Yesterday, I took my daughter, who was less than four years old, to the street and suddenly remembered Li Zhao's "Wind".
Three autumn leaves can be dissolved, and February flowers can bloom.
Cross the river thousands of feet of waves, into the bamboo pole oblique (xiá).
So I took my daughter back and forth four or five times, and the little one learned it quickly. In this way, it seems that this poem is still appropriate for the first grade Chinese textbook.
The autumn wind sweeps away, the leaves wither, the spring wind blows, and a hundred flowers bloom, which is the meaning of the first two sentences of the poem. Flying over the river, rolling up thousands of feet of waves, wiping the forest garden, tilting ten thousand poles to repair bamboo, this is the general meaning of three or four sentences.
The poem is called "wind", and there is no word "wind" throughout the text, but it is written everywhere.
If you look at it from the perspective of writing techniques, the first two sentences are the beginning, from the object and the heart, implemented in the role of the wind, both to kill all things and to care for all things. The last two sentences, the natural phenomena caused by the wind blowing the river and the bamboo forest, belong to the writing technique of Fu.
A few days ago, I took a brief look at the newly selected poems in primary school Chinese, compared with the meeting when I was a child, there have been some changes, first, the number has increased, and second, there are fewer old faces, naturally there are more new faces.
Li Zhao's "Wind" belongs to the new face. So I can't help but wonder, Li Zhao, who is it?
Baidu Encyclopedia said that Li Zhao, the word Jushan, also known as Li ZhaoGong, was the prime minister of the Tang Dynasty. He was called "Su Li" with Su Wei, and was also known as "Four Friends of The Article" with Su Wei, Du Zhenyan, and Cui, and became the "Article Elder" in his later years. The five dynasties of the past have tended to be inflammatory, and historians have commented on the mostly pejorative meanings.
Looking at his life in detail, Li Zhao, who died in his seventies, served the emperors of the five dynasties such as Tang Gaozong, Wu Zetian, Tang Zhongzong, Tang Ruizong, and Tang Xuanzong, and worshiped him three times. Politically, there were the merits of quelling the Lingnan rebellion and suppressing the cool officials, and literaryly, kaiyuan xiang Zhang praised his literature as "like a good gold and beautiful jade", and the Old Book of Tang called his literature "the hero of a generation". In his later years, he was revered as the "Article Elder".
As for the inflammatory attachment that historians unanimously gave bad reviews, it refers to the fact that Li Zhaoxian was attached to Wu Zetian's favorite brothers Zhang Yizhi and Zhang Changzong, and when trying the case of Wang Tongjiao, the duke of Tuomadu, he was afraid of Wu Sansi's authoritarian inaction, which caused Wang Tongjiao to die unjustly in prison.
Historians' comments have always been harsh, and that is understandable, after all, as an official commentary, its propaganda and characterization are to be seen by future generations.
But please don't forget that Li Zhaosheng is not an inflammatory person. How?
During the Wu Zhou Dynasty, Li Zhao, together with Zhang Deyu and Liu Xian, reviewed Di Renjie's conspiracy case. Zhang and Liu were intimidated by Lai Junchen's obscenity and did not say anything, only he said bluntly: "See righteousness and do not act, there is no courage." For his own bravery, he was relegated to Sima Runzhou as a result.
In the later years of Wu Zetian's life, Li Zhao and Huan Yanfan proposed to wash the grievances of the ministers who had died in the politics of the cool officials, which was finally approved.
Well, now look back, Li Zhao's three inflamed attachments, only one occurred in the era of Wu Zetian's reign, and he was still attached to the empress's male favorite.
Why did Li Zhao, who was originally brave, suddenly break the knot? The reason for this is not easy to say, perhaps it can only be said that he was brave enough to be thorough after all. Before further exploring this issue, Sun Shao first told the story of another person.
Zhu Dunru of the Song Dynasty wrote the famous Partridge Heaven during the Jing Kang period. Xi Du Zuo".
I am Qingdu Shanshuilang, the Heavenly Sect's payment and neglect.
He was once approved to give rain and wind coupons, and he was tired of leaving clouds to borrow the moon seal.
Ten thousand poems, thousands of wines, how many times have you looked at the prince?
Yulou Jin Que returned home, and planted plum blossoms to drunk Luoyang.
After reading this poem, we can know how high and uninhibited Zhu Dunru is, and we also know that he has always been a staunch main warrior, but it is such a high-ranking Zhu Dunru who has been high all his life, but in the end he has to be attached to Qin Juniper, and of course, it is inevitable that he will be fiercely recorded by historians since the Song Dynasty for the crime of folding his old age.
Yu Qiuyu devoted a chapter in the "Notes on Mountain Residences" to write about the hundreds of years of exile history of the "Ninggu Pagoda" in the Qing Dynasty.
In the second chapter, "The Land of the Exiles," he writes that the punishment of prisoners in ancient China was roughly nothing more than beating, killing, and exile. Beating is a light sentence, killing is a capital punishment, exile is not light or heavy embedded in the middle... The unbearable fact of the feudal era is that the scale of exile is sometimes not only the exile of the whole family, but also the disaster of the nine ethnic groups. The Kangxi poet Ding Jie once wrote two poems about exile. The poem goes like this: The southern beauty Duo Saibei, the central plains famous scholar Half Liaoyang.
Now let's go back and look at It again, Li Zhao, who is three times a phase, wen is called Su Lao. Zhu Dunru, a lonely and arrogant Qing Dynasty, advocated the recovery of the Song Dynasty rivers and mountains all his life. In the end, they all folded, and the reasons for this were probably all related to the system of the feudal era.
Sun Shao thought that Li Zheng should know Wu Zetian, so when the empress was in power, he could still speak out. However, since ancient times, li zheng was not able to grasp their spleen and stomach for the successors, so he retreated to seek self-preservation.
Zhu Dunru, qing gao all his life, but also the main battle for a lifetime, at the end, thinking of Yue Fei's fate, thinking of the future of future generations, what Qing Gao, what war of resistance, all as a fart, let it go, so he accepted Qin Juniper's envelopment and assumed the position of Hongxu Shaoqing.
Not long ago, a student asked me a question. It is a story about Ye Gong and Confucius, to the effect of the following.
Ye Gong asked Confucius, "We have a frank and upright young man there, and his father stole a sheep from someone else, and he denounced his father, and he testified, and his father was convicted. ”
Confucius replied, "Our young people there are different, they think that the father hides it for his son, and the son hides it for his father, which is a kind of integrity." ”
The Master went on to say, "There is nothing wrong with the Father's kindness and filial piety, and the king's righteousness and loyalty. Father and son suing each other, and kings and subjects attacking each other, is contrary to heaven and human nature, and although it is upright, it is not advisable. ”
Sun Shao's answer at that time was to agree with his master's views, and was supported by the fact that fathers and sons often told each other and brothers attacked each other during the Cultural Revolution.
Historians of all generations, they are like the young people in Ye Gong's hometown, frank and upright, their integrity and frankness uphold orthodox jurisprudence, the pursuit of sage personality, the establishment of a model for generations, of course, automatically filter out the warm human nature and human feelings.
Therefore, Sun Shao also admitted that Li Zhao and Zhu Dunru were not sufficient in legal terms, but from the perspective of human nature and human feelings, they were worthy of sympathy.
More than 1,300 years have passed, and Li Zhao's "Wind" has finally been selected for the language textbook, is it an apology that came late?