songbai, the "Lingzun" he despised, was the head and senior newspaperman of the famous "Oriental Daily", and the "cultural person" was the birthmark of his life that he could not get rid of. He claimed to be a writer who was forced to go to Liangshan and fall into the grass: when he was in middle school, no girl looked up to him, and his father threatened and seduced everything, and he opened a column at the age of 15. According to his dictation, "because my father is the editor-in-chief, he will not return my manuscript, but let me practice writing", and it was the back door of the "father-son set" that gave birth to the famous "Second Generation wen" Ma Jiahui. He was, of course, a great talent himself, and wrote the best-selling book "Eliminate Li Ao, Or Be Eliminated by Li Ao" in his sophomore year, although the motivation was only the worship of "educated and tough old hooligans". When "Nanye" and "Bingge", there is no hope in this life, fortunately, it can be turned to paper to smooth out the illusion.
In August 1983, the "Oriental Daily" was first published with Andy Lau and Zhu Hailing
Therefore, as if to create a person, this "bad middle-aged" who was obsessed with the ideal of ancient confusion, became a university professor for a lifetime, and also wrote columns for decades, writing at least a thousand words a day, and adding 3,000 extra pages on weekends, and since then he has become a well-known "famous columnist" at home and abroad. But these things, not only are they in a hurry, he also writes carelessly, as if they are just inertial work for the sake of profit, "you are interested or not interested, it has it", all-encompassing but also very perfunctory, belonging to the "conspiracy for rice sorghum" who takes money and leaves.
Such a writer Ma Jiahui has published nearly 40 books so far, and few masterpieces have made an impression. In the mainland, he is on a par with Liang Wendao, but the print number of his works should not catch up with one in ten thousand, and how to shout on Douyin is not well asked. The most commendable thing about him is that when he generally preserves the dignity of the children of the "literary family", he keeps the promise of the young congwen, the words do not conform to the customs, and the bottom line is not sold for money. In the past 30 years, Ma Jiahui has appeared everywhere, like a social expert, but you can't find him on occasions where he is too disgraceful.
With "student" Lin Qingxia
His exact words were, "I'm lucky that the column gives me a steady income and gives me the right to say no." Miscellaneous things come to me, and even some groups want to incorporate, I have the right to refuse." He had his caution, with "big things not confused". He often writes commentaries more seriously than casual prose.
However, as a "writer", he is indeed a second- and third-rate person. His popularity on the mainland is obviously not mainly because of how powerful the article is, but because the TV appearance rate is too high. Frequent appearances, and almost everything beaked, as a price for more words to lose, the nickname of commentator, and even the ridicule of Xiangjiang's academic convener in the wild, has since become famous.
According to his own account, once when he was at the airport, a strange wife rushed to meet him, and he was a fan at first glance, and his heart was very dark. Unexpectedly, as soon as the person who came opened his mouth, he let his dream be shattered on the spot: "Mr. Dou Wentao..." He is famous on the mainland, mostly because of his "face". He made money by writing, became famous by writing, and was somewhat intoxicated in his heart, but people still remembered to live in "Famous Mouth Ma Jiahui". "Famous mouth" is not a good word, and if Han Han is recognized as Zhang Dada, how can he not be depressed?
Some people say that he is not so much "Liang Chaowei in the literary world" as it is "a female version of Jiang Fangzhou", and his popular and excellent works are lackluster. The literati Ma Jiahui, whose "housekeeping skills", are generally better in prose than novels, and the time evaluation is better than the prose, and the ability to talk clearly is more temperamental, liberal arts and skill than the time review. Ma Jiahui went out to participate in the event, and the audience was always full of pits, but how many people had read his articles? I can't say much more lonely, but one thing is absolutely certain: without "Threesomes", without "Round Table Pie", the audience of "Writer Ma Jiahui" would have been reduced by at least one-third.
Mr. and Mrs. Ma Jiahui, his wife Zhang Jiayu, are also famous columnists
The image of Liang Chaowei in the literary world ultimately has to be set off by commentators. At the age of 58, he was after all "wen by human name" rather than "person by literary name". In 2016, "Dragon Head and Phoenix Tail", he was ready to take it to cover the coffin, and it was indeed the highest achievement, but no matter how Zhang Dachun heard his face and how much capital tried his best to package, Douban's 7.8 points were already bottoming out. From the "Love Silent", "The Secret Affair about the Years" and so on, because of decades of pen cultivation, his writing skills do not lose to others, trance also has a bit of Zhang Ailing's style, but in the end the structure is frivolous, the thinking is stretched, the intention is childish, the airport coffee gap recreation can be, into the toilet to read is also appropriate, but the literary atmosphere is not strong after all, not long. This kind of writing, which Liang Qichao called "newspaper style" in his time, is now called "petty bourgeois reading", which is the most regrettable place for writer Ma Jiahui.
Jiang Fangzhou, a "literary descendant" who has appeared in the film many times
Perhaps, this really can't all be blamed on him. The Xiangjiang River is also beautiful, it is also in the west and the earth and the ocean, the Chinese and the West are elegant and popular, and the light and strange land is free and unrestrained, which is a good place to show talents. But the problem is that in a city that has suddenly become an upstart from a small village, the cultural base is too thin, too shallow, too flashy and unrealistic to produce really big writers. Cao Jie is not bad, Ma Jiahui is diligent and can be boasted, and then the next pen has a god's mouth like a river, and the spiritual background is still ordinary. Even if the layers are increased, it can only be said that there is "fame and morale".
That kind of flashy fast food society is inherently doomed to not tolerate "pure literature", can not produce "Cao Xueqin", can only provide short and fast spiritual consumables. At present, it is difficult to produce a Dong Qizhang, but we can only wait and see: is he really expected to become the next Liu Yiju?
Despite all the grumbling remarks, at the end I had to "show my ambitions": I was not optimistic about the "Liang Chaowei in the literary world", but I actually liked Ma Jiahui as a "famous mouth", Ma Jiahui as a "public intellectual", and even Ma Jiahui as a "slut-mouth commentator".
In recent years, the high-profile Hong Kong writer Tung Kai-cheung
Maturity is not sophistication, but the attainment of innocence. Ma Jiahui, who ran away from the study hall, can be called a member of the contemporary Chinese intellectuals who cannot be copied or replaced: he is so good at talking, he is so erudite, he is so spontaneous, he is so knowledgeable, he is so reasonable, he is so playful and angry, he is so humorous and funny, he is so tolerant and generous, he is so straightforward in exposing the essence, he is so unruly, and for many years he has made me, a former "Zhen Zhen fan", refreshing and taught a lot. Frankly speaking, the guests invited by Dou Wentao, I have always been the most disliked Professor Xu, the most Ma Jiahui.
Today's "literary internet celebrities"
A few years ago, when a reporter asked him why he was "keen to participate in various social activities across the taiwan strait and the three places," he told him frankly, "The encouragement I receive is often not from Hong Kong, it may come from the mainland, it may come from Taiwan, because there are relatively large communities and more discerning people there." In my judgment, this self-perception of his is accurate. For the accusation of "not doing the right thing", he obviously has a higher consideration, "Being a famous professor and a famous writer does not have much importance to me, especially today it seems that anyone can be", using knowledge and thinking to influence more people is obviously his greater cause. Although, under the aura of idealism and full of jianghu flavor, Ma Jiahui on the other side is so timid and weak.
This literary prince brother, who has read poetry and books all his life, does not lack the ability to distinguish between right and wrong in his heart, and those words that often have to be clouded and misty may also need to be more understood by the listeners. The waves on the horse hissed to see the go, and the willow people rested and waited for the ship to return, the second-rate writer Ma Jiahui, under the cover of the mouth of the wandering skeleton, how much has he acted, the flow and loneliness of the floating Chinese literati.
2021.5.4, late